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45,906 full-text articles. Page 54 of 1311.

Senior Recital: Heath, Horn; November 2, 2025, Emily Heath, Lu Witzig 2025 Illinois State University

Senior Recital: Heath, Horn; November 2, 2025, Emily Heath, Lu Witzig

School of Music Programs

This is the thirty-sixth program of the 2025-2026 season.

Kemp Recital Hall

November 2, 2025

Sunday Afternoon

1:30 p.m.


Junior Recital: Mastin, Percussion; November 2, 2025, Wyatt Mastin 2025 Illinois State University

Junior Recital: Mastin, Percussion; November 2, 2025, Wyatt Mastin

School of Music Programs

This is the thirty-fifth program of the 2025-2026 season.

Kemp Recital Hall

November 2, 2025

Sunday

Noon


Collaborative Piano Recital: November 2, 2025, Illinois State University School of Music 2025 Illinois State University

Collaborative Piano Recital: November 2, 2025, Illinois State University School Of Music

School of Music Programs

This is the thirty-ninth program of the 2025-2026 season.

Kemp Recital Hall

November 2, 2025

Sunday Evening

7:30 p.m.


Isu Symphony Orchestra: Chen, Director; November 2, 2025, Samuel Chen 2025 Illinois State University

Isu Symphony Orchestra: Chen, Director; November 2, 2025, Samuel Chen

School of Music Programs

This is the thirty-seventh program of the 2025-2026 season.

Cetner for the Performing Arts

November 2, 2025

Sunday Afternoon

3:00 p.m.


Senior Recital: Kadow, Violin And Percussion; November 2, 2025, Kirsten Kadow, Zeph Mussman 2025 Illinois State University

Senior Recital: Kadow, Violin And Percussion; November 2, 2025, Kirsten Kadow, Zeph Mussman

School of Music Programs

This is the thirty-eighth program of the 2025-2026 season.

Kemp Recital Hall

November 2, 2025

Sunday Afternoon

5:30 p.m.


Senior Recital; Dixon Iv, Tenor; November 1, 2025, G. Grant Dixon IV, Olesia Pupina 2025 Illinois State University

Senior Recital; Dixon Iv, Tenor; November 1, 2025, G. Grant Dixon Iv, Olesia Pupina

School of Music Programs

This is the thirty-fourth program of the 2025-2026 season.

University Galleries

November 1, 2025

Saturday Afternoon

2:30 p.m.


Too Loud To Ignore: Knowledge, Attitudes, And Practices Regarding Hearing Protection In Student Musicians And Ensemble Directors, Lucile Donald, Ashley G. Flagge 2025 University of South Alabama

Too Loud To Ignore: Knowledge, Attitudes, And Practices Regarding Hearing Protection In Student Musicians And Ensemble Directors, Lucile Donald, Ashley G. Flagge

Ashley Flagge Publications

Musicians are at an elevated risk for noise-induced hearing loss (NIHL) due to repeated exposure to sound levels exceeding occupational safety guidelines. Although many strides have been made in educating music students on the potential dangers of noise exposure and the mitigating effects of hearing protection devices, the current attitudes on this topic among high school and college-level student musicians remain largely unknown. An electronic survey was administered to high school (n = 195) and university (n = 161)-level band students and ensemble directors (n = 15) regarding knowledge of noise/music-induced hearing loss (MIHL), personal practices with HPDs, and types …


From "Pata Pata" To Come Back, Africa: Miriam Makeba And Her Fight Against Apartheid, 1953-1990, Maddie Heiser 2025 Minnesota State University, Mankato

From "Pata Pata" To Come Back, Africa: Miriam Makeba And Her Fight Against Apartheid, 1953-1990, Maddie Heiser

Journal of Undergraduate Research at Minnesota State University, Mankato

Perhaps one of the most notorious periods in African history was that of Apartheid – a system of racial, political, social, and economic discrimination placed upon the non-white majority of South Africa. Beginning in 1948 and lasting until the early 1990s, Apartheid marked a significant transformation in not only African liberation movements but also those happening across the globe, including the Civil Rights Movement in the United States. While the efforts to overcome Apartheid and empower the overall messages of African liberation and solidarity are well-documented, there are several methods of achieving these goals that have been unfortunately overlooked. Figures …


2025-2026 Performance Forum - October 31, 2025, Caroline Dratnal, Zion Pe Montebon, Ana-Maria Uzunova, Owen Chen, Kade Gordon, Sheng Yuan Kuan, Juan Fernandez Villegas, Ingryd Herrera, Rebeca Sierra, Lisa Leonard, Li Yang Liu, Jon Cruz, Hanting Peng, Julia Jacobsen, Derek Lund, Devin Salazar 2025 Lynn University

2025-2026 Performance Forum - October 31, 2025, Caroline Dratnal, Zion Pe Montebon, Ana-Maria Uzunova, Owen Chen, Kade Gordon, Sheng Yuan Kuan, Juan Fernandez Villegas, Ingryd Herrera, Rebeca Sierra, Lisa Leonard, Li Yang Liu, Jon Cruz, Hanting Peng, Julia Jacobsen, Derek Lund, Devin Salazar

Performance Forum

No abstract provided.


Bomba E: Tradition And Eclecticism In Selected Choral Works Of Ángel "Cucco" Peña, Luis F. Gonzalez 2025 Louisiana State University and Agricultural and Mechanical College

Bomba E: Tradition And Eclecticism In Selected Choral Works Of Ángel "Cucco" Peña, Luis F. Gonzalez

LSU Doctoral Dissertations

This monograph presents a musical analysis of three choral works by Puerto Rican composer Ángel “Cucco” Peña: Negra Majestad, Bomba E, and Aleluya Criollo. Although Peña is widely recognized for his contributions to popular music and production, these pieces highlight a lesser-known side of his creative output in the choral realm. Each work draws from traditional Puerto Rican genres—bomba, plena, and aguinaldo—while incorporating modern compositional techniques that reflect Peña’s eclectic style and his engagement with both popular and classical traditions.

