Music Commons^™

The Jussi Björling Museum Emptied

Newsletter of the Jussi Björling Societies of the USA & UK

As was previously announced, the Jussi Björling Museum in Borlänge was closed at the turn of the year 2021/22.

Borlänge municipality had debated the fate of the Museum for years, and a decision was made to move it to, or adjacent to, the municipal library. However, it was not until 10 January 2022 that the Museum Curator was informed that the building was to be emptied by the end of February to serve as an office for the upcoming redevelopment of the nearby Liljan building (for the needs of Dalarna University College). Since no new museum space is available now, …

Remembering Don Goldberg, Walter B. Rudolph

Newsletter of the Jussi Björling Societies of the USA & UK

In my mind, he was a human dynamo. I didn’t know him well, but one couldn’t be around Don Goldberg and not experience who he was. The evening before the official start of our first St. Peter Conference in 2001, everyone around gathered with a few of their favorite recordings. For most of us, this was our introduction to each other. Don was his typical magnetic self, drawing us all together in a manner that left us feeling like we’d known one another for years.

He and I had some natural connection via radio. He had his own show on …

Jussi’S Return To The Metropolitan Opera In 1959, Don Goldberg

Newsletter of the Jussi Björling Societies of the USA & UK

The spring of 1957 was a difficult time for me. I had planned to attend every Bjoerling performance during the 1957-58 season not knowing in the spring of ’57 that those Met performances would be his last ones for two seasons. So the announcement of Jussi’s return to the Met on November 16, 1959 in Cavalleria Rusticana was to begin a special season for me. Getting tickets for that performance involved standing on a long line that stretched down Thirty-ninth Street down to Broadway.

Conrad L. Osborne To Speak On “The Art Of Jussi Björling”, Conrad L. Osborne

Newsletter of the Jussi Björling Societies of the USA & UK

JBS-USA is privileged to present the American master of opera critics in a special Zoom presentation for the Society on Tuesday, October 25 at 7:30 pm ET. Members will receive an email invitation to this occasion in September. Current details of event registration appear following this article.

As part of his presentation, Mr. Osborne plans to talk about Jussi’s technique, specifically, his “functional technique,” which is to say the hows and whys of his voice’s makeup. Those are the things that account for the actual sound of the voice, and which made possible Jussi’s extensive command of what Osborne will …

Anders Björling:, Walter B. Rudolph

Newsletter of the Jussi Björling Societies of the USA & UK

When I read the announcement of Anders’s passing, I immediately thought of Judie. By my calculations, they had passed their 8th wedding anniversary in May. Many of us met her at the Salt Lake City Conference in 2015. Judie renewed Anders. What would he have done without her? They had wonderful years together, and she cared for him through his acute myeloid leukemia (AML). No one else ever knows the depth and breadth of each person’s journey of departure. Judie was Anders’s provider. We acknowledge all she has done and will continue to do in her role.

Marilyn and I …

Convocation Recital: March 6, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and eighteenth program of the 2025-2026 season.

Kemp Recital Hall

March 6, 2026

Friday Afternoon

1:00 p.m.

Performance Forum - March 6, 2026, Caroline Dratnal, Noah Suarez, Ethan Thompson, Ziling Wang, Benjamin Garrett, Sheng Yuan Kuan, Jose Ignacio Diaz

Performance Forum

No abstract provided.

Engaging Underrepresented 11- To 14-Year-Olds In Music: An Autoethnographic Case Study Of A New Inner-City Afterschool Group Piano Program, Eden A. Brown

LSU Doctoral Dissertations

Research in music education has documented the underrepresentation of Black students in formal music study in the United States, shaped by economic and cultural barriers (Elpus & Abril, 2024; Alegrado & Winsler, 2020). Access to piano instruction is often limited by the high cost of lessons and instruments, inequitable school funding, and the absence of culturally responsive curricula that reflect the experiences of minority students and families. Traditional piano pedagogy rarely addresses this absence, leaving the piano both symbolically and practically distant for many potential musicians in the United States. This autoethnographic case study chronicles the development, launch, and first …

2025-2026 Master Of Music Recital - Peter Pao (Cello), Peter Pao, Rebeca Sierra

Master of Music Recitals

No abstract provided.

