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Concert Recording 2010-03-19, Xavier Moore, S. Michael Shuman 2010 University of Arkansas, Fayetteville

Concert Recording 2010-03-19, Xavier Moore, S. Michael Shuman

Concert Recordings & Programs

Per la gloria d'adorarvi / Giovanni Battista Bononcini -- Berenice. Si, tra i ceppi / George Frideric Handel -- Ici-bas ; Chanson d'amour / Gabriel Faure -- Herodiade. Vision fugitive / Jules Massenet -- Lieder eines fahrenden Gesellen. Wenn mein Schatz Hochzeit macht ; Ich hab' ein gluhend Messer / Gustav Mahler -- Old woman rain / Gena Branscombe -- Cosi fan tutte. Donne mie la fate a tanti / Wolfgang Amadeus Mozart


Concert Recording 2010-08-26, Janice Yoes, Mark Smidt 2010 University of Arkansas, Fayetteville

Concert Recording 2010-08-26, Janice Yoes, Mark Smidt

Concert Recordings & Programs

Harmonia Sacra. We sing to Him / Henry Purcell -- Spring ; Sleep ; Winter ; Dirge ; Diaphenia ; Hymn / Dominick Argento -- It was a lover and his lass ; So white, so soft, so sweet is she ; To daffodils / Frederick Delius -- Oedipus. Music for a while / Henry Purcell -- Orpheus ; Tears ; Under the greenwood tree ; Sleep / Ivor Gurney -- Songs of the clown, op. 29. Come away, Death ; O mistress mine ; Adieu, good man devil ; Hey, Robin! ; For the rain it raineth every day …


Concert Recording 2010-10-19, Kristine Mezines, Jacob Grewe, Kevin Graber, Jacob Hilton, Jordan Wilhelm, Michael Post, A. J. Miller, Justin Stowe, Daniel Jordan, Cory Davis, Gretchen Renshaw 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-19, Kristine Mezines, Jacob Grewe, Kevin Graber, Jacob Hilton, Jordan Wilhelm, Michael Post, A. J. Miller, Justin Stowe, Daniel Jordan, Cory Davis, Gretchen Renshaw

Concert Recordings & Programs

Sonata in g minor / Henry Eccles -- Prelude, op. 2, no. 1 / Sergei Rachmaninoff ; trans. Benjamin Pierce -- Concerto in one movement (1950) / Alexey Lebedev -- Lyric Suite (1972) / Donald White -- Fantasy Pieces / Derek Bourgeois / Euphrates euphony (2009) / Shin-Ichiro Ikebe -- Sonata (1980) / Trygve Madsen -- Prelude from celleo suite no. 1 in G Major, BWV 1007 / Johann Sebastian Bach -- Six studies in English folksong / Ralph Vaughan Williams -- Concerto (1997) / Martin Ellerby


Shifting Slides: The Effect Of John Cage's "Solo For Sliding Trombone" (1957-58) On Modern Trombone Literature And Pedagogy, Andrew Michael Shelton 2010 Columbus State University

Shifting Slides: The Effect Of John Cage's "Solo For Sliding Trombone" (1957-58) On Modern Trombone Literature And Pedagogy, Andrew Michael Shelton

Theses and Dissertations

The trombone has a limited history concerning literature and technique development. A turning point for the literature of the trombone was with John Cage's Solo for Sliding Trombone. This composition brought about new techniques that would permeate throughout subsequent literature. These new techniques would also impact trombone pedagogy and accepted technique. This paper explains the impact Solo for Sliding Trombone had on the development of the instrument including literature and pedagogy.


Gretsch News, Volume 8, Gretsch Company 2010 Georgia Southern University

Gretsch News, Volume 8, Gretsch Company

Gretsch Company Newsletters

Table of Contents: Stanton Moore, Gretsch Artists, Gretsch 2010.


"Gretsch: New Products 2010" Drum Catalog, Gretsch Company 2010 Georgia Southern University

"Gretsch: New Products 2010" Drum Catalog, Gretsch Company

Gretsch Company Catalogs & Price Lists

This is a 2010 catalog for Gretsch drums, advertising the "Renown Maple" and "Catalina Club" drum sets, as well as snare drums.


