Theatre and Performance Studies Commons^™

Costume Design And Technology – A Process Of Growth During A Global Pandemic, Heather Gonzalez

Theses and Dissertations

In the best of circumstances, obtaining a Master of Fine Arts in Costume Design and Technology requires dedication and persistence. However, another layer of complication is added when the world shuts down due to a global pandemic. This thesis provides a look at three realized designs and delves into the way in which the pandemic affected my process for each of the designs. I also discuss my growth technologically as a costumer as I examine the class projects and shop work completed. Additionally, I review my growth artistically, and my professional experiences. My thesis provides a look at each facet …

A Trauma-Informed And Consent-Based Approach To Directing Undergraduate Student Actors: The Development And Execution Of Thea 351: Performance Practicum – The Revolutionists, Amanda Hallman

LMU Theses and Dissertations

No abstract provided.

It’S An Old Song, But We’Re Gonna Sing It Again: The Myth Of Orpheus & Eurydice In Modern And Postmodern Theatrical Performance, Tiffani Brooks Hagan

Theses and Dissertations

Since theatre was established as an art form, productions have adapted myths into performance, creating an array of theatrical texts based on the oral practice of storytelling of ancient civilizations. This concept of adaptation, where playwrights draw from stories of the past in new works, has expanded in recent years to include new scholarship regarding the dramaturgy of theatrical adaptations and what it means to adapt a work, whether originally for theatre or not, into a text meant for theatrical performance. One such myth that has captivated audiences since its first recorded utilization has been the myth of Orpheus and …

10 Out Of 12, Parkland College

Parkland Theatre

Written by Anne Washburn

10 Out of 12 received its world premiere at Soho Rep Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director

Director: Benjamin Gailey
Scenic Designer: Molly Ilten-Fullan
Lighting Designer: Madison Chaney
Costume Designer: Sheri Doyle
Sound Designer: Dominick Rosales
Stage Manager: Yen Vi Green

Presented in Parkland College Theatre Second Stage

February 17, 18, 19, 25, 26 at 7:30pm
February 20, 27 at 3:00pm
Spring 2022

To view images from this production, visit 10 Out of 12 (2022).

10 Out Of 12, Parkland College

Parkland Theatre

Written by Anne Washburn

10 Out of 12 received its world premiere at Soho Rep Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director

Director: Benjamin Gailey
Scenic Designer: Molly Ilten-Fullan
Lighting Designer: Madison Chaney
Costume Designer: Sheri Doyle
Sound Designer: Dominick Rosales
Stage Manager: Yen Vi Green

Presented in Parkland College Theatre Second Stage

February 17, 18, 19, 25, 26 at 7:30pm
February 20, 27 at 3:00pm
Spring 2022

To view images from this production, visit 10 Out of 12 (2022).

The Impact Of Social Media Marketing On The Broadway Industry: A Study Of Hamilton: An American Musical, Jordan Pontelandolfo

Senior Theses

In recent years, social media has become an increasingly important part of the marketing strategies for many Broadway productions. Yet, many Broadway marketing teams do not take complete advantage of their social media channels, instead relying on traditional marketing methods to attract audiences. Hamilton: An American Musical is a recent Broadway production that has used an innovative social media marketing strategy to attract diverse audiences and create a dedicated fanbase. By analyzing the strategy across Hamilton’s Instagram, Facebook, Twitter, YouTube, and TikTok, I determine what made its social media so successful and how other Broadway shows can learn from …

Medea Costume Design Concept, Annie Wolfzorn

[Archive] Belmont University Research Symposium (BURS)

Euripides’s Medea is a story about a woman’s heart being poisoned with pain and grief. Her pain demands to be felt and her grief demands to be heard. Over time, the grief sours from longing for her own death to longing for the death of others. Medea longs to ease the pain of her grief with an act of revenge. This grief is in response to her husband shattering the beautiful love they once shared. Consequently, he earns a cruel and devastating punishment—the brutal murder of his second wife, Glauce, her father, Creon, and his two children. In the process …

Revolutionary Reenactment: Militant Futures Past In Rania And Raed Rafei’S “74 (The Reconstitution Of A Struggle)”, Judith Naeff

Regards

This article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article …

Le Cinéma Politique Et Engagé Turc, Mehmet Ozturk

Regards

This article is about Turkish political cinema. The cinema, which began with the authorization of the state during the fall of the Ottoman Empire, did not have an important political role during the construction of the Kemalist Republic. In the 1950s, it entered its golden age in pro-American Turkey. At the end of the 1960s, especially in the lead years (1970), political cinema was used on several occasions as part of the ideology of the far right and the revolutionary left. After the violence of the military coup of 1980, it remained rather cynical and disengaged. Political interpretations represented the …

Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz

Regards

Le cinéma militant dans le monde arabe, des années soixante du siècle dernier à maintenant, est tributaire d’un contexte historique marqué par le conflit israélo-palestinien et, par induction, israélo-arabe. Ce contexte s’inscrit à son tour dans la Guerre froide et le bras de fer entre le bloc communiste, mené par l’URSS, et le bloc occidental, parrainé par les États-Unis...

Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince

Regards

Lamine Ammar-Khodja's first feature film, produced in 2012, Demande à ton ombre (Ask your shadow) is part of the so-called "creation" documentary. A diary and political chronicle, this film which runs from January to March 2011 plunges us into the news of the Arab uprisings seen from Algeria. While distinguishing itself in several respects from a militant cinema, Demande à ton ombre does not deny certain processes of the tradition of cine-tracts. In order to measure this distant, even distanced, proximity to the resources of militant and engaged cinema, it is proposed here to analyze their function and …

Diversifying The Classics In Theater, Lane Savadove

College of Performing Arts Departmental Research

No abstract provided.

From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp

Regards

This article presents a case study detailing the creative process of Iranian artist Rene Saheb. It analyzes the various stages, developments, and challenges Saheb went through while she explored the medium of clay, which was new to her artistic repertoire. Rather than focusing on outward properties of ceramics such as style or technique, the artist’s inward experiences of her medium and creative process are foregrounded by means of interviews.
As Saheb frequently turns to Islamic mysticism and poetry as conceptual anchorage throughout her creative process, her engagements with the ceramic medium will be discussed in light of relevant Islamic discourses …

Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat

Regards

The eminent Samir Sayegh has contributed substantially to Arab modernism as a critic, historian, and artist himself.¹ His writings in Arabic are well known, through numerous journal articles, interviews, and most notably his 1988 book, Islamic Art: A Speculative Reading of Its Philosophy and Aesthetic Particularities.²
Further, his thinking impacted scores of students and colleagues in architecture or graphic design from the American University of Beirut, where he lectured from 2003 to 2007.
However, his voice has not been heard loudly in English. This transcript amalgamates multiple sittings with Sayegh, between 2009 and 2022. He kindly allowed us to …

History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi

Regards

This article argues that since the 1970s a duality divides the concept of Islamic Art. On the one hand, we have Islamic Art as the subject matter of a modern mode of historical inquiry, invented and developed in the colonial period in Europe but then taken up by scholars from around the world, including Muslim academics. This is the Islamic Art of Islamic Art History as a field of secular scholarship.
But then, in the decolonization period, and more pronouncedly since the 1970s, we witness the birth of another concept of Islamic Art that is not focused on the past. …

The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier

Regards

A review of Basel Abbas and Ruanne Abou-Rahme’s installation Oh shining star testify at the 12th Berlin Biennale (2022), where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestine’s ongoing obliteration.
The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the installation within a lineage of cultural productions that respond to the histories of genocide.

"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn

Regards

The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the curators argue is the fragility of the narrative surrounding Beirut’s “Golden Age” – the period leading up to Lebanon’s civil war.
This review traces the genesis of the exhibition and presents its displays at Berlin’s Gropius Bau and the MAC Lyon. Several works are showcased to demonstrate how the curators constructed the exhibition’s five sections, which focus on place, body, form, politics, and the Civil War.
The review offers contextualization for an exhibition rich in diverse artworks and archival materials that contain a multitude of narratives.

Postcolonialism And The Missionary Experience In The Book Of Mormon, Diana Witt

James Madison Undergraduate Research Journal (JMURJ)

In their irreverent 2011 musical, The Book of Mormon, writer-composers Matt Stone, Trey Parker, and Robert Lopez satirize the work of Mormon missionaries. This paper analyzes the musical's book and lyrics, its cultural context and reception, and postcolonial scholarship. The paper argues that while The Book of Mormon operates as a postcolonialist text by critiquing cultural hegemony, it also reinforces stereotypes and practices present in colonization like othering and cultural colonialism.

Vedantic Basis And Praxis Of The Integral Advaita Of Sri Aurobindo, Debashish Banerji

Monsoon: South Asian Studies Association Journal

The integral nondualism of Sri Aurobindo can be traced to the great pronouncements (mahāvākya) of the Upanishads and later commentaries. This study examines teachings on the Supermind (vijñāna) and the other four kinds of consciousness that define human reality: Matter (annaṃ), Life (prāṇaḥ), Mind (manaḥ), and Bliss (ānanda). Through Yoga and Tantra, one learns and embodies the pathway to the divine.

Digital And Spatial Humanities Mapping: Eurasia-Pacific Early Trade And Belief Linkages, Igor Sitnikov, David Blundell

Monsoon: South Asian Studies Association Journal

The Eurasia-Pacific is a dynamic region of rapid economic growth, cultural awareness, natural resource exploration, and military buildup. The concept of the region is relatively new, featuring contested vast areas of geo-resource space of numerous cultures and languages. The current findings in anthropology and archaeology and even its more specific subfields such as folklore are important contribution to the understanding of periodic environmental changes and technical innovations were the main forces of transformations in social structures that have determined the mechanisms and levels of cross-cultural trade activity across the region. We have traced early trade and belief linkages across Eurasia-Pacific …