Theatre History Commons^™

Primitivism, Performance Studies, And Modernist Time: Tracing An Alternative Genealogy Of Performance Studies Through Case Studies In Modernist Cultural Appropriation, Stephanie Vella

Dissertations, Theses, and Capstone Projects

This dissertation traces a genealogy of research methodologies for documenting, transmitting, and analyzing embodied, non-textual performance practices from the late-nineteenth through early-twentieth centuries. I uncover intersections between these methods and the conflations of race and temporality that are ubiquitously threaded through modernist cultural practices during this time in the form of primitivism. The researchers whose work I analyze all saw European modernity as fundamentally detached from physical culture, while viewing other cultures—especially those of the people most directly threatened by colonial and capitalist expansion during this time—as having access to a “lost” corporeal knowledge. I argue that primitivism is not …

Rendering Documentary Portraiture: An Interrogation Of Archival Discourse Through A Critical Exploration Of Nineteenth Century Stage Actress Charlotte Cushman’S Material Memory, Skyler Sunday

Electronic Theses and Dissertations

Visual depictions of nineteenth century stage actress Charlotte Cushman, such as photographs, engravings, and painted portraits assist researchers in re-envisioning her both as an actress and as a person, but what do her remaining archival possessions further reveal to researchers about her memory? How do different objects operate as portraits that allow the researcher to tap into and remember specific moments and memory? How does the effort to preserve memory take different forms? This project argues that, when viewing the archive through its stored objects, our collective notion of portraiture can be expanded and used to interrogate existing methods of …

Designing For Yiddish Drama, Naomi Marin

Theater Summer Fellows

"Designing for Yiddish Drama" explores the questions of the relationship between culture and design and what influences a design or designer. It also demonstrates two designs for a Yiddish play, "The Dybbuk," by S. Ansky.

Sexing The Stage: Designing Sets For Queer Plays, Elliot Cetinski

Theater Summer Fellows

How can we design queer plays in a way that acknowledges challenging content and celebrates queer theater history? How does a set designer use the research on a play’s challenging content and its historical relevance to influence the design and aid in telling the story? What are the tools and processes indispensable to a scenic designer’s creative process? Answers to all of these questions are the goal of my project, where I am exploring the queer plays of 1920s’ playwright Mae West and designing the set for her play The Pleasure Man through a modern queer lens. As a queer …

A Weapon For The People To Wield, Olivia Sonell

Student Theses

This paper describes an applied theatre project facilitated in winter 2022 with an intergenerational group of LGBTQ adults based out of a large advocacy non- profit in the northeastern united states. The purpose of the project was three-fold, to explore LGBTQ intergenerational unity, the efficacy of applied theatre work in non-profit settings, and whether applied theatre has compromised itself ideologically.

Our project team met with participants over a period of four weeks, entirely over the ZOOM app. During these sessions we used applied theatre practices drawn from Augusto Boal and Helen White to explore connection and disconnection, and challenge dominant …

Staging Retro-Perspectives: Performing Age, Memory/Loss, And Queer Desire In The Later Works Of Split Britches (2009–2020), Benjamin Gillespie

Dissertations, Theses, and Capstone Projects

This project investigates the later works of the celebrated New York–based lesbian-feminist performance troupe Split Britches made up of founding members Peggy Shaw (b. 1944) and Lois Weaver (b. 1949). Revealing how the duo consciously interlaces aspects of aging and age-based identity into the very fabric of their later performances in both form and content, this project analyzes how Shaw and Weaver integrate an explicitly anti-ageist and overtly queer representation of aging on the experimental stage. Their later performances serve to challenge narratives of decline and debilitation that come with (hetero)normative representations of old age and the life course in …

"My Two Ears Can Witness": Feminist Pedagogy From Rehearsal Hall To Classroom, Ben Long, Noah Long, Laura Grace Godwin

Feminist Pedagogy

Given that university rehearsal halls are a natural home for feminist pedagogy, this paper addresses professors across campus under the contention that the signature pedagogy of theatre offers a model for faculty in other disciplines. The essay adapts a series of rehearsal hall techniques for traditional classrooms as efficient ways of fostering subjectivity, empowerment, community, and reflection in service of socio-cultural ends. The original teaching activities outlined herein do not require theatrical performance, but they nevertheless draw upon the power of live witnessing and interactive response that make theatre a powerful pedagogical tool. The authors conclude with an illustration of …

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

Spaces Of The Tragic: Modern Dramatic Tragedy And Contemporary Memorial Design, Shiloh Bemis

Architecture Undergraduate Honors Theses

Humans use narrative to understand the world around us. At early ages we are exposed to storytelling with variable intent, from cautionary tales to the inspirational and everything in between. The dialectic strength of narrative mediums is well-known and well-studied. Theatre is one of the world’s oldest enduring forms of storytelling and has a strong ability to reflect and adapt with cultures as they develop, as a means of commentary and cultural reflection.

Architecture shares theatre’s ancient roots and has always been an important method of communication and expression. However, its tactics have historically been less narrative-centric than theatre and …

Annie

Taylor Theatre Playbills

The playbill for Taylor University's performance of Annie with book by Thomas Meehan, music by Charles Strouse and music by Martin Charnin.

