Theatre History Commons^™

Sibelius’S Scaramouche: A Comparative Production History Of A Tragic Pantomime, 1913–1977, Karl E. Toepfer, Eija Kurki

Open Educational Resources

The book describes the historical context for the Scaramouche tragic pantomime created by Poul Knudsen and Jean Sibelius in 1913. The pantomime had numerous productions in various European countries between 1922 and 1977, and the book examines all of them according to all available evidence. The text explains the historical and cultural significance of the pantomime and how it uniquely explores a dark and complex intersection of female sexuality, marriage, and class control of erotic desire. The authors examine all productions of Scaramouche from the premiere production in Copenhagen in 1922 to the last major production in Karl-Marx-Stadt, East Germany …

Ask The Duke, Why: How Fabrications Can Undermine Impact In Shakespeare’S Measure For Measure, Spencer D. Hansen

Graduate Theses, Dissertations, and Problem Reports (ETD)

The following document recounts the observations and consequences that result from my attempts at justifying the actions of Duke Vincentio in Shakespeare’s Measure for Measure. By following my experience through the duration of West Virginia University’s 2023 production of Measure for Measure, I examine the ramifications of justifying the Duke’s actions and the potentially harmful consequences such justifications could create with regard to the play’s reception. Additionally, this text outlines performance techniques, audience responses, rehearsal strategies, and progressive interpretations for one of Shakespeare’s most challenging characters in one of his most divisive plays.

"What Makes A Monster And What Makes A Man?": Exploring The Intersectionality Of Catholicism And Disability Through The Lens Of The Hunchback Of Notre Dame, Daniella Flom

SPARK Symposium Presentations

In 15th century Europe, most viewed the disabled through the lens of Catholicism and treated them accordingly. The off-Broadway musical The Hunchback of Notre Dame closely examines religious influences on various members of society in 15th century Europe through dialogue, lyrics, and characterization and invites us to turn the mirror on our own society, asking, “What makes a monster and what makes a man?”

The Merit Of Adaptation: An Exploration Of Adaptation In Regard To Sophocles’ Theban Plays And The Role Of Antigone Within The Story, Hogan T. Holt

Theses and Dissertations

The creation of an adaptation is extremely challenging and time-consuming, but with the right tools and inspiration, that task of creation can be eased. By looking at three different adaptations of the Theban plays, the goal of creating a new adaptation of this series of plays can be achieved. At the same time, this adaptation can achieve a goal of highlighting an important character from the original set of plays, Antigone, and give her a role that elevates her to the main protagonist across all three plays, thus allowing the Theban plays to become a more feminine piece that works …

Anne, Martin, Emmett, And Harriet: Plays About Anne Frank And Historical African American Personages, Erin R. Scheidegger-Menendez

Antioch University Dissertations & Theses

Anne Frank is linked to her contemporaries in about 80% of 18 English-language published and produced plays. The remaining plays pair Frank and African American icons Harriet Tubman, Emmett Till, and Martin Luther King, Jr. Research on dramatic literature with Frank as a character, the writing of plays linking her with African American personages, or history, analysis, or comparison of the process of multiple plays about Frank does not exist. A few articles extant compare the Goodrich and Hackett play with the Kesselman rewrite, a dissertation on five plays about Frank (those five plays are in the 80% mentioned earlier). …

Celluloid Shakespeare: An Exploration Of The Relationship Between Film And Theatre Through Edgar In Shakespeare’S King Lear, Liam Michael Holton

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document explores the actor‘s process and performance of Edgar in the 2021 WVU/WVPB production of William Shakespeare‘s King Lear. This production was directed by Professor Jerry McGonigle and was filmed during the height of the Covid-19 pandemic in partnership with West Virginia Public Broadcasting. This experimental project would go on to receive national distribution by the National Educational Television Association (NETA) and was also in consideration for a NETA award, in addition to receiving an Ohio Valley regional Emmy Award nomination as a finalist in the category of Arts/Entertainment – Short Form or Long Form Content. The following text …

Revolutionizing The Stage: The Impact Of The Revolving Stage In 'Hamilton', Amanda L. Padilla

