Other Music Commons^™

Look At All Those Big Knobs! Online Audio Technology Discourse And Sexy Gear Fetishes, Eliot Bates, Samantha Bennett

Publications and Research

Despite a predominantly digital, 21st century music production landscape, analogue hardware professional audio technologies persist. In the discoursal throes of the leading online audio technology message forum Gearslutz, such technologies are routinely objectified, sexualized, fetishized and socialized into gear. Situated in a contemporary critical, interdisciplinary framework of fetish, masculinity and sexuality studies, this research interrogates how audio technologies manufactured and intended for music production contexts become sexy. Applying a mixed-mode methodology, including an intensive discourse, image and material-semiotic analysis of an ‘epic’ sexy gear thread, we collated extensive data about technological fetishization. Sexy gear discourse articulates themes of voyeurism, acquisition, …

Hong Kong Xiqu Overview 2020, Siu Leung Li, Siu Wah Yu

香港戲曲概述

2020, Hong Kong Chinese opera’s year of mischance (for that matter, same to all performing arts and other arts fields). Since early 2020, COVID-19 quickly turned a global pandemic causing lockdowns of almost everything. A year back, 2019, Hong Kong Chinese opera enjoyed a blossoming year beginning with the January grand opening of the magnificent West Kowloon Cultural District Xiqu Centre. 2020, the industry was like being thrown into an apocalyptic dystopia of contagion. New productions, large scale shows, ritual drama performances, overseas and non-local troupes’ visits, educational and promotional activities were all drastically shrunk, rescheduled, relocated to virtual space, …

Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta

Dissertations, Theses, and Capstone Projects

“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …

Take Flight Music Festival Branding, Maxwell Bo Chen, Jake Oxenham

Graphic Communication

We created a branding and design campaign for the Take Flight music festival on campus. The project covered many aspects of event creation and marketing such as name, logo, content creation, social media, printed media, vendor outreach, and administration outreach. All these pieces had to work together to create a strong and cohesive brand image for this event which would help ensure a successful turnout and event overall.

Project Metamorphosis: Designing A Dynamic Framework For Converting Musical Compositions Into Paintings, Rao Hamza Ali, Grace Fong, Erik Linstead

Engineering Faculty Articles and Research

The authors present an automated, rule-based system for converting piano compositions into paintings. Using a color-note association scale presented by Edward Maryon in 1919, which correlates 12-tone scale with 12 hues of the color circle, the authors present a simple approach for extracting colors associated with each note played in a piano composition. The authors also describe the color extraction and art generation process in detail, as well as the process for creating “moving art,” which imitates the progression of a musical piece in real time. They share and discuss artworks generated for four well-known piano compositions.

The Significance Of Sonic Branding To Strategically Stimulate Consumer Behavior: Content Analysis Of Four Interviews From Jeanna Isham’S “Sound In Marketing” Podcast, Ina Beilina

Student Theses and Dissertations

Purpose:
Sonic branding is not just about composing jingles like McDonald’s “I’m Lovin’ It.” Sonic branding is an industry that strategically designs a cohesive auditory component of a brand’s corporate identity. This paper examines the psychological impact of music and sound on consumer behavior reviewing studies from the past 40 years and investigates the significance of stimulating auditory perception by infusing sound in consumer experience in the modern 2020s.

Design/methodology/approach:
Qualitative content analysis of audio media was used to test two hypotheses. Four archival oral interview recordings from Jeanna Isham’s podcast “Sound in Marketing” featuring the sonic branding experts …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Energy Portraits For Flute, Clarinet In B-Flat, Violin, Cello, Piano, And Percussion, Luis Solis

Music Theses and Dissertations

Energy Portraits is a 25-minute work for flute, clarinet, violin, cello, piano, and percussion based on the nine Enneagram personality types. The Enneagram system delves into underlying motivations and thought patterns of different people rather than only external behaviors, so this piece incorporates the typical overall energy of each number as a miniature portrait. The movements are not in the same order as the nine types from the Enneagram but are reordered and renamed for musical reasons. This allows the listeners who are not familiarized with the Enneagram to still understand the theme and energy of each movement.

