Theatre and Performance Studies Commons^™

Exploring The Margins Of Kotha Culture : Reconstructing A Courtesan’S Life In Neelum Saran Gour’S Requiem In Raga Janki, Chhandita Das, Priyanka Tripathi

CLCWeb: Comparative Literature and Culture

In their article, “Exploring the Margins of Kotha Culture: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki,” Chhandita Das and Priyanka Tripathi discuss the invisible challenges in life of a famous courtesan Janki Bai Ilahabadi through close analysis of Neelum Saran Gour’s 2018 novel, Requiem in Raga Janki. In this novel, Janki belongs to the infamous kotha but she never fails to seek her subjectivity. This marginal place of Janaki’s belonging will be discussed by appropriating and the theoretical framework of Indian feminist Lata Singh’s (2007) for whom courtesans have been represented as “‘other’ …

Identity Reconfigurations, Memory And Personal History In Norman Manea And Saul Bellow’S ‘Spoken Book’, Simona Antofi, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In their paper, “Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s Spoken Book, ”Simona Antofi and Nicoleta Ifrim analyze the book of interviews Settling My Accounts Before I Go Away: A Words & Images Interview, a two-authored mirror-like writing in which two biographical courses and two scriptural identities engage in dialogue. Their aim is to define a double reading effect embedded into the self-oriented narrative: a collective history of the Jewish exile from the communist totalitarian space (Soviet and Romanian) towards the “promised land,” with literary, cultural and political insertions; then, the legitimation of an …

Strange Fruit, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2021-2022 Join Us in Engaging with the Imaginations of Unparalleled Visionaries

Strange Fruit draws its title from the 1937 poem and song of the same name by Abel Meeropol and made famous by the great jazz singer Billie Holiday—which metaphorically addresses lynching as a tool of racial terrorism during the Jim Crow Era. For this dance/theater work, the facts of lynching act as springboards into a highly personal interior space and state of mind. Abstract yet grounded in a brutal reality, Strange Fruit tracks choreographer Donald Byrd’s feelings as a response to lynching and plays out as a series of dance/theater vignettes.

The Night Falls, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2022-2023 Artists Invoke the Powers of Community as They Bring Audiences Into Fiery, Mysterious, Illuminating Visions of Our World

All across America, people on the brink of despair begin to have the same nightmare. A song will not leave their heads. This dangerously beautiful music lures lost souls to a kitschy Floridian roadside attraction built around a sublime grotto, “home of the world’s eeriest echoes” and the concert hall of The Sirenettes. With choreography that dramatizes the leap of empathy between bodies and music that channels the polarities of surrender and resistance, The Night Falls shows the visceral power of art to brace us against the abyss.

Multiracial Students Do Not Belong In The Margins., Aubrey Felty

Research on Capitol Hill

USU senior Aubrey is an Honors student, Caine Summer Arts Fellow, and an undergraduate research grant recipient. She studies Theatre Arts and is currently student teaching. Aubrey’s research produced a docudrama, where students who identify as multiple races were able to dissect the ways that they interact within predominantly white universities. She hopes that the film will help students to reflect on race and racism and lead to a more welcoming educational environment for all students. Aubrey has been involved in research for nearly all of her time at USU. “I participate in undergraduate research because it lets me use …

The 2022 Classroom Project: Land Of Ours, Otterbein Theatre And Dance Department

2021-2022 Season Production

LAND OF OURS is a brand-new play devised in rehearsal by an ensemble of Otterbein University actors, designers, stage managers, and directors. The play explores the centrality of travel and journeying to human experience. Drawing on the ensemble's personal experiences, stories of mythical travel from legend and folklore, and travel explorations invented in rehearsal, LAND OF OURS is a theatrical journey that will transport you beyond the theater walls to a destination of the imagination.

Diary Of Anne Frank: Analysis And Design, Leeann Carol Wheaton Mueller

Master of Theater Production Graduate Projects

The script "The Diary of Anne Frank," by Frances Goodrich and Albert Hackett, and its historical background were studied and researched. After analyzing the play and its given circumstances, a design concept was developed, goals were set, and then the play was directed and produced in a high school setting. The project notebook contains the documented dramaturgy, a written concept statement, the visual plans and materials, the production notes and journal, and production evaluations. The project goal was to implement the aspects of theatre production learned during the course of study, and to educate high school theatre students. The results …

Lemebel En 18/O. Todos Somos Estallido: Utopía, Temporalidad Y Revolución, Fernando A. Blanco

Faculty Contributions to Books

This article discuss the spectral return of the Lemebel's image during the social unrest of october 2019 in Chile. The social imaginary icons displayed during the civil strikes and manifestations converge on Lemebel's signifier, linking utopia, revolution and social change, the three pillars of his literary and performative work.

Gigi, Lynn University

Drama Programs

Elaine's Annual Musical Treat

Exclusive production sponsor Elaine J. Wold invites you to Lerner and Loewe’s beloved Gigi. Lerner and Loewe's musical comedy is about a free-spirited young girl living in Paris at the turn of the 20th century and the wealthy young playboy who falls in love with her as she is transformed in to a poised courtesan. Includes songs "Thank Heaven For Little Girls", "I Remember It Well" and "The Night They Invented Champagne".

Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Based on a novel by Colette

As produced by Edwin Lester for the …

Dead Man's Cell Phone (February 16-19, 2022), Sarah Ruhl

Student Theatre Programs

Program for Dead Man's Cell Phone (February 16-19, 2022).