An Analysis Of The Guitar Trio Literature From The University Interscholastic League Prescribed Music List, Joseph David Rodriguez 2010 University of Texas at El Paso

An Analysis Of The Guitar Trio Literature From The University Interscholastic League Prescribed Music List, Joseph David Rodriguez

Open Access Theses & Dissertations

This study is an analysis of the guitar trio literature on the University Interscholastic League Prescribed Music List. The purpose of this study is to provide guitar educators in the state of Texas with sufficient analytical information about the guitar trio literature so that they can more accurately and effectively utilize the select literature to meet performance and educational curriculum objectives.


From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs., Ambrose Colombo 2010 Claremont McKenna College

From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs., Ambrose Colombo

CMC Senior Theses

Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA featured in clubs toward …


Historically Informed Performance Practice Of The Baroque Era, Amanda Beard 2010 Columbus State University

Historically Informed Performance Practice Of The Baroque Era, Amanda Beard

Theses and Dissertations

In recent years, much debate has ensued regarding the level of consideration that should be given to the historical context of musical compositions that were written and performed during the Baroque era, which extends from 1600 to 1750 CE. The question arises as to how closely we should strive to emulate the performance conditions that would have been present during the Baroque era. Robert Donington, an English musicologist and author of two definitive texts on Baroque performance practice, suggests in his Performer's Guide to Baroque Music that we can meet the expectations of the Baroque composers to a greater degree …


Graduate Recital, Jazz Pedagogy, Jenna Hardy 2010 University of Northern Iowa

Graduate Recital, Jazz Pedagogy, Jenna Hardy

Dissertations and Theses @ UNI

The Jazz Pedagogy Master's degree requires students to develop their skills in improvisation, arranging, composition, pedagogy and general rhythm section instrumental performance. Certain aspects of this degree are to be presented in the form of a graduate recital with an accompanying abstract. The first half of my recital and abstract will focus on my work with learning the piano, bass guitar and drum set. The second half pertains to my primary instrument, the vibraphone, and how it can be showcased in a variety of ensemble settings. Each piece is described according to its historical context, arrangement or compositional techniques and …


Master Of Music Graduate Recital, Teale Lora Burford 2010 University of Northern Iowa

Master Of Music Graduate Recital, Teale Lora Burford

Dissertations and Theses @ UNI

The elements earth, water, fire, and air, are essential for continuing and sustaining life on Earth. They are both life-giving and destructive-bringers of fortune or ruin-in the natural world. Central to this program is an artist's ability to translate these elements into poetic metaphors of the human condition and emotion: burning passion, the fertile soil of the soul, the winds of fortune, and the deep waters of despair. The realization of compositional techniques used to exemplify the four elements and the character communicated by the music is the objective of this recital. This performance involves works from all principle style …


Passing The Torch: An Interview With Andi Beckendorf And A Tribute To Her Service To The Isb, Jeremy C. Baguyos 2010 University of Nebraska at Omaha

Passing The Torch: An Interview With Andi Beckendorf And A Tribute To Her Service To The Isb, Jeremy C. Baguyos

Music Faculty Publications

Andi Beckendorf was appointed Associate Editor of Bass World in 2001 and worked alongside the celebrated Editor at that time, Joelle Morton. In 2005, Andi was tapped to assume the post of Editor, and for the past five years the readership has benefited from her professionalism, her precise editing, her astute content management, and her steady and watchful pursuit of the highest possible standards and values of the ISB and its journal. This issue of Bass World will be the first without Andi Beckendorf at the helm, but we are not going to bid farewell. Instead, we are going to …


From The Editor's Desk, Jeremy C. Baguyos 2010 University of Nebraska Omaha

From The Editor's Desk, Jeremy C. Baguyos

Music Faculty Publications

I first joined the ISB as a student member at the urging of Charles Hoag, one of my bass teachers when I was growing up in Kansas. For me, the most important benefit of TSB membership was the ISB's journal. Back in those days when the primary tools for research were card catalogs and the RILM Abstracts, I couldn't just do a Google search on the keywords "double bass" to learn more about my instrument and other bassists. The journal of the International Society of Bassists, presently titled Bass World, was my only link to the national and international double …


Faculty Development In Higher Education: Long-Term Impact Of A Summer Teaching And Learning Workshop, Diane C. Persellin, Terry Goodrick 2010 Trinity University