Publications and Research

This research delves into the captivating features of the revolving stage in the Broadway musical "Hamilton," examining both its significance in modern theater for the American Revolution, dynamically mirroring the ever-evolving political landscapes of the time. Focusing on design and engineering, the study sheds light on the motor-driven control of the central pivot point, enabling a unique 360-degree view that significantly heightens audience immersion. The research underscores the stage's role in enhancing visual clarity, unraveling complex scenes, and enriching the comprehension of choreography and narratives. Beyond its narrative function, the revolving stage plays a pivotal role in shaping the visual …

Mapping The Theaters Of Brooklyn's Past (1825-1925): A Gis Project, Elena Shefsky

Publications and Research

Despite its rich performance culture, Brooklyn remains underrepresented in theater history, eclipsed in fame by the well-known theaters of Manhattan. One of the most populous areas in America, Brooklyn has been an artistic home to actors, playwrights, directors, and impresarios for centuries. That said, there is a dearth of accessible information and scholarship on Brooklyn theaters. My objective was to update an ongoing mapping project, The City Performs, to include information and images of theater buildings from Brooklyn. The project is an interactive, open-source digital map that uses ArcGIS software to georeference data about NYC theaters. I collected data …

No Sex For Me: Female Influence And Power Through The Lens Of Hrotsvitha, Madison Patoto

[Archive] Belmont University Research Symposium (BURS)

No Sex for Me: Female Influence and Power Through the Lens of Hrotsvitha

Madison Patoto

Male playwrights dominated the theatre world until Hrotsvitha, a German nun and playwright, broke the silence of The Dark Ages. She adapted the works of the ancient Roman playwright, Terence, with a more favorable depiction of faith and women. In the midst of a patriarchal world, Hrotsvitha explored the theme of sexuality through strong female characters who gained power and influence in a world that degraded them and considered them impotent. This essay dives into the main differences between Terence’s Roman secular views and Hrotsvitha’s …

Proud Of Your Boy: Toxic Masculinity, Boyhood, And The American Musical, Aaron J. Wood

LSU Doctoral Dissertations

This project traces the cultural historiography of the phrase "boys will be boys" and examines the pattern of white male excusal it embodies through a case-study based survey of onstage depictions of boyhood in musical theatre. I argue that the generational idea of manhood as aggressive, competitive, and violent is continually reasserted through our passive acceptance of white boy violence. This dissertation looks to the musicals Newsies, West Side Story, Heathers, and Dear Evan Hansen as case studies for exploring the cultural lineage of the phrase “boys will be boys.” Like the works of Aaron Thomas, Raymond …

I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus

[Archive] Belmont University Research Symposium (BURS)

William Shakespeare wrote numerous works, diving into the common motifs of love, revenge, power, but most importantly, madness. While Elizabethan audiences were more accustomed to seeing madness as a ploy for comedy, Shakespeare changed the appeal through shows such as King Lear, Hamlet, and Macbeth. He presents the power and ambition of women, as well as the failings of the upper-class, but he disguised them through the idea of insanity. At a time when the public had little understanding of mental health, it was easy to blame madness on gender, social status, and even the supernatural. Through …

Historian-For-A-Day, Elyse Singer

Open Educational Resources

Each student will select a class session in which to present a brief (1-2 minute) "fun fact" based on their own research that relates to the time/place being studied. It should be something that is of interest to you, and (hopefully) to the whole class – cultural, political, sociological, scientific, medical…. For example, for the class on Roman Tragedy, the factoid might be about what a citizen in ancient Roman ate for supper! Originality counts.

Due on date of presentation: A one-paragraph description of the fun fact, in your own words, and cite at least one source--that is not Wikipedia. …

Everybody

Taylor Theatre Playbills

The playbill for Taylor University's performance of Everybody by Branden Jacobs-Jenkins.

Performed September 14-17, 2023 at the Mitchell Theatre.

