World Music Series, Projeto Arcomusical: Spinning The Wheel, February 6, 2019,
2019
Lawrence University
World Music Series, Projeto Arcomusical: Spinning The Wheel, February 6, 2019, Lawrence University
Conservatory of Music Concert Programs
Harper Hall
Guest Artist: Pei-Chun Liao, Piano; February 6, 2019,
2019
Illinois State University
Guest Artist: Pei-Chun Liao, Piano; February 6, 2019, Pei-Chun Liao
School of Music Programs
Kemp Recital Hall
February 6, 2019
Wednesday Evening
7:30 p.m.
2018-2019 Ppc Recital - Daniel Moore (Viola),
2019
Lynn University
2018-2019 Ppc Recital - Daniel Moore (Viola), Daniel Moore, Sheng Yuan Kuan
PPC/PSDP Recitals
No abstract provided.
Chambermusic@Uni: Faculty And Student Chamber Music Recital, February 5, 2019 [Program],
2019
University of Northern Iowa. School of Music.
Chambermusic@Uni: Faculty And Student Chamber Music Recital, February 5, 2019 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
The Influence Of Selected Demographic Factors On The Retention Of Middle School Instrumental Music Students,
2019
University of Nebraska - Lincoln
The Influence Of Selected Demographic Factors On The Retention Of Middle School Instrumental Music Students, Evan Hoylman
Honors Program: Senior Projects (Public)
Music programs across the country, particularly at the secondary level, are much smaller than should be expected. Large numbers of students (and adults, for that matter) report that they enjoy music and listen to it often for pleasure. Yet, in many high schools, less than a quarter of the school population participates in school music. Why is this so? Students in elementary schools are typically engaged in music study, either through general music classes and/or band or orchestra participation, but retention of students in secondary school music study is a problem. The purpose of this study was to examine the …
Cultural Transmission Modes Of Music Sampling Traditions Remain Stable Despite Delocalization In The Digital Age,
2019
CUNY Queens College
Cultural Transmission Modes Of Music Sampling Traditions Remain Stable Despite Delocalization In The Digital Age, Mason Youngblood
Publications and Research
Music sampling is a common practice among hip-hop and electronic producers that has played a critical role in the development of particular subgenres. Artists preferentially sample drum breaks, and previous studies have suggested that these may be culturally transmitted. With the advent of digital sampling technologies and social media the modes of cultural transmission may have shifted, and music communities may have become decoupled from geography. The aim of the current study was to determine whether drum breaks are culturally transmitted through musical collaboration networks, and to identify the factors driving the evolution of these networks. Using network-based diffusion analysis …
Daniel Velasco, Flute And Sean Botkin, Piano, February 4, 2019 [Program],
2019
University of Northern Iowa. School of Music.
Daniel Velasco, Flute And Sean Botkin, Piano, February 4, 2019 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
2018-2019 Master Class - Fine Arts Quartet (Chamber Music),
2019
Lynn University
2018-2019 Master Class - Fine Arts Quartet (Chamber Music), Fine Arts Quartet, Ralph Evans, Efim Boico, Gil Sharon, Niklas Schmidt, Shiyu Liu, Yuhao Zhou, Chang Hyun Paek, Sonya Nanos, Karolina Kukolova, Ricardo Lemus, Hyemin Lee, Devin Lamarr, Dunia Andreu, Daniel Guevara, Meiyu Wu
Master Classes
No abstract provided.
Dr. Scott Carrell Guest Recital,
2019
Arkansas State University
Dr. Scott Carrell Guest Recital, Arkansas State University Department Of Music
Performance Programs
No abstract provided.
Richard Becker, Piano,
2019
University of Richmond
Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Serving The Needs Of International Students: A Qualitative Study,
2019
Cleveland State University
Serving The Needs Of International Students: A Qualitative Study, Mandi Goodsett, Michael Baumgartner
Michael Schwartz Library Publications
This study attempts to discover the barriers that international music students encounter when using the library and conducting research at North American academic institutions. To these ends we implemented multiple semi-structured interviews. Most studies that have been conducted about international students and information literacy employ a survey, but other qualitative means of study reveal important insights into the needs of this population. In-depth qualitative research that explores the experiences of international music students has the potential to cultivate better understanding of this phenomenon so that music librarians and faculty can more effectively serve this distinct population.
Er-Gene Kahng, Violin And Nathan Carterette, Piano, February 2, 2019 [Program],
2019
University of Northern Iowa. School of Music.
Er-Gene Kahng, Violin And Nathan Carterette, Piano, February 2, 2019 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
2018-2019 Fine Arts Quartet With Pianist Roberta Rust,
2019
Lynn University
2018-2019 Fine Arts Quartet With Pianist Roberta Rust, Fine Arts Quartet, Ralph Evans, Efim Boico, Gil Sharon, Niklas Schmidt, Roberta Rust
Guest Recitals
No abstract provided.
Josh Hickman Sophomore Recital,
2019
Arkansas State University
Josh Hickman Sophomore Recital, Arkansas State University Department Of Music
Performance Programs
No abstract provided.
Concordia String Trio: Marcia Henry Liebenow, Violin; Leslie Perna, Viola; Karen Becker, Cello; February 2, 2019,
2019
Illinois State University
Concordia String Trio: Marcia Henry Liebenow, Violin; Leslie Perna, Viola; Karen Becker, Cello; February 2, 2019, Marcia Henry Liebenow, Leslie Perna, Karen Becker
School of Music Programs
Kemp Recital Hall
February 2, 2019
Saturday Evening
7:30 p.m.
Concerto-Aria Finals Competition, February 2, 2019,
2019
Illinois State University
Concerto-Aria Finals Competition, February 2, 2019, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
February 2, 2019
Saturday Afternoon
2:00 p.m.
Lawrence University Symphony Orchestra, Eroica, February 1, 2019,
2019
Lawrence University
Lawrence University Symphony Orchestra, Eroica, February 1, 2019, Lawrence University
Conservatory of Music Concert Programs
Memorial Chapel
2018-2019 Master Of Music Recital - Sonya Nanos (Cello),
2019
Lynn University
2018-2019 Master Of Music Recital - Sonya Nanos (Cello), Sonya Nanos, Sheng Yuan Kuan
Master of Music Recitals
No abstract provided.
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance,
2019
CUNY Lehman College
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
Publications and Research
In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …
Studies Of Musical Borrowing: Borrowing As Compositional Tool In Béla Bartók's Second Piano Concerto And The Influence Of Luciano Berio On The Grateful Dead's Approach To Live Improvisation,
2019
CUNY Hunter College
Studies Of Musical Borrowing: Borrowing As Compositional Tool In Béla Bartók's Second Piano Concerto And The Influence Of Luciano Berio On The Grateful Dead's Approach To Live Improvisation, Michael J. Crowley
Theses and Dissertations
J. Peter Burkholder’s typology of musical borrowing provides new ways of thinking about and understanding how composers and musicians incorporated influential ideas into their own compositions. This paper explores two cases of musical borrowing in order to gain a deeper understanding of the compositional styles of the chosen subjects. In the first study, I explore Béla Bartók’s use of Paraphrase, Modeling and Stylistic Allusion in his Second Piano Concerto, demonstrating how Bartók used borrowing as a compositional tool to develop his own innovative ideas. In the second study, I investigate how Luciano Berio’s compositional style influenced the Grateful Dead’s approach …
