Song,
2019
University of Mississippi
Song, Author Unknown
Broadside Ballads: England
Nationalistic Napoleonic War era song concerning Anglo-Franco relations
The Tar For All Weathers,
2019
University of Mississippi
The Tar For All Weathers, Author Unknown
Broadside Ballads: England
Details a shipwreck
Hugh Stanton And Molly Green,
2019
University of Mississippi
Hugh Stanton And Molly Green, Author Unknown
Broadside Ballads: England
Details the trial of a military deserter, who left his command for his love
Little Jim,
2019
University of Mississippi
Little Jim, Sam Parmer
Broadside Ballads: England
Details the death of a coal miner's child
The Mail Coach,
2019
University of Mississippi
The Storm,
2019
University of Mississippi
The Storm, Author Unknown
Broadside Ballads: England
Details the battle between sailors and a storm
The Midnight Watch,
2019
University of Mississippi
The Lady And Prentice Boy,
2019
University of Mississippi
The Lady And Prentice Boy, Author Unknown
Broadside Ballads: England
Details the love between a poor man and a wealthy lady
William Far Away,
2019
University of Mississippi
William Far Away, Author Unknown
Broadside Ballads: England
Woman pining for her separated love
The Despairing Hero,
2019
University of Mississippi
The Despairing Hero, Author Unknown
Broadside Ballads: England
Soldier thinking through sins, bravery and Britishness
The Sweets Of Love, Or, Valentine Day,
2019
University of Mississippi
The Sweets Of Love, Or, Valentine Day, Author Unknown
Broadside Ballads: England
No abstract provided.
A New Song Concerning The Boxing Match Between The Ancient British Boxer, John Bull, And The Elf, Buonaparte,
2019
University of Mississippi
A New Song Concerning The Boxing Match Between The Ancient British Boxer, John Bull, And The Elf, Buonaparte, Author Unknown
Broadside Ballads: England
Song concerning John Bull, symbol of the British identity and spirit, fighting evil
Charles-Marie Widor's Symphonie Romane: An Examination Of The Performance Tradition,
2019
Southern Methodist University
Charles-Marie Widor's Symphonie Romane: An Examination Of The Performance Tradition, Kathryn Scheetz
Music Theses and Dissertations
Charles-Marie Widor, French organist and composer of the well-known Toccata, composed ten “symphonies” for organ. The tenth and final symphony, Symphonie Romane, Op. 73 (1900), includes a dedication, “To the Memory of Saint-Sernin of Toulouse.” Modern-day organists seem to take this dedication as a performance directive, studying, playing, and recording the piece on the Aristide Cavaillé-Coll organ at the Basilica of Saint-Sernin in Toulouse. In this thesis, I examine the historical contexts and performance tradition of the piece through ethnographic research, interviews, primary sources, and contemporary writings. I begin with biographical information on Widor and his compositions, placing the …
Singing God's Words: The Performance Of Biblical Chant In Contemporary Judaism,
2019
University of Chicago
Singing God's Words: The Performance Of Biblical Chant In Contemporary Judaism, Mili Leitner Cohen
Yale Journal of Music & Religion
A book review is presented for Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (New York: Oxford University Press, 2016).
Listening To Early Modern Catholicism: Perspectives From Musicology,
2019
Oratory of St Philip Neri, Toronto
Listening To Early Modern Catholicism: Perspectives From Musicology, Aaron James
Yale Journal of Music & Religion
A book review is presented for Daniele V. Filippi and Michael Noone, eds. Listening to Early Modern Catholicism: Perspectives from Musicology (Leiden: Brill, 2017).
The Function Of Hymns In The Liturgical Life Of Malcolm Quin's Positivist Church, 1878–1905,
2019
Monash University
The Function Of Hymns In The Liturgical Life Of Malcolm Quin's Positivist Church, 1878–1905, Paul Watt
Yale Journal of Music & Religion
The publication of Auguste Comte’s positive philosophy in the 1830s and 1840s took the world by storm and has come to be regarded as one of the principal turning points in nineteenth-century intellectual culture. A particularly large number of disciples and imitators of Comte’s philosophy sprang up all over Europe, especially in the United Kingdom. They established churches and networks in Comte’s memory and wrote tracts, pamphlets and books on history, philosophy, aesthetics, literature, theology and the bourgeoning field of sociology based on Comte’s works. One such disciple was the musician Malcolm Quin. A singer, organist and hymn-writer, Quin was …
Thirteen Ways To “Hail, Mary”: A Case Study Of The 2013 Forum For The Inculturation Of Liturgical Music In Nigeria,
2019
University of Georgia
Thirteen Ways To “Hail, Mary”: A Case Study Of The 2013 Forum For The Inculturation Of Liturgical Music In Nigeria, Quintina Carter-Enyi, Aaron Carter-Enyi
Yale Journal of Music & Religion
Every two years since 1997, the Forum for the Inculturation of Liturgical Music (FILM) has given a platform for many of Nigeria’s cultures to contribute to the future direction of the Roman Catholic liturgy in Nigeria. This case study focuses on the 2013 Biennial Choral Competition, specifically 13 settings of the Ave Maria text in seven of Nigeria’s hundreds of languages. Prior to that year, FILM had already introduced music with lyrics in minority languages including Bini, “Osolobruvwe Do”, and Efik, “Yak Ikom Abasi”, into the Nigerian canon of choral music, including both concert and church performance. In 2013, the …
Singing As English Protestants: The Whole Booke Of Psalmes’ Theology Of Music,
2019
Saint Louis University
Singing As English Protestants: The Whole Booke Of Psalmes’ Theology Of Music, Samantha Arten
Yale Journal of Music & Religion
The Whole Booke of Psalmes, first published in 1562, became the most visible symbol of English Protestant music-making through its immense popularity and its perceived Protestant authority and monarchical authorization, and the psalter was directly responsible for the formation of the Church of England’s musical culture. Through close reading of the hymnal’s words about music—the versified texts of the psalms themselves, particularly the paraphrases of those psalms that speak directly about music, singing, worship, and instruments, and also other material including the versified hymns and prefatory matter—I argue that the WBP promoted a particular theology of music in Reformation …
From Inclusion To Inclusivity: A Scoping Review Of Community Music Scholarship,
2019
Wilfrid Laurier University
From Inclusion To Inclusivity: A Scoping Review Of Community Music Scholarship, Deanna Yerichuk, Justis Krar
Music Faculty Publications
This article investigates how community music scholarship has taken up inclusion. Using a modified scoping review methodology, the authors analysed 47 articles published in the International Journal of Community Music from 2008 to 2018, examining how scholars have defined and operationalized the terms ‘inclusion’ and ‘inclusivity’, which were used interchangeably in the literature. The authors found that inclusion was often normatively invoked with no definition or approaches provided. In those articles that provided more detail about inclusion, many focused on musical access, such as removing auditions and not requiring previous music skill or knowledge, and processes of musical inclusion, such …
Nyssma Manual Revisited,
2019
CUNY York College
Nyssma Manual Revisited, Di Su
Publications and Research
The New York State School Music Association’s NYSSMA Manual is revised every three years. A new edition, the 33rd, is expected in July 2021. Back in 2008 this author wrote a review article of the 28th edition (2006). Since then, four revisions have been released and some changes have been made. This article, as a follow-up, reviews the Violin Solos section of the current edition, the 32nd (2018).
