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Articles 1 - 25 of 25
Full-Text Articles in Ceramic Arts
Sparks Under Ashes, Ani Sargsyan
Sparks Under Ashes, Ani Sargsyan
School of Art, Art History, and Design: Theses and Student Creative Work
Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.
Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …
Embodied Archives, Emerging Futures, Xuân-Lam Nguyen
Embodied Archives, Emerging Futures, Xuân-Lam Nguyen
Masters Theses
Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.
The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss
The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss
Art & Art History ETDs
The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …
For The Birds, Charlotte L. Middleton
For The Birds, Charlotte L. Middleton
School of Art, Art History, and Design: Theses and Student Creative Work
For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.
The title of the show, For the Birds, is both a …
The Creative Front, Aleksandr O. Barrett
The Creative Front, Aleksandr O. Barrett
Graduate Student Theses, Dissertations, & Professional Papers
Abstract
In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
Frewayni's Garden: Preserving Tigrayan Culture During A Period Of Ethnocide, Gabrielle F. Tesfaye
Frewayni's Garden: Preserving Tigrayan Culture During A Period Of Ethnocide, Gabrielle F. Tesfaye
Theses and Dissertations
The recent and ongoing genocidal war in Tigray, Ethiopia, has witnessed the destruction and looting of countless historical religious sites, ancient manuscripts, and artifacts, leaving Tigray’s remaining cultural heritage extremely vulnerable. Such cultural loss erases a shared understanding across generations, robbing them of their history and identity. My work contributes to the safeguarding of Tigray’s cultural heritage and collective memory, informed by literature on cultural preservation efforts in post-war societies, and a series of interviews with Tigrayans in the diaspora and in Ethiopia.
The outcome of this thesis is embodied in a series of distinct jebenas, traditional Tigrayan clay coffee …
Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York
Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York
DU Undergraduate Research Journal Archive
Abstracts from the DU Undergraduate Showcase.
Line As Site And Material, Analise Minjarez
Line As Site And Material, Analise Minjarez
Art Theses and Dissertations
This paper recounts my artistic practice over the last three years. I will describe the places, artists, artworks, and processes that have been meaningful to me in this time as I pursued my MFA and worked to understand my relationship to the living world. In the thesis Line as Site and Material, I respond to materiality and site through installation, sculpture, drawing, and video. I work with clay harvested from my hometown of El Paso, TX to connect to the personal histories of the borderlands and geological time. In the Second River Series, I walk in the empty riverbed of …
The Los Seis De Boulder Sculpture Project: A Case Study Of Socially Engaged Archivist/Artist Collaboration At The University Of Colorado Boulder, Megan K. Friedel, Jasmine Baetz
The Los Seis De Boulder Sculpture Project: A Case Study Of Socially Engaged Archivist/Artist Collaboration At The University Of Colorado Boulder, Megan K. Friedel, Jasmine Baetz
Journal of Western Archives
As academic institutions and archivists around the nation grapple with the question of how to address existing monuments to racist histories at their institutions, how can archivists support the creation of new monuments on college and university campuses that reflect suppressed or oppressed histories of people of color? This case study explores the Los Seis de Boulder Sculpture Project, a socially engaged art project at the University of Colorado Boulder (CU Boulder), in which archivists in the CU Boulder Libraries' Archives supported and collaborated with a student artist and community members to create a public monument commemorating the deaths of …
A Lot On My Plate: Family Dishware Serving Up A History Of Global Commercialization, Grace Thanasiu
A Lot On My Plate: Family Dishware Serving Up A History Of Global Commercialization, Grace Thanasiu
Student Projects from the Archives
The “Hearthside” shaped plate was created by the Homer Laughlin China Company sometime between 1963 and 1973. My family owns such a plate, and ours originally belonged to a set of plates that was “purchased” by my grandmother, Mary Ruhlin, with books and books full of redemption stamps. Redemption stamps were literal stamps that stores distributed to customers, who could later redeem them for cash or merchandise at affiliated redemption centers that partnered with grocery stores and businesses; redemption stamps functioned as a precursor to the modern loyalty card! The need for a reputable pottery company like Homer Laughlin to …
I Hear You Now, I See You Then, Quinn Hunter
I Hear You Now, I See You Then, Quinn Hunter
Art + Design Masters Theses
In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …
News - Augusta-Richmond County Public Library System, Wallace Branch Library, Leah E. Holloway
News - Augusta-Richmond County Public Library System, Wallace Branch Library, Leah E. Holloway
Georgia Library Quarterly
No abstract provided.