Freshman Recital: Jonah Zolecki, Saxophone; March 5, 2026, Jonah Zolecki

School of Music Programs

This is the one hundred and seventeenth program of the 2025-2026 season.

Kemp Recital Hall

March 5, 2026

Thursday Evening

7:30 p.m.

2025-2026 Master Of Music Recital - Manuela Wanumen (Violin), Manuela Wanumen Jiménez, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

2025-2026 Master Of Music Recital - Aneliya Novikova (Collaborative Piano), Aneliya Novikova, Nabil Hetman, Sarah Conley

Master of Music Recitals

No abstract provided.

2025-2026 A Semiquincentennial Salute To The United States Of America: Friends Of The Conservatory Of Music Concert And Friendship Tea, Jon Cruz, Yilian Concepcion, Sheng Yuan Kuan, Ian Lewis, Isabella Swalm, Aidan Quintana, Ziling Wang, Gabrielle Siena

Friends of the Conservatory Events

No abstract provided.

Full Issue

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

When The Muses Went Silent And Almost Died:, Thomas M. Hines

Journal of the Jussi Björling Societies of the USA & UK

What would life be like if there were no fine or performing arts? If music could not be heard in public, if great paintings of famous artists of the past and present could not be seen—in other words, how would we adjust in an esthetically deprived existence? In truth, we could continue to see and hear; nature would still be around us, but the interpretative acuity of our senses would be dulled. Opportunities to witness works of art would not be readily available. Our creative images would be internalized and not reflective of visual or auditory models. It would be …

Jussi’S Live Performances On Cd:, Kristian Krogholm

Journal of the Jussi Björling Societies of the USA & UK

We are very fortunate that a very large number of Jussi Björling`s live recordings have been issued on cd. We have every reason to be grateful for every single recording which has been made available to us. The people to thank for this are of course mainly those behind the Jussi Björling societies and in particular those behind the Bluebell JB series. Two men need to be mentioned here, Frank Hedman and Harald Henrysson. What treasures they have given us through that Swedish label, and almost everything from original tapes and in superb sound.

Also it deserves to be mentioned …

“I Was So Nervous For Him” – Kerstin Thorborg And Jussi Björling, Nils-Göran Olve

Journal of the Jussi Björling Societies of the USA & UK

Kerstin Thorborg (1896–1970) was a leading mezzo-soprano with the Metropolitan for thirteen seasons, singing twenty roles in 350 performances. Her debut was as Frick in Die Walküre on 21 December 1936 and her final performances in 1950. Fifteen years older than Jussi Björling and born in the same Swedish region Dalarna (Dalecarlia), she enjoyed twenty years of rather solitary retirement there and died ten years after him. Her Met repertoire focused on Wagner so they met rarely on stage, but of course they knew each other well during the years they met professionally (1936–41 and 1945–50). They can be heard …

Jussi Björling In Mozart, Richard Copeman

Journal of the Jussi Björling Societies of the USA & UK

Mozart wrote so well for the voice that his music is still regarded as an essential discipline for students. Jussi was fortunate in being tutored by John Forsell, a specialist in Mozart operas, especially Don Giovanni. One of the arias he worked on was “Dalla sua pace,” the first act aria of Don Ottavio, and wisely he sang it for his 1928 audition at the Opera School and was accepted after further tuition. Jussi later wrote “Of all the opera styles, Mozart’s is the one closest to my heart. My teacher, John Forsell, gave me things to sing that were …

Elisabeth Söderström, Calle Friedner

Journal of the Jussi Björling Societies of the USA & UK

Elisabeth Söderström was one of Sweden’s foremost and most versatile sopranos. Her early intention was to become an actress, and acting was something she highly mastered. She admitted herself to have a “little” voice, and the beauty of its sound could vary, but what possibly might have lacked in her voice she compensated very well with musicality and brilliant acting that sometimes could be so good, that the audience would wonder if it was real.

Jbs-Usa Returns To Washington Dc, March 9 – 12, 2024

Journal of the Jussi Björling Societies of the USA & UK

A musical weekend is planned around two JBS board meetings, with plenty of time for music and fine dining. We are so looking forward to being together again, and hope you will join us in Washington as the cherry blossoms start to bloom!

Following is a description of our weekend. If you would like to join us for all or any part of this schedule, we would be delighted to have you with us! We can arrange hotel reservations for anyone flying in.