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Shakespeare In The Park: A Midsummer Night's Dream Final Script, University of North Florida, William Shakespeare 2020 University of North Florida

Shakespeare In The Park: A Midsummer Night's Dream Final Script, University Of North Florida, William Shakespeare

UNF Shakespeare - A Midsummer Night's Dream

The final script for UNF's production of A Midsummer Night's Dream


Creative Writers Festival Media Release, Talia Triangolo 2020 Providence College

Creative Writers Festival Media Release, Talia Triangolo

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Creative Writers Festival media release

February 2020


Peter And The Starcatcher Media Release, Talia Triangolo 2020 Providence College

Peter And The Starcatcher Media Release, Talia Triangolo

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Peter and the Starcatcher media release

February 2020


Crimes Of The Heart, Lynn University 2020 Lynn University

Crimes Of The Heart, Lynn University

Drama Programs

by Beth Henley

The scene is Hazlehurst, Mississippi, where the three Magrath sisters gather to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried at 30 and facing diminishing marital prospects; Meg, the middle sister, is back after a failed singing career on the West Coast; while Babe, the youngest, is out on bail after having shot her husband.


The Argentines Of Paris: Theatrical Networks And Assemblages, Stefano Boselli 2020 CUNY Graduate Center

The Argentines Of Paris: Theatrical Networks And Assemblages, Stefano Boselli

Dissertations, Theses, and Capstone Projects

This work investigates key theatre productions written or directed by Argentines who left Buenos Aires, for personal, artistic, and/or political reasons, and established themselves in Paris. Case studies refer to the lives, visual art, theatre companies, official appointments, and global networks that contributed to their creations between the 1960s and 1990s. Although others are mentioned briefly, the main focus remains on a cluster of theatre practitioners who more frequently connected with each other around playwright, performer, and graphic artist Copi (nom de plume of Raúl Damonte Botana). These included director Jorge Lavelli; director and performer Jérôme Savary; director and visual …


Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater, Oriana E. Gonzales 2020 CUNY Graduate Center

Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater, Oriana E. Gonzales

Dissertations, Theses, and Capstone Projects

In December 1966, Miriam Colón, a Puerto Rican actress, starred in The Oxcart at the Greenwich Mews Theatre in New York City. The play, written by Puerto Rican playwright René Marques in 1951, told the story of a Puerto Rican family’s migration from the countryside to San Juan, and finally, to New York City. One-year post-production Colón founded the Puerto Rican Traveling Theater (PRTT) as a response to the lack of diversity she saw in the audiences at the Greenwich Mews and everywhere else she performed during her prolific acting career in the 1950s and 1960s. Thirteen years later, Rosalba …


In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti 2020 CUNY Graduate Center

In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti

Dissertations, Theses, and Capstone Projects

I investigate how speculative philosophy informs critical thinking about dance and its performance, encompassing both the act of creating and the action of executing. Speculative thinking augments and draws out new experiences and realities in the artistic body. I will argue that speculative theories widen the understanding and implementation of dance and its performance through a combination of human and nonhuman forces. This broadened understanding encourages progress, transformation, and evolution within the field of dance. I discuss the human (that which is experienced through sensibilities, therefore tangible and understandable on a cognitive and practical level) and the nonhuman (forces beyond …


International Influence On The Development And Reception Of Cello Playing In England, 1870–1930: Robert Hausmann, Auguste Van Biene, And Guilhermina Suggia, Hannah E. Collins 2020 CUNY Graduate Center

International Influence On The Development And Reception Of Cello Playing In England, 1870–1930: Robert Hausmann, Auguste Van Biene, And Guilhermina Suggia, Hannah E. Collins

Dissertations, Theses, and Capstone Projects

The development of cello playing in England in the late nineteenth century was driven largely by the efforts of expatriate and visiting performers trained elsewhere. Performers from abroad, with the support and admiration of British institutions and audiences, elevated the technical level of cello playing and helped to increase the quality and quantity of solo repertoire being written and performed. They also expanded the degree of acceptance that British audiences held for the cello, both as a solo instrument and as an instrument that could be played in public by women. This study explores the impact that three such cellists, …


Musical Activities Between Father And Toddler In Local Music Centre In Klang Valley, Yee Farn Kang 2020 Universiti Malaya

Musical Activities Between Father And Toddler In Local Music Centre In Klang Valley, Yee Farn Kang

Student Works (2020-2029)

Historically, different forms of musical activities, including singing, was one of the earliest ways of parents to bond with their children. Lullaby or other forms of singing has been used for ages to encourage or teach children necessary skills required in future. As recent studies signify, the effects of the music education from the early ages can have very positive effects on the children. Meanwhile, by growing the popularity of musical early childhood programs the number of researches on outcome of these classes are increasing. However, there are not many researches in which the focus specifically aim the effects of …


