Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy,
2021
University of Massachusetts Amherst
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
Doctoral Dissertations
In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …
The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States,
2021
Louisiana State University and Agricultural and Mechanical College
The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner
LSU Doctoral Dissertations
Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …
Players' Guild - Bowling Green, Kentucky (Sc 3597),
2021
Western Kentucky University
Players' Guild - Bowling Green, Kentucky (Sc 3597), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Small Collection 3597. Notebook of Mabel Thomas, Bowling Green, Kentucky, containing planning materials and programs for performances by the Players’ Guild, an amateur theater group in Bowling Green, Kentucky.
14 Drama And Authority During The Reign Of Queen Mary,
2021
Western Michigan University
14 Drama And Authority During The Reign Of Queen Mary, Peter Happé
Early Drama, Art, and Music
An otherwise unpublished study of drama and the English regime in the reign of Mary Tudor.
13 Musical Instruments In Early Drama: Tudor Plays,
2021
Western Michigan University
13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant
Early Drama, Art, and Music
A study of musical instruments in early Tudor plays that serves as a supplement to the author's "Musical Instruments in Early English Drama"; published in Material Culture and Medieval Drama (1999).
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama,
2021
Western Michigan University
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh
Early Drama, Art, and Music
A reprint, with revisions, of a study of the miracle of the healing of a pair of beggars by St. Martin, originally published in Early Drama, Art, and Music Review 17, no. 1 (Fall 1994).
Mochizuki: History And Context,
2021
Meiji Gakuin University
Paragons Of Loyalty On The Japanese Stage,
2021
University of Pittsburgh
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki,
2021
Kyoto Sangyō University
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu,
2021
Kyoto Sangyō University
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play,
2021
University of California at Santa Barbara
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige,
2021
Kyoto Sangyō University
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms,
2021
Medieval Japanese Studies Institute
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Mime Journal
No abstract provided.
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century,
2021
Western University
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Erin Julian, Kim Solga
Department of English Publications
What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …
Freshman Inquiry Writing Seminar: Creative Expression,
2021
CUNY City College
Freshman Inquiry Writing Seminar: Creative Expression, Kathleen Potts
Open Educational Resources
This is a syllabus for a Freshman Inquiry Writing Seminar (FIQWS) content section on American Musical Theatre. FIQWS is a six-credit courses taught by two instructors that combines a specific topic and an intensive writing seminar.
00 Preface,
2021
Western Michigan University
00 Preface, Clifford Davidson
Early Drama, Art, and Music
A preface to a collection of fourteen essays, most reprinted, with or without revisions, from the EDAM Newsletter or Early Drama, Art, and Music Review plus three newly written for this context.
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays,
2021
Western Michigan University
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays, Carolyn Coulson
Early Drama, Art, and Music
A reprint with revisions of a study of the character of Herod in the English play cycles, originally published in Early Drama, Art, and Music Review 23 (2001).
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre,
2021
Western Kentucky University
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Mahurin Honors College Capstone Experience/Thesis Projects
In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries,
2021
Western Michigan University
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries, Lynette R. Muir
Early Drama, Art, and Music
A reprint of a study of ceremonies and the Easter play at the collegiate church of St-Omer, originally published in the EDAM Newsletter 9, no. 1 (Fall 1986).
03 Il Doge And The Liturgical Drama In Late Medieval Venice,
2021
Western Michigan University
03 Il Doge And The Liturgical Drama In Late Medieval Venice, Nils Holger Petersen
Early Drama, Art, and Music
A reprint of a study of the Easter Quem Queritis and the involvement of the Venetian Doge, originally published in Early Drama, Art, and Music Review 18, no. 1 (Fall 1995).
