Music Commons^™

Crossroads Of Music And Medicine, Annie Heiderscheit

Crossroads of Music and Medicine

The author proposes reuniting the disciplines of music and medicine in the service of alleviating the impact of pain, addiction, and trauma on human life. Music listening can reduce symptomology, reduce the use of medicine, and reduce costs. In the author's work conducting the Bonny Method of Guided Imagery and Music (GIM) with adults in treatment for a chronic addiction, she found that after a series of GIM sessions, patients began talking about letting go, moving on, and finding empowerment and transformation.

Music As A Social Determinant Of Health: A Trauma-Informed Care Perspective, Nomi Levy-Carrick, Abi Warren

Crossroads of Music and Medicine

Traumas can be individual, interpersonal or communal, and can have various responses from different people, or even from the same person at different points in time. Music can be a social determinant of health with individual, interpersonal and communal roles in resilience regarding that trauma. Music can expand vocabulary to express emotions, provide relief, and provide opportunities for engagement. A trauma-informed care approach can change how trauma survivors experience care critical to their recovery.

Contextualizing Worship And Music In A Multicultural Church: A Case Study At Christ Fellowship Miami, Kimberly A. Martin

Doctoral Dissertations and Projects

Christ Fellowship Church is a Southern Baptist, multicultural, multigenerational, and multilingual church with eight local campuses, which hosts worshipers from seventy-six nations every weekend in Miami-Dade County. While the worshiping body of Christ Fellowship Miami is extremely diverse, the music and worship genres and styles are predominantly homogeneous. This case study serves the worship ministry at Christ Fellowship Miami as they seek to engage in more culturally conscious methods of worship and music by exploring the diverse cultures, languages, and music styles represented in the congregation. It discusses the planning, development, and execution of a global worship experience at the …

A Performer’S Guide To Poema De Sete Faces, Song Cycle By Jeffrey Perry, Paulo Henrique Campos Silva

LSU Doctoral Dissertations

The American composer Jeffrey Perry composed the song cycle Poema de sete faces (Poem of seven faces), for tenor or soprano and piano, based on the poem of the same name by Carlos Drummond de Andrade, one of the greatest Brazilian modernist poets of the 20th century. Both Drummond’s poem and Perry’s music were written to be open to multiple interpretations. Together, the possibilities for their interpretation are even broader. This dissertation discusses the art that emerges at the intersection of the poem and the music from the perspective of the singer. I present a biography and an overview of …

Jazz Small Groups (Combos 4, 5 & 6), May 31, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Bali’S “Forgotten Stepchild”: The Cultural And Sonic Vitality Of The Balinese Rebab, Mikaela Marget

Lawrence University Honors Projects

The rebab is one of the only traditional stringed instruments found on the island of Bali, Indonesia. Though it is ever-present in musical ensembles in Bali, the rebab has been consistently overlooked in scholarship of Balinese music by Western ethnomusicologists. Through participant observation, personal interviews, and library research, I explore the idea that the rebab deserves a place in the scholarship of Balinese music. In addition, I argue that the Balinese rebab not only persists in Balinese music culture as a vital object, but that it is also an active participant in shaping Balinese music culture. In this paper, I …

Jazz Small Groups (Combos 1, 2 & 3), May 30, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Sounds Of The Singing Revolution: Alo Mattiisen, Popular Music, And The Estonian Independence Movement, 1987-1991, Allison Brooks-Conrad

Lawrence University Honors Projects

Estonian identity, history, and music are deeply intertwined. In the late 20^th century, when faced with Soviet domination, Estonians relied on music to carry their message as part of their independence movement, which was eventually referred to as the Singing Revolution. Composer Alo Mattiisen emerged as one of the most influential members of the Estonian music scene in the 1980s, not only by defining Estonian popular music as political and activist, but also by developing experimental reinterpretations of larger Western popular music traditions. We can view Alo Mattiisen’s contributions to the Estonian music scene of the 1980s as a …

Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman

Lawrence University Honors Projects

The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …

Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery

Lawrence University Honors Projects

The Yoruban people of modern-day Nigeria worship many deities called orichas by means of singing, drumming, and dancing. Their aurally preserved artistic traditions are intrinsically connected to both religious ceremony and everyday life. These forms of worship traveled to the Americas during the colonial era through the brutal transatlantic slave trade and continued to evolve beneath racist societal hierarchies implemented by western European nations. Despite severe oppression, Yoruban slaves in Cuba were able to disguise orichas behind Catholic saints so that they could still actively worship in public. This initial guise led to a synthesis of religious practice, language, and …

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.

The Accompaniment Techniques Of British Organists, Dallin Baldwin, Don Cook

Journal of Undergraduate Research

The purpose of my research was to better understand the choral accompaniment techniques of English organists. Most of the choral music that is performed in the United States today is accompanied by the piano. Yet there are great choral masterpieces that are neglected because there are no organists that have sufficient training and experience to perform them. In Great Britain, however, choirs are often accompanied by organists. Several of the top choirs in the world are located in Great Britain and have resident organists to accompany them. In my research, I studied the techniques of English organists in accompanying choirs.

Generating Audio Using Recurrent Neural Networks, Andrew Pfalz

LSU Doctoral Dissertations

Long Short Term Memory cells are a type of recurrent neural network that perform well when predicting sequence data. This works presents four approaches to modeling audio data. The models are trained to predict either raw audio samples or magnitude spectrum windows based on prior input audio. In a process called sampling, the models can then be employed to generate new audio using what they learned about the data they were trained on.

Four methods for sampling are presented. The first has the model predict a vector for each vector in the input. The second has the model predict one …

Lupé (Lawrence University Percussion Ensemble) With Tambo Toké And Sambistas, May 27, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

String Chamber Music Recital, May 27, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Oh, The Places You'll Go!, Lawrence University Symphonic Band, May 26, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest-Faculty Recital, Dis N’ Tat Improv, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Spring Choral Concert, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Spring Term Keyboard Department Area Recital, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Music Video Creation And Auteurism, Dylan Paris

University Honors Theses

My thesis project is a music video for a song I wrote and recorded called “Mad King”. The themes of the song revolve around my fears and anger towards our current presidential administration and the constant threat of death from nuclear war. The video combines footage of myself playing multiple characters in a near future based on my fears and anxieties. Along with the footage of myself, additional found footage is overlaid into the piece. This footage includes rallies, North Korean military parades, the inauguration of Donald Trump, test footage of the “Mother Of All Bombs”, and lastly alpha footage …