Music Commons^™

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Harold Jones; Interpretation Of Big Band Swing Drumming, Danny Gottlieb

Showcase of Faculty Scholarly & Creative Activity

Multiple Grammy Award winning drummer Harold Jones is one of the greatest drummers in Jazz History. He has performed and recorded with Herbie Hancock, Ella Fitzgerald, Tony Bennett, Lady Gaga, Sarah Vaughan, Count Basie, Natalie Cole and many more. This volume work is akin depth study of Harold's drumming with the Count Basie Orchestra, of which he was a member from 1968 through 1972.

An Oral History Of Marching Band Traditions At Historically Black Colleges And Universities, Claire Milburn

LSU Master's Theses

This study investigated the development of marching band traditions at Historically Black Colleges and Universities (HBCUs), as told through the rivalry between Southern University (SU) and Jackson State University (JSU). Marching bands at HBCUs developed a distinct style where pageantry is a priority. These bands have similar pre- and post- game traditions, and an overall spirit of fierce competition. This study is an oral history account taken from interviews with influential band directors from these programs. Band directors from JSU include Dowell Taylor, Paul Adams, Lewis Liddell, and Lowell Hollinger. These band directors all have established reputations as innovators and …

Old Dominion University Vocal/Choral 20 Year Reunion: Celebrating The Class Of 1999, Old Dominion University Vocal/Choral

Ensemble Performances

No abstract provided.

This Time, It's Personal!: Singers From The Studio Of Dr. Kelly Montgomery In Concert, Kelly Montgomery (Director), Joe Ritchie (Performer)

Faculty Recitals

Soloists:

• Maria Stanley
• Tracey James
• James Nicholson
• Alexis Gravely
• Caitlyn Kidd
• Aliya Reed
• Javonne Anthony
• Shannon Schubert
• Natalie Dyke
• Goodness Napper
• Tina Bow

Syracuse Legacies Organ Conference; Cherry Rhodes: Organ Recital, Cherry Rhodes

Setnor School of Music - Performance Programs

No abstract provided.

2018-2019 Master Of Music Recital - Zongjun Li (Violin), Zong Jun Li, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Cinq Winds: A Chamber Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Senior Recital: Katelyn Fix, Bassoon; March 29, 2019, Katelyn Fix

School of Music Programs

Kemp Recital Hall
March 29, 2019
Friday Evening
7:00 p.m.

Music For Flute And Cello, March 28, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Wind Ensemble, March 28th, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Singin' In The Rain, Otterbein University Theatre And Dance Department

2018-2019 Season

Singin’ in the Rain gives us the heightened reality of an MGM musical to highlight the ways in which we create our own realities. Whatever we believe can become true. If we just close our eyes and imagine, we can make anything happen, even a BROADWAY MELODY production number. The heightened reality of a musical allows us to witness what might be possible.

Black Music: A Showcase And Community Sing, March 28, 2019, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
March 28, 2019
Thursday Evening
7:00 p.m.

2018-2019 Performance Forum - March 28, 2019, Shalva Vashakashvili, Katherine Baloff, Yordan Tenev, Sheng Yuan Kuan, John Antisz, Melanie Riordan, Michael Puryear, Guzal Isametdinova, Jin Cai, Isaac Roles

Performance Forum

No abstract provided.

Faculty Recital, Haunted Hearts, March 27, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

F. Ludwig Diehn Concert Series: Fauré Quartett, Fauré Quartett, Erika Geldsetzer, Sascha Frömbling, Konstantin Heidrich, Dirk Mommertz

Guest Performances

No abstract provided.

Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.

Wind Symphony, March 27, 2019, Anthony C. Marinello

School of Music Programs

Center for the Performing Arts
March 27, 2019
Wednesday Evening
8:00 p.m.

Electronic Music Concert Featuring Guest Artist Peter Hamlin, March 27, 2019 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Music, Institutions, And Responsibilities In Kosovo, Syzana Jakupi, Alba Muçolli – Dehiri

International Journal on Responsibility

The purpose of the paper aims at informing the present situation of the music and art in Kosovo by highlighting relevant cultural related institutions which include music within and as a part of art. Initially, an explanation was provided in regard to what this paper consists of in its core, as well as through the chapters mentioned above. It provides the real situation of the art of music in Kosovo, as well as it provides explanation in regard to the institutions that deal with the management and administration of the art of Music. However, the nature of the art of …