...The End (April 18, 20, 2024),
2024
Lindenwood University
...The End (April 18, 20, 2024), Lindenwood University
Student Dance Programs & Brochures
Event program for ...The End (April 18, 20, 2024), Lindenwood University.
Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies,
2024
University of Lynchburg
Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell
Student Scholar Showcase
While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …
The Beginning Of... (April 17, 19, 2024),
2024
Lindenwood University
The Beginning Of... (April 17, 19, 2024), Lindenwood University
Student Dance Programs & Brochures
Event program for The Beginning of... (April 17, 19, 2024), Lindenwood University.
Wmu Technical Director For Clue,
2024
Western Michigan University
Wmu Technical Director For Clue, Fleck Joseph
Honors Theses
This Thesis delves into the pivotal role of the Technical Director in the staging of CLUE, a WMU theatrical production scheduled from November 10 to 19. With a strike date set for November 19 and a load-in work day on October 7, the Technical Director's responsibilities spanned across various domains, from budget management to technical design and construction supervision.
Communication among disparate production departments lay at the heart of the Technical Director's duties. This involved coordinating activities across lighting, sound, scenic, stage management, props, and costume departments. The Technical Director ensured the alignment of creative visions and operational objectives by …
Life By Design (Text And Video),
2024
Illinois Wesleyan University
Life By Design (Text And Video), Curtis C. Trout
Honorees for Teaching Excellence
No abstract provided.
Monster Midway: An Uninhibited Look At The Glittering World Of The Carny By William Lindsay Gresham,
2024
Independent Scholar
Monster Midway: An Uninhibited Look At The Glittering World Of The Carny By William Lindsay Gresham, G. Connor Salter
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
William Lindsay Gresham may best be known in the Inklings community for being Joy Davidman’s first husband, but he was also a successful writer. His 1953 study Monster Midway, recently republished by Dunce Books, is an engaging look at American carnivals, with personal details that will interest Inklings scholars.
Two Roads To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth,
2024
Sacred Heart University
Two Roads To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
The paper examines two myth-inspired musicals—The Frogs by Burt Shevelove and Stephen Sondheim and Hadestown by Anaïs Mitchell—concerning journeys to the underworld that benefit society. Both musicals undergo adaptation and revision processes that reflect the political and social concerns of the day. The Frogs depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at the Bush administration. As a “folk opera,” Hadestown retells Orpheus’ descent to the Underworld to rescue Euridice as a commentary on economic …
Creating Consent Based Spaces In The Performing Arts,
2024
University of South Carolina - Upstate
Creating Consent Based Spaces In The Performing Arts, Laura Rikard
SC Upstate Research Symposium
In 1849 when Duke Saxe Meiningen created the role of the modern director in theatre he created an authoritarian model for creative power over production that would be replicated for the next one hundred and fifty years in the performing arts. This leadership model led to a performing arts industry reliant on performances being obedient and not fostering environments where creative collaboration can thrive. It created confusion between what it means to say, “yes” from a point of view of survival and not from a place of consent. For true collaboration to thrive in the product and process oriented spaces …
The Play That Goes Wrong Poster,
2024
Providence College
The Play That Goes Wrong Poster, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
The Play That Goes Wrong, by Lewis, Shields, and Sayer
April 12-14 & 19-21, 2024
Fridays & Saturdays, 7:30pm
Sundays, 2pm
Director, Patricia Tulli-Hawkridge
The Play That Goes Wrong Playbill,
2024
Providence College
The Play That Goes Wrong Playbill, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
The Play That Goes Wrong, by Henry Lewis, Henry Shields, and Jonathan Sayer
April 12-14 & 19-21, 2024
Fridays & Saturdays, 7:30pm
Sundays, 2pm
Director, Patricia Tulli-Hawkridge
Set & Props Designer, Scott Osborne
Lighting Designer, Michael Clark Wonson
Sound Designer, Stuart Holland
Costume Designer, David Cabral
Vocal Coach, Megan Chang
Hair & Makeup Designer, Joe Rossi
Fight Choreographer, Jim Beauregard
Cast: Kevin Bongiorno - Trevor; Jack Josefowski - Chris; Brendan Phaneuf - Jonathan; Anthony Joseph - Robert; Jack Cormier - …
My Dead Boyfriend Is A Robot (2024),
2024
Oberlin
My Dead Boyfriend Is A Robot (2024), Preston Crowder
Season 2023-2024
No abstract provided.
