Music Commons^™

Junior Recital, Marion Kaiser

Junior Recitals

List of performers and performances.

Senior Recital: Ari Corson, Percussion, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Wind Symphony, April 25, 2010, Stephen K. Steele, Adriana Ransom, Stephanie Melinyshyn, Carl Schimmel

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
April 25, 2010
3:00 p.m.

Graduate Recital: Eunkyung Son, Cello; Wejing Lui, Piano; Jiyoun Chung, Piano; Andrew Francois, Violin; April 25, 2010, Eunkyung Son, Wejing Lui, Jiyoun Chung, Andrew Francois

School of Music Programs

Kemp Recital Hall
April 25, 2010
Sunday Afternoon
1:30 p.m.

Senior Recital: Megan J. Miller, Mezzo-Soprano; Sara Hoffee, Piano; April 25, 2010, Megan J. Miller, Sara Hoffee

School of Music Programs

Kemp Recital Hall

April 25, 2010

Sunday Afternoon

3:00 p.m.

Senior Recital: Mat Becker, Trombone; Nancy Pounds, Piano; April 25, 2010, Mat Becker, Nancy Pounds

School of Music Programs

Kemp Recital Hall
April 25, 2010
Sunday
Noon

Ensemble Concerts: Choral College, April 25, 2010, School Of Music

School of Music Programs

Center for the Performing Arts
April 25, 2010
Sunday Evening
7:00 p.m.

Sophomore Recital: Annelise Wiering, Violin; Myoungeon Lee, Piano; April 25, 2010, Annelise Wiering, Myoungeon Lee

School of Music Programs

Kemp Recital Hall
April 25, 2010
Sunday Evening
6:30 p.m.

Senior Bassoon Recital: Yazmin Torres, Bassoon; Matt Kowalczyk, Bassoon; Matt Makeever, Piano; April 25, 2010, Yazmin Torres, Matt Kowalczyk, Matt Makeever

School of Music Programs

University Galleries
April 25, 2010
Sunday Afternoon
12:30 p.m.

Marshall University Music Department Presents A Junior Jazz Recital, Jason Mitchell, Alto Saxophone, Assisted By, Dr. Sean Parsons, Andrew Winter, Jimmy Lykens, Rod Elkins, Neal Titus, Luke Miller, Jason Mitchell

All Performances

No abstract provided.

Marshall University Music Department Presents "Sacred Concert" By Duke Ellington, The Høybye/Pederson Version, Performed By The Mu Choral Union, Chamber Choir, And Jazz Ensemble 12.0, Mark Smith, Director, Accompanied By Alanna Cushing, Piano, Kristen Pino, Soprano, Alisha Bowen, Tap Dancer, Choreography By Marlo Shaver Wentz, Elite Performance Academy, Mark Smith

All Performances

No abstract provided.

Doctoral Recital, Wendy Moss, Michelle Lee, Matthew Guschl

Graduate Student Recitals

List of performers and performances.

Senior Recital: Mary Eileen Rocke, Mezzo-Soprano; Sara Hoffee, Piano; April 24, 2010, Mary Eileen Rocke, Sara Hoffee

School of Music Programs

Morning Star Methodist Church
April 24, 2010
Saturday Afternoon
3:00 p.m.

Ensemble Concerts: Siuc Percussion Group, April 24, 2010, Ron Coulter

School of Music Programs

Cook Hall 212
April 24, 2010
Saturday
Noon

2009-2010 Philharmonia At Mizner Park - Salute To Broadway, Jon Robertson, Lynn University Philharmonia, Mary D'Arch, Brian Ricci

Philharmonia

No abstract provided.

2009-2010 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Tiago Neto, Tao Lin, Kelsey Lin, Yunyue Liu, Kaitlin Richardson, Zhou Jiang, Seul-A Lee, Valeriya Polunina, Evgenia Zharzhavskaya

Master Classes

No abstract provided.

Convocation, Amanda Gentile, Randy Hughes, Yi Feng, Marion Kaiser, Zheni Atanasova

Convocations

Program listing performers and works performed

Dmitry Shostakovich's Twenty-Four Preludes And Fugues Op. 87: An Analysis And Critical Evaluation Of The Printed Edition Based On The Composer's Recorded Performance, Denis V. Plutalov

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This particular research is a tribute to Dmitry Shostakovich, who was not only a great composer, but also a great pianist and interpreter of his own works. Shostakovich is famous for the most part as a great symphonic and chamber composer. His piano works did not gain as much popularity as his large scale works. In fact they attracted very little attention from the modern generation of pianists. Shostakovich's Twenty-Four Preludes and Fugues op. 87 stand out among his piano works as a unique cycle, equaling Bach's Well-Tempered Clavier in its concept.

Chapter One provides an introduction to the subject …

Jazz Band One, April 23, 2010 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Brahms, Opus 32: The Forgotten Cycles, Patrick Russell

Undergraduate Research Conference

A song cycle may be loosely defined as a set of works for solo voice and piano intended for performance as a whole, and in a predetermined order. Established by such composers as Beethoven, Schubert and Schumann, cycles are typically characterized by a deliberate structure, the texts of which are almost without exception by the same author. So conventional is the practice of containing the settings of a single poet, it may be considered a prerequisite. Song cycles are also distinguished, therefore, by one or more unifying elements originating in the poetry, such as literary themes or narration. It is …