Faculty Development In Higher Education: Long-Term Impact Of A Summer Teaching And Learning Workshop, Diane C. Persellin, Terry Goodrick

Music Faculty Research

Past participants of the Associated Colleges of the South Summer Teaching and Learning Workshop were surveyed to determine long-term impact of this type of professional development experience. Results indicate a large majority of participants across rank and academic discipline continued to view the workshop as effective and valued feedback from the perspective of the learner. Females were more likely than males to report more awareness and thoughtfulness about their teaching since having attended the workshop and to report having tried new strategies and taken more risks in their teaching. This study supports the importance of an interdisciplinary forum for faculty …


Effects Of Duration Of Selected Music As An Intervention On Postoperative Pain In Open-Heart Surgery Patients During Chair Rest On The First Postoperative Day, Tzu-Ting Shu 2010 Eastern Michigan University

Effects Of Duration Of Selected Music As An Intervention On Postoperative Pain In Open-Heart Surgery Patients During Chair Rest On The First Postoperative Day, Tzu-Ting Shu

Master's Theses and Doctoral Dissertations

The purpose of this study was to test the effects of selected music on reducing postoperative pain and use of pain relief medications in open-heart surgery patients during chair rest on the first postoperative day.

This study was conducted using a pretest-posttest experimental design. A convenience sample of 13 open-heart surgery patients from a metropolitan hospital in southeastern Michigan were randomly assigned to the music group (n = 6) and the control group (n = 7). T-test analysis showed that pain scores (numeric rating scale, NRS = 0-10) were lower in the music group than the control group after 30, …


Bioluminescence, Zachary Pfeifer 2010 Louisiana State University and Agricultural and Mechanical College

Bioluminescence, Zachary Pfeifer

LSU Master's Theses

The ability of certain animals to create natural light is called bioluminescence. This ability is found throughout the world in various biomes but is most common in the deep ocean, in layers of dark water that remain untouched by the sun’s rays. One way Bioluminescence attempts to convey light moving though the depths is by assigning bright passages to instruments that are easily heard over light accompanying textures or are sometimes featured in solos or duets. The soprano saxophone and vibraphone are the two most common examples of this. Bioluminescence is written in the tradition of an orchestral tone poem, …


Magical Returns And The Interior Landscape Of Chopin's Mazurkas, Barbara Ann Milewski 2010 Swarthmore College

Magical Returns And The Interior Landscape Of Chopin's Mazurkas, Barbara Ann Milewski

Music Faculty Works

No abstract provided.


Challenges Of Technique And Interpretation In The Percussion Music Of Fredrik Andersson: A Performer’S Analysis, Kyle Manning Forsthoff 2010 University of Kentucky

Challenges Of Technique And Interpretation In The Percussion Music Of Fredrik Andersson: A Performer’S Analysis, Kyle Manning Forsthoff

University of Kentucky Doctoral Dissertations

In the mid 1990s, Swedish composer Fredrik Andersson composed not everything which happens is in the newspaper (1993), the lonelyness of Santa Claus (1994), and imagine there was nothing (1996). All three pieces share a number of compositional and stylistic elements while emphasizing the capabilities of their respective instrumentations to create mysterious sonic worlds that are unique in the percussion idiom. By examining specific concerns of each piece in detail, an understanding of Andersson’s presentation of musical challenges will result. Acceptable solutions to such challenges will be examined and compared, based primarily on the author’s analysis and experience encompassing multiple …


Postmodernism And The Professional String Quartet, Kelly Michaela Curran 2010 Edith Cowan University

Postmodernism And The Professional String Quartet, Kelly Michaela Curran

Theses : Honours

No abstract provided.


A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo 2010 Edith Cowan University

A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo

Theses : Honours

Throughout the 20th century, the performance practice of baroque music has undergone many stylistic changes. Moreover, the rich resources of primary source material available to us in musical recordings of the period have only recently been realised. Bruce Haynes, in his book The End of Early Music, suggests that the twentieth century saw three principal schools of performance: romantic, modernist, and historically-informed. This study investigates Haynes' hypothesis through a comparison of fourteen recordings of Bach's Solo Violin Sonata in A minor BWV 1003, ranging from 1933 to 1999. Focus is made on eight predetermined observation criteria: tempo, tempo fluctuation, rhythmic …


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