Flourish is …

A Graduate Recital In Conducting, Noey De Leon

Electronic Theses & Dissertations

This thesis serves as a part of Mr. De Leon’s choral conducting recital and program notes. The music selected for this performance creates a tripartite concert structure. The first part will focus on the villancico from Baroque Mexico. The second includes pieces highlighting specific seasons of the Christian liturgical year. The final section is a choral response to the COVID-19 pandemic, music written for, during, and/or in response to the pandemic. These sections will include biographical information for each composer, performance notes, translations of texts, and other important information about each piece.

The Mathematical Foundation Of The Musical Scales And Overtones, Michaela Dubose-Schmitt

Theses and Dissertations

This thesis addresses the question of mathematical involvement in music, a topic long discussed going all the way back to Plato. It details the mathematical construction of the three main tuning systems (Pythagorean, just intonation, and equal temperament), the methods by which they were built and the mathematics that drives them through the lens of a historical perspective. It also briefly touches on the philosophical aspects of the tuning systems and whether their differences affect listeners. It further details the invention of the Fourier Series and their relation to the sound wave to explain the concept of overtones within the …

A Poet's Voice: Music In Service To Poetry: Elements Of Text Painting In Juliana Hall's Song Cycle "How Do I Love Thee?", Hayley Z. Coughin

Dissertations, 2020-current

American composer Juliana Hall has established a reputation as one of the leading composers of contemporary American art songs, having composed over 60 song cycles, totaling over 300 works for the voice. Hall’s song cycle How Do I Love Thee? expresses a narrative arc told through five selections from Victorian-era poet Elizabeth Barrett Browning’s Sonnets from the Portuguese. The poems selected include Sonnet 3: “Unlike,” Sonnet 43: “How Do I Love Thee?,” Sonnet 37: “Pardon,” Sonnet 21: “Say Over,” and Sonnet 41: “Thank You.” Hall’s cycle describes the relationship between the lover and the object of their love, including …

A Poet's Voice: Music In Service To Poetry: Elements Of Text Painting In Juliana Hall's Song Cycle "How Do I Love Thee?", Hayley Z. Coughin

Dissertations, 2020-current

American composer Juliana Hall has established a reputation as one of the leading composers of contemporary American art songs, having composed over 60 song cycles, totaling over 300 works for the voice. Hall’s song cycle How Do I Love Thee? expresses a narrative arc told through five selections from Victorian-era poet Elizabeth Barrett Browning’s Sonnets from the Portuguese. The poems selected include Sonnet 3: “Unlike,” Sonnet 43: “How Do I Love Thee?,” Sonnet 37: “Pardon,” Sonnet 21: “Say Over,” and Sonnet 41: “Thank You.” Hall’s cycle describes the relationship between the lover and the object of their love, including …

Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff

Masters Theses, 2020-current

Though over the years documents about shape-note music from Joseph Funk and Sons and the Ruebush-Kieffer companies have been spread throughout many archives, they are now being brought back together online in one digital archive. Interpreting the information contained in these documents and the ledger book of subscribers for The Southern Musical Advocate and Singer’s Friend magazine through graphs and maps makes the information contained in them easier to access for researchers. The collaboration between a physical museum site, a website, and a Omeka site allow for multiple ways to learn about the history of shape-note music in the Shenandoah …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

Student Pianists In Recital

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music (Winds & Brass)

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music (Strings)

Printed Performance Programs (PDF Format)

No abstract provided.

Protest Music And Survival In The Basque Country During The Franco Regime, Michael J. Dodick Jr

Honors Theses

This thesis is an examination of the origins of the Basque Nationalist movement that originated in the late nineteenth century, the Spanish Civil War that followed, and how a dictatorial regime damaged a minority autonomous region, the Basque Country. Within this scope, a singular, unique musical and artistic collective contributed efforts in preserving and growing Basque culture, a culture that had been refined to place focus on nationalistic ideals, unifying traditions, Euskera, and the nation of Euskadi. Ez Dok Amairu, the focus of this thesis, was a short-lived artistic group that concentrated on producing art, literature, and music (among other …

University Treble Choir Concert, Chapman University Treble Choir, Esther Kim

Printed Performance Programs (PDF Format)

No abstract provided.

New Music Ensemble, Chapman New Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.