The study situates these pieces within their historical and cultural contexts, particularly the African diaspora’s …


Senior Recital: Berkshier, Saxophone; October 29, 2025, Seth Berkshier, Lu Witzig, Noah Berkshier 2025 Illinois State University

Senior Recital: Berkshier, Saxophone; October 29, 2025, Seth Berkshier, Lu Witzig, Noah Berkshier

School of Music Programs

This is the thirty-third program of the 2025-2026 season.

Kemp Recital Hall

October 29, 2025

Wednesday Evening

7:30 p.m.


Reimagining Musical Improvisation Through Poetic Inspiration: A Creative Practice Investigation, Sean Foran 2025 SAE Institute Australasia

Reimagining Musical Improvisation Through Poetic Inspiration: A Creative Practice Investigation, Sean Foran

Staff Scholarship - Australia & Dubai

This presentation explores creative practice as research through an innovative approach to musical improvisation that challenges traditional boundaries between music and literature. Working with experienced improvising musicians, this study investigates how poetic texts serve as catalysts for new creative processes and musical outcomes.

The methodology involved musicians responding improvisationally to recorded poetry narrations, followed by reflective discussion and re-improvisation, extending Hannan's concept of 'comprovisation' while maintaining complete musical agency. Significantly, the final creative works present only the improvised music, requiring audiences to read poems independently and construct their own text-music relationships.

This approach differs from established music-poetry collaborations by positioning …


Charles W. Bolen Faculty Recital: Hockenberrry, Horn; October 28, 2025, Rachel Hockenberry, Lu Witzig 2025 Illinois State University

Charles W. Bolen Faculty Recital: Hockenberrry, Horn; October 28, 2025, Rachel Hockenberry, Lu Witzig

School of Music Programs

This is the thirty-second program of the 2025-2026 season.

Kemp Recital Hall

October 28, 2025

Tuesday Evening

7:30 p.m.


Senior Recital: Wallace, Trumpet; October 26, 2025, Lauren Wallace, Grace Eom 2025 Illinois State University

Senior Recital: Wallace, Trumpet; October 26, 2025, Lauren Wallace, Grace Eom

School of Music Programs

This is the thirtieth program of the 2025-2026 season.

Kemp Recital Hall

October 26, 2025

Sunday Afternoon

4:30 p.m.


Junior Recital: King, Mezzo-Soprano; October 26, 2025, Athena King, Ezra Tarcak 2025 Illinois State University

Junior Recital: King, Mezzo-Soprano; October 26, 2025, Athena King, Ezra Tarcak

School of Music Programs

This is the thirty-first program of the 2025-2026 season.

Kemp Recital Hall

October 26, 2025

Sunday Evening

5:30 p.m.


Fall Choral Concert, Department of Music, University of Richmond 2025 University of Richmond

Fall Choral Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


International Conference On Modern Music, Digital Production And Management, University for Business and Technology (UBT) in Kosovo 2025 University for Business and Technology in Kosovo

International Conference On Modern Music, Digital Production And Management, University For Business And Technology (Ubt) In Kosovo

UBT International Conference

UBT Annual International Conference is the 14th international interdisciplinary peer reviewed conference which publishes works of the scientists as well as practitioners in the area where UBT is active in Education, Research and Development. The UBT aims to implement an integrated strategy to establish itself as an internationally competitive, research-intensive university, committed to the transfer of knowledge and the provision of a world-class education to the most talented students from all background. The main perspective of the conference is to connect the scientists and practitioners from different disciplines in the same place and make them be aware of the recent …


“Tell Your Papa”: Aesthetics Of Confrontation And Visual Witnessing In Nigerian Protest Music, Omotayo Jemiluyi 2025 University of Missouri, Columbia

“Tell Your Papa”: Aesthetics Of Confrontation And Visual Witnessing In Nigerian Protest Music, Omotayo Jemiluyi

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This study analyzes the music video “Tell Your Papa” (2025), a politically charged protest song by Nigerian artiste Eedris Abdulkareem, as an exemplary case of aesthetics of confrontation, here conceptualized as a multimodal strategy in which direct address, anti-spectacle visual style, literalism, and discomfort converge to confront political power. Focusing on the song’s explicit critique of President Bola Ahmed Tinubu, his son Seyi Tinubu, and other prominent political figures, the analysis demonstrates how Abdulkareem renders indistinct the line between music and political discourse through a visual-sonic language that is accusatory, documentary-stylized, and unflinchingly courageous. While building on the lineage …


Bachtoberfest Concert: October 25, 2025, Dr. Cora Swenson Lee, Dr. Benjamin de Kock 2025 Illinois State University

Bachtoberfest Concert: October 25, 2025, Dr. Cora Swenson Lee, Dr. Benjamin De Kock

School of Music Programs

This is the twenty-eighth program of the 2025-2026 season.

Kemp Recital Hall

October 35, 2025

Saturday Afternoon

2:30 p.m.


Senior Recital: Roberts, Trumpet; October 25, 2025, Sam Roberts, Lu Witzig 2025 Illinois State University

Senior Recital: Roberts, Trumpet; October 25, 2025, Sam Roberts, Lu Witzig

School of Music Programs

This is the twenty-ninth program of the 2025-2026 season.

Kemp Recital Hall

October 25, 2025

Saturday Afternoon

4:30 p.m.


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