Other Theatre and Performance Studies Commons^™

When I Grow Up: Intimacy Work And Collegiate Theatre, Anna-Carson Tyner

Honors Theses

The field of intimacy work within the wider theatre industry is rapidly growing, and universities should be prepared to meet the demands the industry is setting forth. Since 2016, intimacy direction has been making its way into the professional theatre world. As intimacy work becomes more mainstream, students will enter college with the ultimate goal of going into the field. Through this research, I have set out to create courses that could fit into the framework of a collegiate theatre program that would support students’ desire to learn about the intimacy field, and to create a department environment built on …

Captions For Covid? Hearing Accessibility In Virtual "Zoom" Theatre, Gianna Schuetz

Honors Theses

The COVID-19 pandemic shut the doors of theatres across the United States and the rest of the world. Live theatre came to a sudden halt as gatherings of people served as significant health risks. As live theatre performances became nearly obsolete, many theatre organizations were forced to creatively adapt to move their programming to a virtual format. Presenting theatre in a virtual format brings many challenges; however, it also brings opportunities for increased accessibility and access, particularly for individuals who are hard of hearing.

The following thesis explores hearing accessibility measures taken by theatre companies as they ventured into virtual …

Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis

Theses and Dissertations

Where similarities in class struggle have historically operated as a unifying force globally, the American crafted mythos isolates the individual and dehumanizes those that do not fall within the parameters of the cowboy archetype. The national protagonist is turned into a class traitor and an extension of government power.

The Tempest 2021, Otterbein Theatre And Dance Department

2020-2021 Season

Abducted and set adrift to die by her power-hungry sister and a jealous king, Prospera and her daughter, Miranda have survived 12 long years shipwrecked on a lonely island. When Prospera learns though her magical arts that those whose sought her child’s death are within her reach, she is consumed by rage. Conjuring the greatest of storms to break their ship upon her shores, Prospera brings her enemies to her feet. But when the opportunity to wreak her final vengeance is upon her, Prospera can no longer recognize the thing she has become, and she is forced to choose between …

The Theory Of Relativity

Theatre Programs

No abstract provided.

The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., Suellen Da Costa Coelho

LSU Master's Theses

This research aims to investigate the role of costume in identity formation in the second line group The Undefeated Divas, Gents and Kids. The methodology used in this research was data collection through interviews with members of the group. Through these interviews, we seek to establish the importance of costume in reflecting and constructing a sense of community within the group.

While the existing literature focuses on the history of second line parades and their importance in Louisiana’s culture, this research intends to explore costume’s meaning and significance. The purpose of this work is to complement the existing literature in …

Into A Lamplit Room, Otterbein Theatre And Dance Department

2020-2021 Season

The life of Composer and Social Activist, Kurt Weill, is celebrated in this cabaret-style compilation of his work. The production includes more than 30 songs, ranging from his life in Berlin during the Weimar Era during which he was a voice against the Nazi regime, to his emigration to the U.S. where he was a supporter of the American war effort in the 1930’s, and finally his contributions to the American Musical Theatre canon. Audiences will particularly recognize his collaborations with Ira Gershwin, Bertolt Brecht, and Maxwell Anderson in the songs written for Broadway including Tschaikowsky, Mack the Knife, Pirate …

Stage Manager And Director For Julius Caesar, University Of North Florida

UNF Shakespeare - Julius Caesar

Stage Manager and Director for UNF's production of Julius Caesar

A Still From Julius Caesar Act Ii, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's Production of Julius Caesar at MOCA Jacksonville.

Julius Caesar: Director Team, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's Production of Julius Caesar at MOCA Jacksonville, Director team

Poster: Julius Caesar, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's Shakespeare in the Park at MOCA Jacksonville: Julius Caesar

Poster: Julius Caesar, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's production of Julius Caesar at MOCA Jacksonville

Our Town Set Design, Zabrina Corrales

Honors College Theses

An important piece of any theatrical production is the scenic design. My thesis project follows my process through the research and design process used to create my own set design for Our Town by Thornton Wilder. I look at the text of the script as well as the background of Thornton Wilder’s ideas for the play. I explore other productions’ choices and what worked or did not work for them. By using my own analysis of the script and research on design elements, I produce an original set design for Our Town including a ground plan and renderings of the …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …

Sound Glove: A Development In Collaboration, Emma E. Arends

LSU Master's Theses

Through design and technical work, the collaboration between the areas of Sound and Costume Design have been minimal. When these areas interact, it is usually for the small notes, like the shoes are too loud, or the jewelry is too much. However, in the following chapters I will propose a way to deepen the collaborative relationship between Sound and Costume through a prototype named the Sound Glove.The Sound Glove has been developed through researching previous products, researching for materials, constructing a budget, developing applications of the Sound glove and then creating a prototype. With these steps, the following chapters will …

Ataka, Anthony H. Chambers

Mime Journal

No abstract provided.

On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo

Mime Journal

No abstract provided.

Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe

Mime Journal

No abstract provided.

Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia

Mime Journal

No abstract provided.

Mochizuki: History And Context, Michael Watson

Mime Journal

No abstract provided.