The What If Collection, Aisha J. Daniels
The What If Collection, Aisha J. Daniels
Theses and Dissertations
The What If Collection is a visual narrative that confronts white supremacy, the social, economic, and political ideology used to subjugate black civilization via colonial rule and enslavement in history and via structural racism today. Many white people have been socialized into a racial illiteracy that fosters white supremacy. This racial illiteracy fails to realize and understand the destructive effects of Western dominance on the rest of the world, particularly on past and present Africa and her diaspora. In response, utilizing discursive design, the collection constructs a counter-story that depicts a shift in the power structure in which the white …
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
Layered Histories, Interpretive Desires, Rachelle Dang
Layered Histories, Interpretive Desires, Rachelle Dang
Theses and Dissertations
I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.
Black Matter, Kahlil Irving
Black Matter, Kahlil Irving
Graduate School of Art Theses
History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.
I explore many mediums, but an anchor material that I …
Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter
Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter
Theses and Dissertations
Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …
Marie J. Adams' Review Of Rod Ewins' Fijian Artefacts: Tasmanian Museum And Art Gallery Collection, Marie J. Adams
Marie J. Adams' Review Of Rod Ewins' Fijian Artefacts: Tasmanian Museum And Art Gallery Collection, Marie J. Adams
Pacific Studies
No abstract provided.
Giotto: Why Not Cimabue?, Duna Verich-Combs
Giotto: Why Not Cimabue?, Duna Verich-Combs
Morehead State Theses and Dissertations
A dissertation presented to the faculty of the Department of Art at Morehead University in partial fulfillment of the requirement for the Degree of Master Of Fine Arts by Duna Verich-Combs on July 13, 1977.
Intercultural Influences In Early Peruvian Ceramic Design And Decoration, Clinton Pace
Intercultural Influences In Early Peruvian Ceramic Design And Decoration, Clinton Pace
Masters Theses & Specialist Projects
About eleven thousand years ago the earliest known human inhabitants of the Central Andean area began a lifestyle which developed into some of the richest cultures of the ancient American civilizations. The people living in this thirteen-hundred-mile arid mountain zone, which is now the nation of Peru, produced some of the most outstanding examples of ceramics in the world before the birth of Christ.
The purpose of this study was to examine representative examples from various early Peruvian cultures in an attempt to identify their characteristics and to determine the extent to which the pottery forms of certain early cultures …
The Influence Of Industrial Arts Training On The Subsequent Occupations Of The Graduates Of Central High School, Fort Wayne, Indiana, For The Period 1932-40, Clarence Earl Robbins
The Influence Of Industrial Arts Training On The Subsequent Occupations Of The Graduates Of Central High School, Fort Wayne, Indiana, For The Period 1932-40, Clarence Earl Robbins
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
The Influence Of Industrial Arts Training On The Subsequent Occupations Of The Graduates Of Central High School, Fort Wayne, Indiana, For The Period 1932-40, Clarence Earl Robbins
The Influence Of Industrial Arts Training On The Subsequent Occupations Of The Graduates Of Central High School, Fort Wayne, Indiana, For The Period 1932-40, Clarence Earl Robbins
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
A Survey Of Industrial Arts Printing In The United States, James L. Milburn
A Survey Of Industrial Arts Printing In The United States, James L. Milburn
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
Present Status Of Teacher Training Courses In Industrial Arts In Teacher-Training Institutions Belonging To The American Association Of Teachers Colleges, G. E. Nicholson
Present Status Of Teacher Training Courses In Industrial Arts In Teacher-Training Institutions Belonging To The American Association Of Teachers Colleges, G. E. Nicholson
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.