Music Commons^™

Performance Forum - February 13, 2026, Dj Combs, Sheng Yuan Kuan, Derek Lund, Nabil Hetman, Roey Dushi, Isabella Swalm, Zion Pe Montebon

Performance Forum

No abstract provided.

Figures Of Truth And Justice: Superman & Rock Music, Kelan Vitali

CAFE Symposium 2026

The American comic superstar Superman and rock music are completely different forms of media. One performs acts of heroism, and one is performed on stage. Despite their differences, however, both are prominent symbols of inspiration and moral courage.

Mamma Mia! What Nostalgia!, Asher Leuzzi

CAFE Symposium 2026

An analysis of Phyllida Lloyd's Mamma Mia!, and how it relates to Authentic Rock Culture. Discusses the power of nostalgia, demonstrating that it can be either a positive or negative force. Generally, sound used within this film helps display energy and emotional truth, which allows for complex themes to be revealed.

Moments

DePaul Magazine

Photo spread of The Fullertones, a DePaul student a cappella group, performing on the Lincoln Park Campus for DePaul Days and the launch of the university's Mission: Forward philanthropic campaign 

2025-2026 Seventh Annual Alumni Recital: Tinca Belinski ('19) And Guzal Isametdinova ('19 And '21), Tinca Belinschi, Guzal Isametdinova

Alumni Concerts

No abstract provided.

Guest Artist Recital: Chi Yong Yun, Piano: February 8, 2026, Chi Yong Yun

School of Music Programs

This is the ninety-fifth program of the 2025-2026 season.

kemp Recital Hall

February 8, 2026

Sunday Evening

7:00 p.m.

String Project Honors Recital: February 8, 2026, Illinois State University School Of Music

School of Music Programs

This is the ninety-fourth program of the 2025-2026 season.

Kemp Recital Hall

February 8, 2026

1:00 p.m.

Mignone, Fernandez, Guarnieri: Brazilian Guitar Music After Villa-Lobos, Fabio Zanon

Soundboard Scholar

This article challenges the widespread perception of Heitor Villa-Lobos as an isolated peak in Brazilian musical culture with no natural successors. The author focuses on the composers who followed Villa-Lobos—Francisco Mignone, Oscar Lorenzo Fernandez, and Camargo Guarnieri—arguing that their works deserve far more attention in international concert life, not least their contributions to the guitar repertoire.

These twentieth-century Brazilian composers are situated within a broader historical narrative that traces the impact of European colonial models, the delayed and contested formation of musical nationalism in Brazil, and the shifting aesthetic and political conditions of the twentieth century. Analytical discussions of representative …

2025-2026 Junior Recital - Virgilio Vazquez (Violin), Virgilio Vazquez, Rebeca Sierra

Junior and Senior Recitals

No abstract provided.

Performance Forum - February 6, 2026, Juan Diaz Quijano, Sheng Yuan Kuan, Santiago Moreno, Rebeca Sierra, Andrew Bures, Kade Gordon, Dj Combs, Jonathan Monk

Performance Forum

No abstract provided.

2025-2026 Junior Recital - Elizaveta Goryunova (Violin), Elizaveta Goryunova, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2025-2026 Master Of Music Recital - Brooke Gunter (Violin), Brooke Gunter, Sheng Yuan Kuan, Andrés Cárdenes, Ana-Maria Uzunova

Master of Music Recitals

No abstract provided.

2025-2026 Junior Recital - Liyang Liu (Violin), Li Yang Liu, Sheng Yuan Kuan, Nabil Hetman

Junior and Senior Recitals

No abstract provided.

Guest Artist Recital: William Jason Raynovich: February 4, 2026, William Jason Raynovich

School of Music Programs

This is the ninety-third program of the 2025-2026 season.

Kemp Recital Hall

February 4, 2026

Wednesday Evening

7:30 p.m.

Senior Recital: Matthew Sourwine, Tuba: February 1, 2026, Matthew Sourwine, Lu Witzig, Andrew Sniegowski, Xavier Buford, Sean Wright, Graham Miller

School of Music Programs

This is the ninety-second program of the 2025-2026 season.

Kemp Recital Hall

February 1, 2026

Sunday Afternoon

2:00 p.m.

Foreign Songs, Occitan Voices, And The Guitar In Early Modern France (C. 1570-1650), Ana Beatriz Mujica Lafuente

Dissertations, Theses, and Capstone Projects

The cultural traditions of European nations are too often treated as independent and essential entities, obscuring the transnational and interregional exchanges that have shaped modern cultures. In musicology, recent studies have emphasized the plurality and mobility of people, cultures, and music in Europe. Yet, French songs are still largely explained within the framework of the national, generally privileging written over oral traditions, printed over manuscript music, national over regional languages, and monolingual over plurilingual practices. Through the study of songs in Italian, Spanish, Occitan, and Turkish, this dissertation challenges such preconceptions.

This study shows that secular songs in foreign and …

Chamber Music For Strings In Rational Intonation: Performance Practice And Analysis, Marina Kifferstein

Dissertations, Theses, and Capstone Projects

In the early 21^st century, the field of contemporary music has experienced an explosion of interest in rational intonation. This ratio-derived tuning system, often referred to as “just intonation,” has become established as a widespread movement that is still on the rise. It is of increasing importance for composers, performers, historians, and theorists who specialize in contemporary music to be knowledgeable about the growing body of repertoire in this area and its performance practice.

This dissertation examines current and recent trends in rational intonation through the lens of chamber music for strings. It includes perspectives on performance practice gleaned …

Cecil Taylor, 1950–1976: Theory & Practice In His Own Words, Michelle A. Yom

Dissertations, Theses, and Capstone Projects

Cecil Taylor (1929–2018) was a poet, composer, pianist, and dancer who is widely regarded as one of the founding figures of Free Jazz. Despite this historical significance, Taylor has not been a subject of substantial archival research. Some scholars have written his name into music scholarship through explicitly or implicitly reiterating the notion of “freedom” that circulated among contemporary jazz critics of the late 1950s and the 1960s. Others have focused on analyzing Taylor’s solo piano music, often reducing Taylor’s musical theories and practices into the formal structures of the music itself. To date, the scholarship has simplified Taylor’s work …

Lakota Powwow Singers At The Drum, Robert J. Damm

Publications

No abstract provided.

Regional Geography And Tuning Systems Of Traditional Georgian Folk Music, Alex Kutubidze

Dissertations, Theses, and Capstone Projects

The project focuses on the traditional folk music of Georgia, mapping the geographical distribution of singing traditions across the country’s historical regions. Because vocal traditions and stylistic features of Georgian folk music vary significantly across historical regions, the project highlights these differences for the audience, which might be interested in learning Georgian folk music, seeking a basic understanding of its structure, or planning to visit the country for cultural or educational purposes related to folk music.  In addition, this work examines the tonal organization of Georgian traditional music, drawing on recent ethnomusicological research. It engages with ongoing scholarly discussions regarding …