Mr. Burns: A Post-Electric Play (February 19-22, 2020),
2020
Lindenwood University
Mr. Burns: A Post-Electric Play (February 19-22, 2020), Anne Washburn
Student Theatre Programs
Program for Mr. Burns: A Post-Electric Play (February 19-22, 2020),
Peter And The Starcatcher Open Auditions Poster,
2020
Providence College
Peter And The Starcatcher Open Auditions Poster, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Smith Center Lobby
Peter and the Starcatcher open auditions
Tuesday, February 18, 2020, 7pm
Grand Band,
2020
Montclair State University
Grand Band, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2019-2020 Language - 15th Anniversary
Grand Band is a six-piano musical ensemble composed of the finest contemporary-classical pianists. The sextet envelopes the audience in the sonic euphoria of contemporary compositions by Kate Moore, Julia Wolfe, Missy Mazzoli, and Julius Eastman, in a tour de force combination of sight and sound. Three Fragile Systems is complemented by the debut of an animated film by Joshua Frankel.
Beasts Poster,
2020
Providence College
Beasts Poster, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Bowab Studio Theatre
Beasts
An original play by Thomas Edwards '20
February 13-16, 2020
Beasts Playbill,
2020
Providence College
Beasts Playbill, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Bowab Studio Theatre
Beasts
An original play by Thomas Edwards '20
February 13-16, 2020
Directed by John Garrity
Scenic & Lighting Designer: Trevor Elliott
Sound Designer: Tim Brown '20
Costume Designer: Maxine Wheelock
Vocal Coach: Megan Chang
Cast: Left Samael - Katie Vennard; Right Samael - Carolyn Bradley; Joyce Anderson - Abigail Joy; Jason Anderson - Tim Brown; Mark Bernard - Daniel Jameson; Joseph Johnson - Marc Lancia; Bill Johnson - Mike Facenda; Stephanie Lawsdahter - Analisa Pisano
The School For Scandal,
2020
Otterbein University
The School For Scandal, Otterbein Theatre And Dance Department
2019-2020 Season
The London gossip scene is buzzing. Masquerading behind the veneer of polite society, malicious prattlers trade gossip like gamblers and ruin reputations for sport. As much as we are all familiar with reports of lies, rumors, backhanded comments, and fake-news, this is 1777 England, and the newspaper industry is just getting started. Two brothers are tested for their trustworthiness by their wealthy uncle amidst a myriad of hilarious twists and subplots involving a crazy cast of characters including Lady Teazle, Lady Sneerwell, Surface, Backbite, Snake, and more. In what is often considered one of the best comedy of manners plays, …
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water,
2020
University of Washington Tacoma
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization,
2020
Texas State University
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures,
2020
Soonchunhyang University, South Korea
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry,
2020
Southwest Jiaotong University
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng
CLCWeb: Comparative Literature and Culture
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng attempts to deconstruct the logos status of "Nature" in Chinese natural philosophy and explore the tragic potentiality of such philosophy and poetry under its influence. It also analyzes its aesthetic strategies used to overcome historical tragedy, and how such tragic potentiality in classical Chinese philosophy and poetry break out into the imagery of death and fragmentation in modern Chinese and American poetry under its influence, including poetry by such poets as Hai Zi, Gu Cheng, Robert Bly and Wallace Stevens, and how it sometimes leads …
The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur,
2020
Indiana University Northwest
The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur, Alan P. Barr
CLCWeb: Comparative Literature and Culture
Throughout his career as a filmmaker, Roman Polanski has circled the subject of sex, its aberrations, its delights, and its risks. His twenty feature films are remarkably varied, yet characteristically probe the compelling, contradictory, and enchanting nature of human sexual behavior. He develops a cluster of images or tropes that appear across his films—from knives to claustrophobic settings—that advance his enquiry. Venus in Fur is Polanski’s most comprehensive portrayal of the intricacies of sexual conduct, employing a theatrical setting (rehearsing an adaptation of a notorious classic novel), amplified with cultural allusions and exploring the limits of role-playing. Normality and contentment, …
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought,
2020
Jagiellonian University, Cracow and the University of Groningen
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski
CLCWeb: Comparative Literature and Culture
The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …
Depaul Digest - Moments,
2020
DePaul University
Depaul Digest - Moments
DePaul Magazine
Image of the 2019 production of "Jane of the Jungle," directed by faculty member Michelle Lopez-Rios, at DePaul's Merle Reskin Theatre.
Shakespeare In The Park: A Midsummer Night's Dream Final Script,
2020
University of North Florida
Shakespeare In The Park: A Midsummer Night's Dream Final Script, University Of North Florida, William Shakespeare
UNF Shakespeare - A Midsummer Night's Dream
The final script for UNF's production of A Midsummer Night's Dream
Creative Writers Festival Media Release,
2020
Providence College
Creative Writers Festival Media Release, Talia Triangolo
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Creative Writers Festival media release
February 2020
Peter And The Starcatcher Media Release,
2020
Providence College
Peter And The Starcatcher Media Release, Talia Triangolo
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Peter and the Starcatcher media release
February 2020
Crimes Of The Heart,
2020
Lynn University
Crimes Of The Heart, Lynn University
Drama Programs
by Beth Henley
The scene is Hazlehurst, Mississippi, where the three Magrath sisters gather to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried at 30 and facing diminishing marital prospects; Meg, the middle sister, is back after a failed singing career on the West Coast; while Babe, the youngest, is out on bail after having shot her husband.
The Argentines Of Paris: Theatrical Networks And Assemblages,
2020
CUNY Graduate Center
The Argentines Of Paris: Theatrical Networks And Assemblages, Stefano Boselli
Dissertations, Theses, and Capstone Projects
This work investigates key theatre productions written or directed by Argentines who left Buenos Aires, for personal, artistic, and/or political reasons, and established themselves in Paris. Case studies refer to the lives, visual art, theatre companies, official appointments, and global networks that contributed to their creations between the 1960s and 1990s. Although others are mentioned briefly, the main focus remains on a cluster of theatre practitioners who more frequently connected with each other around playwright, performer, and graphic artist Copi (nom de plume of Raúl Damonte Botana). These included director Jorge Lavelli; director and performer Jérôme Savary; director and visual …
Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater,
2020
CUNY Graduate Center
Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater, Oriana E. Gonzales
Dissertations, Theses, and Capstone Projects
In December 1966, Miriam Colón, a Puerto Rican actress, starred in The Oxcart at the Greenwich Mews Theatre in New York City. The play, written by Puerto Rican playwright René Marques in 1951, told the story of a Puerto Rican family’s migration from the countryside to San Juan, and finally, to New York City. One-year post-production Colón founded the Puerto Rican Traveling Theater (PRTT) as a response to the lack of diversity she saw in the audiences at the Greenwich Mews and everywhere else she performed during her prolific acting career in the 1950s and 1960s. Thirteen years later, Rosalba …
In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance,
2020
CUNY Graduate Center
In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti
Dissertations, Theses, and Capstone Projects
I investigate how speculative philosophy informs critical thinking about dance and its performance, encompassing both the act of creating and the action of executing. Speculative thinking augments and draws out new experiences and realities in the artistic body. I will argue that speculative theories widen the understanding and implementation of dance and its performance through a combination of human and nonhuman forces. This broadened understanding encourages progress, transformation, and evolution within the field of dance. I discuss the human (that which is experienced through sensibilities, therefore tangible and understandable on a cognitive and practical level) and the nonhuman (forces beyond …