Everybody is a modern adaptation of the 15th-century morality play Everyman. The story follows a character named Everybody, who is summoned by Death to embark on a journey to account for their life and choices before God. As Everybody seeks companionship for this final journey, they encounter personifications of abstract concepts like Friendship, Kinship, Stuff, Mind, and Love. The play uses a unique casting lottery system, where roles are assigned randomly at each performance, symbolizing the unpredictability of death. Through …

The Virtue Of Humour In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"As the essays in this volume by Carolyn Sale and Katie Adkison clearly demonstrate, King Lear is centrally concerned with virtue. France makes it a priority when choosing Cordelia for his wife, telling her ‘Thee and thy virtues here I seize upon’ (1.1.250).1 Similarly, Cornwall cites Edmund’s ‘virtue and obedience’ when deciding to ‘seize on’ Edmund as his own (2.1.115, 118). The fact that characters as opposite as Cordelia and Edmund are alike ‘seized’ upon on account of their virtue underscores how difficult it can be to determine who and what is truly virtuous. Lear highlights this very problem when …

Staging Nature: Performing Environmental Crises In War, Housing, And Labor, 1935–1990, Erik Barrett Wallenberg

Dissertations, Theses, and Capstone Projects

“Staging Nature” examines how theater was used as a means for expressing environmental concerns in moments of environmental crisis in the United States. I begin with The Federal Theatre Project’s national tour of a performance addressing the metabolic rift in the divide between the city and country with a focus on the devastation of farmland in the Dust Bowl in the late 1930s. At the heart of the dissertation are three theater groups that start in the 1960s during the rise of the modern environmental movement. Chapters on Bread and Puppet Theater show that they make a name for themselves …

Perceived Phantoms: A Phenomenological Observation Of Spirituality In Atsumori, Nicholas C. Gilomen

The Kennesaw Journal of Undergraduate Research

The paper examines the performance and embodiment of spirituality in Japanese Noh Drama during the Muromachi era from 1336 CE to 1573 CE. It also observes the art form from a modern perspective. Specifically, this research examines the classic Noh Drama play Atsumori by Zeami Motokiyo through the phenomenological lens. Phenomenology is a qualitative study that focuses on the perceptions of the human consciousness, and it allows me to examine the impact of subjective experiences on a person’s sense of truth. This paper examines the spirituality present through the various religious influences that went into the development of Noh Drama …

Palestine Without Borders: A Study Of Arab And Western Voices In Theater, Bassem Mohsen Ahmed El-Sayed Ahmed Ibrahim

Theses and Dissertations

Theater has always been perceived as a way to link different cultures together and bring them under one large domain. Regardless, the genre does not give the needed attention to works written in certain regions that may otherwise fall outside the consensus. One good example is Palestine and any works that deal with it as a setting. The first thing that comes to mind whenever the word “Palestine” is brought up is almost always of a political nature, having to do with the Palestinians’ national conflict with Israel. This thesis undertakes to amend this by probing into plays written by …

Transnational Ritual Poetics Of Blackness In Performance, Nina A. Mercer

Dissertations, Theses, and Capstone Projects

In this dissertation, I investigate transnational ritual poetics of Blackness through a historical, cultural, and spatial lens, centering my exploration on the recurrence of circles, the crossroads, and waterways. I show how these formal poetics activate Africana cosmologies, cosmogonies, and mythologies dramaturgically by centering contemporary New York City performance works that bring together dance, theatre, and music. I contextualize NYC performance case studies in relation to performance practices in contemporary Salvador da Bahia. I am particularly interested in how the recurrence of circles, the crossroads, and water as formal poetics catalyze interventions along contested water-ways and landscapes marked by Black …

Smokebox: Writing Into Embarrassment, Julia Storch

Theatre & Dance ETDs

Engaging with theoretical concepts and dramaturgical tools, this essay follows my journey through The Dramatic Writing MFA program at the University of New Mexico, focusing on the production of my thesis play, Smokebox. In Part I, I give the background and development of my journey as a playwright, exploring the obstacles I faced and overcame through my engagement with coursework and staged readings. I map out the development of Smokebox, from its humble beginnings as a class assignment, to its transformation through workshop, and finally its realization through an intense rehearsal and production process. In Part II, I …

Sweat Equity: Lynn Nottage's Radical Dialectic Of Deindustrialization, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

"Lynn Nottage has devoted her career to researching and telling stories of Black individuals and communities with expressed interest in laborers, advocating for their agency, humanity, and legacy. In her second Pulitzer Prize-winning play, Sweat, Nottage dramatizes more recent US history, illuminating the lives of workers marginalized by the deindustrialization of the Rust Belt in the early 2000s. Sweat is emblematic of Nottage's sustained effort to deploy playwriting as activism and stand in solidarity with those whose stories she chooses to tell. As a constant theme in her works, Lynn Nottage's stories align with marginalized workers' efforts and histories, …