Annie is a beloved musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan.The musical is set during the Great Depression and follows the story of a young orphan named Annie. Living in a miserable orphanage run by the cruel Miss Hannigan, Annie's life changes when she is chosen to spend Christmas with the wealthy Oliver Warbucks. Despite various challenges and schemes by Miss Hannigan, Annie's optimism and determination lead to a …

Lesbian Visibility And Censorship In Early Twentieth Century New York City, Aimee Clouse

Undergraduate Research Symposium Posters

On the brisk night of February 9th, 1927, New York City Police crammed the casts of two Broadway plays, one of which Edouard Bourdet's The Captive, into the back of a paddy wagon. These arrests and the legislation that enabled them were just one step taken by institutions to hide lesbians from the public. The eclectic nature of New York City in the early twentieth century fostered a growing scene of gender and sexual expression unlike anywhere else in the United States. Here, lesbians found freedom to express their sexuality and explore a growing subculture.

Dramaturgy For Henrik Ibsen's "A Doll's House", Rachel Boyle

ONU Student Research Colloquium

For the Freed Center for the Performing Arts Spring 2022 production of A Doll’s House by Henrik Ibsen I served as Dramaturg. My role on the production team involved providing historical context, literary analysis and necessary research for the production. My work began with the director in August and continued through the design process, rehearsals, and performances in late February. My research was used by the director, production team, and actors. I designed a lobby display with a selection of my research for our audiences.

I began with an investigation of Ibsen’s life and work as well as his intentions …

How Would Jesus Watch This? An Investigation Into Dance Restrictions In American Protestantism, Rebecca Lynn Huppenthal

Theatre & Dance ETDs

In the United States there has been many disagreements concerning the place of dance within Protestant Christianity. Some denominations have banned dance entirely while other utilize dance as an essential element of worship. At the center of this argument is the understanding, treatment, and use of the physical body. Beginning in the sixteenth century through current times, I analyze specific Protestant denominations including the Puritans, Evangelical Fundamentalists, Southern Baptists, the Shakers, certain African American denominations, and Pentecostals. Additionally, I examine notable liturgical modern dancers, as well as my own choreographic work, a dance film titled Rebirth. This research displays …

“All The Daughters Of My Father's House, And All The Brothers Too”: Shakespeare’S Portrayal Of Gender Fluidity, Sebastian Lopez

Symposium of Student Scholars

This paper analyzes how Shakespeare's personal life influenced the relationship between Viola and Cesario in Twelfth Night through a feminist lens and an analysis of gender fluidity in the Elizabethan Era. It is a common misconception that conversations revolving around gender are a modern discussion. Shakespeare popularized the idea of gender fluidity in English literature in his play, Twelfth Night.

At the height of Shakespeare’s career, he wrote many comedies, yet few tragedies, however, a tonal shift occurred after the death of his son, Hamnet. Shakespeare was father to a pair of fraternal twins, Judith and Hamnet. However, the …

A Woman's War: The Global Feminist Impact Of The Reclamation And Emulation Of Lysistrata, Sierra Benning

Symposium of Student Scholars

Sierra Benning Kennesaw State University [email protected]

A Woman’s War: The Global Feminist Impact of the Reclamation and Emulation of Lysistrata

Can one consider literature, art, film, or theatre created by men, despite the presence of empowered and intelligent female characters, as truly and accurately feminist? This presentation seeks to answer this question through calling forth the concept proposed by Sue-Ellen Case in her book Feminism and Theatre of the “male-produced” woman, and the unrealistic image that product has created for women through time. This presentation explores the idea that when these male-written female characters are reclaimed by female audiences, they …

Approaching The 'Small Planet': Remain In Light's Starship Road Trip As Metaphor For Theatrical World-Building, Amy Yourd

Theatre & Dance ETDs

Using Elinor Fuchs’ “Visit to a Small Planet” as inspiration, I consider my play Remain in Light as its own small planet, examining theories of world-building, science fiction, and utopian performativity to investigate possible functions of imaginary worlds onstage. In chapter one, I appropriate Fuchs’ script analysis exercise for my own purposes of play development, discovering a world of sensory detail that parallels the characters’ experience in the play. In chapter two, I conceive of the play’s starship as an imaginary world crashing towards this one, its escape a hopeful reflection on the utopian possibilities of alternate worlds. In chapter …

Eccentric: Writing Through The Lens Of Empathy, Steven M. Blacksmith

Theatre & Dance ETDs

In this essay, I detail my growth as a writer through different periods of empathic learning. I examine my childhood struggle to understand many common emotions and the ways in which I began to logically dissect and replicate them in life and in art. I further delve into this examination through my discovery of comedy and the lifelong process of understand the deep connections humans make with humor. I then discuss how my understanding of empathy allowed me to write my dissertation play, The Eccentrics, and create a world in which empathy among the characters can be a catalyst …

1860'S Clothing In America, Lynna Levin

Undergraduate Research Conference

My research focused on the Crinoline period which was a transitional period between the Romantic and Bustle Period. In addition, I explored clothing of slaves, and clothing during the American Civil War. There were clothing variations depending on wealth, class, and location. The most notable changes of this period were the use of the crinoline and Civil War uniforms. The transition of art from Romanticism to Realism and Impressionism illustrates the transition in clothing from flowy and delicate to that of a stiff and structured style.

I’Ve Lost Respect For Bertolt Brecht: A Look Into The Disappearance Of The Original Production Of Pioneers In Ingolstadt By Marieluise Fleißer, Jenna Alley

Undergraduate Research Conference

No abstract provided.

The 5th Humor, Stella Maria Perry

Theatre & Dance ETDs

I will be using a self-interview as a method of investigating both the origins of myself, the artist, and the work produced I have produced in and out of the MFA Dramatic Writing program with a special focus on my dissertation play, The Blood Vessel.

The intention is to investigate how my plays have come into existence and how they inform each other. This is done through a series of questions I ask myself under the pseudonym Penelope Hawkins. Penelope guides me through the investigation as a character, thus becoming part of the work of the self-interview and still …