In And Out Of Character: Socratic Mimēsis, Mateo Duque 2020 CUNY Graduate Center

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …


Center For Art & Theater News, Georgia Southern University 2020 Georgia Southern University

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Alicia LaChance's 'Vanishing Point' on view in the Contemporary Gallery


Student And Teacher Attitudes Towards Overtraining And Recovery In Vocational Dance Training, Peta Blevins, Shona Erskine, Gene Moyle, Luke Hopper 2020 Edith Cowan University

Student And Teacher Attitudes Towards Overtraining And Recovery In Vocational Dance Training, Peta Blevins, Shona Erskine, Gene Moyle, Luke Hopper

Research outputs 2014 to 2021

Elite performance in dance is the result of many years of training, during which dancers face high physical and emotional demands. There is little empirical evidence addressing dancer training behaviours in the context of overtraining and in response to training demands; however, underlying dancer attitudes that affect training behaviours must first be understood to truly determine the drivers of dance training behaviour. This study explored the attitudes held by vocational dance students and their teachers in relation to stress and recovery during vocational dance training. Using Q methodology with a sample of 86 students and teachers, six viewpoints were identified …


The Maids Playbill, Providence College 2020 Providence College

The Maids Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Maids

Written by Jean Genet. Translated from the French by Bernard Frechtman

Directed by Erin Joy Schmidt

January 23-26

Thursday, Friday, Saturday 7:30pm; Sunday 2:00pm

Scenic Designer: Sarah Markley

Sound Designer: Steve Shapiro

Costume Designer: Chelsea Kerl

Lighting Designer: Michael Clark Wonson

Vocal Coach: Megan Chang

Cast: Claire - Grace Dolan; Solange - Sydney Cahill; Madame - Halle Pratt


The Maids Poster, Providence College 2020 Providence College

The Maids Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Maids

Written by Jean Genet. Translated from the French by Bernard Frechtman

Directed by Erin Joy Schmidt

January 23-26

Thursday, Friday, Saturday 7:30pm; Sunday 2:00pm


Christine "Chris" Kyker Papers, 1946-2017, Chris Kyker 2020 Abilene Christian University

Christine "Chris" Kyker Papers, 1946-2017, Chris Kyker

Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids

No abstract provided.


Directing "Time Stands Still" By Donald Margulies In Studio 115, Victoria Fortune 2020 University of Mary Washington

Directing "Time Stands Still" By Donald Margulies In Studio 115, Victoria Fortune

Departmental Honors & Graduate Capstone Projects

These documents include my analysis of the play based on extensive research and study as well as my written director's journal, detailing the process of directing the play from auditions, rehearsals, technical rehearsals, to performance.


Center For Art & Theater News, Georgia Southern University 2020 Georgia Southern University

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Widow Maker Collective's 'Bedtime Stories' on view in the Contemporary Gallery


Opera And Children’S Literature: 1895-Present, John P. DeLooper 2020 CUNY Lehman College

Opera And Children’S Literature: 1895-Present, John P. Delooper

Publications and Research

This presentation discusses the findings resulting from the creation of a comprehensive bibliography of English Language children’s opera books published from 1895 to present. Historically opera was often assumed to be an elitist art in the United States and was thus seldom discussed in library collection development literature, and equally rarely highlighted in children’s literature periodicals. Recently, two librarians, supported by a Carnegie Whitney grant from the American Library Association, investigated the impact of opera themed children’s books by compiling a bibliography which documented instances of opera in published English Language children’s literature over the last 125 years. By analyzing …


The Times, They Were A-Changin': Exploring The Interstate Oratorical Contests Of The 1960s, R. Randolph Richardson, Kathy Brittain Richardson 2020 Westminster College

The Times, They Were A-Changin': Exploring The Interstate Oratorical Contests Of The 1960s, R. Randolph Richardson, Kathy Brittain Richardson

National Forensic Journal

Since 1874, a handful of American college classrooms have hosted generations of students practicing the art of oratory. Throughout the intervening decades, students involved in the Interstate Oratory Contest have, to varying degrees, addressed the compelling social, political, economic and educational issues of their time. When one considers the shifting socio-political landscape of the 1960s, this decade seems a far cry from the rhetorical contexts that gave rise to speeches for the previous nine decades. Did stock issues give way to Woodstock issues? An analysis of the Interstate Oratory winning orations from the 1960s raises numerous questions. To what extent …


Edgerton Center 2020/21 Season, Edgerton Center for the Performing Arts 2020 Sacred Heart University

Edgerton Center 2020/21 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program for the 2020/2021 season of the Edgerton Center for Performing Arts.


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