Arts Integration In The Middle School Mathematics Classroom,
2024
Bowling Green State University
Arts Integration In The Middle School Mathematics Classroom, Cameron Willis
Honors Projects
In this project, we explore the question "How can arts integration techniques be used in the middle school mathematics classroom to heighten student engagement and interest while also developing deeper conceptual understanding?" Through completing a lesson study over incorporating structured improvisation into a simple probability unit, seventh grade students were able to share their thoughts and feelings about using theatre to teach mathematics.
Ordinary Days (April 10-13, 2024),
2024
Lindenwood University
Ordinary Days (April 10-13, 2024), Lindenwood University
Student Theatre Programs
Event program for Ordinary Days (April 10-13, 2024), Lindenwood University.
To view the photos from this production of Ordinary Days, please click here.
Child Soldiers Of Verona: The Antiauthoritarian Antiwar Subtext Of Romeo And Juliet,
2024
Fort Hays State University
Child Soldiers Of Verona: The Antiauthoritarian Antiwar Subtext Of Romeo And Juliet, Carl L. Sage
SACAD: Scholarly Activities
Common practice has Shakespeare’s Romeo and Juliet identified as a tragic love story, which has antecedents tracing back as far as Pyramus and Thisbe by Ovid. Though valid, this interpretation plumbs only a limited portion of the text. It is the position of this paper that, like Shakespeare’s later work Macbeth, Romeo and Juliet was written with a political subtext in mind. Both texts play on the social memory of the War of the Roses, as well as continuing sectarian strife between Protestant and Roman Catholic adherents contemporaneous to the era. However, while Macbeth served to prop up the …
Echoes Of Harlem: Selective Realism In Blues For An Alabama Sky,
2024
Stephen F Austin State University
Echoes Of Harlem: Selective Realism In Blues For An Alabama Sky, Grant Mcgee, Ruben Monsivais, Maddie Watkins, Drake Willis
Undergraduate Research Conference
Blues for an Alabama Sky is about a family of friends struggling with materialistic themes such as the Great Depression and the economic hardship that came after the Harlem Renaissance. As designers, Blues for an Alabama Sky is a play where it's important to show the black experience during the Great Depression and the Harlem Renaissance, create a space the audience feels they can relate closely to, and help the audience feel the emotion and the characters' need to escape from, or succeed out of, their current environment.
Revolutionizing Theatrical Lighting Design Through Virtual Reality (Vr) Technology,
2024
Stephen F Austin State University
Revolutionizing Theatrical Lighting Design Through Virtual Reality (Vr) Technology, Jonathan Graves
Undergraduate Research Conference
No abstract provided.
Intersections Of Glass Art & Digital Art: What Classic Tech Can Teach Us Today,
2024
Bowling Green State University
Intersections Of Glass Art & Digital Art: What Classic Tech Can Teach Us Today, Kayla Helman
Honors Projects
This research documents techniques past and present revolving around the theatre projection technique Pepper's Ghost and how digitally produced artwork can be intertwined with glass art. Documentation consists of review of existing literature and artists in the field developing this intersection.
The Voice Actor And Their Double: Working As A Voice Actor And Teaching Voice Acting In The Age Of Ai Voice Cloning,
2024
University of Nevada Las Vegas
The Voice Actor And Their Double: Working As A Voice Actor And Teaching Voice Acting In The Age Of Ai Voice Cloning, Adam Paul
Tradition Innovations in Arts, Design, and Media Higher Education
The rapid development of Artificial Intelligence (AI) and voice cloning technology presents significant challenges and opportunities in the field of voice acting and performing arts. This article explores the profound transformations taking place in the voiceover industry due to the convergence of AI, voice synthesis, and personal voice cloning technologies. The author, a seasoned voice actor, reflects on the impact of these advancements on his profession, from the democratization of voiceover tools to the emergence of AI-generated voices that closely mimic human speech.
The article delves into the intricate interplay between technology and human creativity, investigating the implications for voice …
Student-Directed One-Acts,
2024
Chapman University
Peerless (2024),
2024
Oberlin