A Girl Is A Thing: Dramaturgies Of Objects And Nature In Contemporary Choreography, Fidan Akinci

Dissertations, Theses, and Capstone Projects

This dissertation investigates the expansion of performative possibilities toward and through nonhumans in contemporary choreography as a feminist inquiry. I research the upsurge of performing objects and natural matter in contemporary choreography by questioning what kind of bodies other than humans can move, and what kind of affects and expressions they offer beyond more familiar and anthropocentric possibilities. I link this challenge to the humanistic limits of performance with the feminist interrogations on agency and objectification to fully explore the political stakes of mobilizing with the nonhuman. To that end, I put the feminist trajectories in posthumanism, new materialism, and …

Queer And Trans Prison Voices: A Podcast Archive On Prison Abolition, Josefine Ziebell

Dissertations, Theses, and Capstone Projects

This capstone project is located at the intersection of Critical Prison Studies, Gender Studies, Sound Studies, and American Studies. It highlights the importance of sonic modes of anti-carceral resistance by featuring the recorded voices of incarcerated people through the creation of a sonic archive of prison writings. By integrating that sonic archive into the podcast medium, this project functions as a digital archive for incarcerated voices, consisting of two tracks: a collection of short-spoken readings by queer and transgender incarcerated authors, and podcast-style interviews with activist scholars, organizations, and sound artists working towards prison abolition. In this paper, I establish …

Go Off: The Geography And Labor Of Off- And Off-Off-Broadway, Sean C. Mellott

Dissertations, Theses, and Capstone Projects

Off- and Off-Off-Broadway remain ill-defined and misunderstood sectors of New York City’s theatre industry, at least when compared with Broadway. This capstone project examines these dual sociocultural spaces and defines some of their contours through a primary analytical lens of geography (the physical locations where Off- and Off-Off-Broadway are produced) and a secondary lens of labor (the professional contexts in which Off- and Off-Off-Broadway are produced). Both elements speak to the material conditions of theatrical production in New York City, offering clues as to Off- and Off-Off-Broadway’s position within the entertainment industry and their relationship to the larger social structure …

The World Is Your Pulpit: A Research-Based Performance On The Broder Singers, Amanda Seigel

Dissertations, Theses, and Capstone Projects

My capstone project is a research-based performance about the Broder Singers, the first Yiddish actors. They performed primitive musical and theatrical pieces in Yiddish beginning in the mid-19th century in non-theatrical spaces such as taverns and gardens, in Eastern Europe. They were part of a larger movement creating secular Yiddish culture beyond the religiously proscribed expressions of traditional Jewish life. Largely born and raised in traditional communities themselves, they mocked wealthy religious community leaders, utilized gender drag, and compassionately portrayed impoverished people. This white paper explores the context of their work and draws on primary sources such as memoirs, published …

Gay Boy And Playboy Revues: Constructing U.S. Queer Collectivities In Networks Of Peripatetic Burlesque And Nightclub Drag Performers, 1933–1939, Kalle Westerling

Dissertations, Theses, and Capstone Projects

Across the United States, in the mid-1930s, drag made a transition, along with much other entertainment, from vaudeville into night clubs. There, concomitant with developing notions of gender and sexuality, it became increasingly associated with the contemporary expressions of drag that we see today in popular television shows like RuPaul’s Drag Race and in gay nightclubs across the country. In short, it became the queer form of entertainment. But in the 1930s, with such developing notions of gender and sexuality, it was not as easy as saying that it was a gay art form. Rather, as heterosexuality and heteronormativity took …

Strength And Vulnerability In Maurice Ravel’S Sonata For Violin And Cello And Osvaldo Golijov’S Mariel For Cello And Marimba: An Analysis Through Performance And Composition, Andrea Casarrubios

Dissertations, Theses, and Capstone Projects

In order to “stimulate more ambitious performances,” as David Lewin writes in his Studies in Music with Text, this dissertation is meant to provide new perspectives into two preexisting works, Maurice Ravel’s Sonate pour Violon et Violoncelle, and Osvaldo Golijov’s Mariel for cello and marimba, through the active making of two original compositions written for similar instrumentations, La Libertad se levantó llorando for violin and cello, and Speechless for cello and percussion. Taking Lewin’s proposition into consideration, I share performance insights and discuss how the creation of these new compositions have influenced my interpretations of the two respective …

The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou

Tête à Tête: Journal of Francophone Studies

Using the example of the Duncan family this article will explore the human body as an object of self-determination, a means of overcoming social boundaries, a field of racist shooting and phobic enforcement, a reference point of public outrage and the complex between sociality and corporality, but also as a tool of political vigilance and social intervention. Does a body dressed in a tunic resist the western way of life? Or is it a stereotypical outpouring of people unable to modernize? Is the body instrumentalized as a means of narrating exoticism? The bodies of the Duncan family members are an …

Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee

Tête à Tête: Journal of Francophone Studies

The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …

Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art, Jaya Sarkar

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Fefu And Her Friends Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Fefu and Her Friends

Written by María Irene Fornés

January 20-23, 2022

Thursday, Friday, Saturday 7:30 PM

Sunday 2:00 PM

Erin Joy Schmidt............Director

Jill Forrester...................Stage Manager

Laurel Franczek, Joey Pekar, Carrie Selwood.........Assistant Stage Managers

Renee Suprenant-Fitzgerald.................Set Design

Michael Clark Wonson.................Lighting Design

David Cabral.....................Costume Design

Sam Sewell..................Sound Design

Rachel Padula-Schufelt...................Wig Design

James T. Beauregard................Violence Coordinator

Steven Doucette................Prop Master

Patricia Tulli-Hawkridge................Vocal Coach

Maxine Wheelock................Costume Shop Supervisor

Trevor Elliot................Technical Director

Gabe Luxton................Assistant Technical Director

Jimmy Calitri................Managing Director

Allison Crews................Production Office Coordinator

The Cast

Cindy-Sydney Cahill, Christina-Victoria Cannon, Fefu-Kelsi Canada, Paula-Analisa Pisano, Emma-Madelyn …