Other Music Commons^™

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

The Rise Of Wavetable Synthesis In Commercial Music And Its Creative Applications, Garrett Norman Scroggs

Electronic Theses and Dissertations

Wavetable synthesis is a powerful tool for music creation that helps composers and producers develop their own unique sounds. Though wavetable synthesis has been utilized in music since the early 1980s, advancements in computer technologies in the 2000s and the subsequent releases of software synthesizers in the late 2000s and early 2010s has led to the increased presence of wavetable synthesis in commercial music. This thesis chronicles a historical overview of the use of wavetable synthesis in commercial music and demonstrates the accessibility and power that wavetable synthesis delivers in music creation. The demonstration portion of this thesis features two …

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

Robert Starer And His Music, With A Focus On Solo Works For Trumpet, Allison Mcswain

UNLV Theses, Dissertations, Professional Papers, and Capstones

Composer Robert Starer was well-regarded in his lifetime but has fallen largely into obscurity. He had a unique and varied background that influenced his compositional style and musical philosophy, but except for his piano music, Starer’s works are largely unstudied. His musical style is complex and substantive, having been informed and influenced by his varied background, but the music is accessible to audiences and players of different levels. Additionally, his pieces allow much choice for the performer through the independence of the writing, free sections, musical accessory options, and performance alternatives, such as reordering movements or varied instrumentation options. This …

Vocal Jazz Ensemble, Chapman Vocal Jazz Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Piano Majors Showcase

Printed Performance Programs (PDF Format)

No abstract provided.

Mariachi Panteras, Mariachi Panteras

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Bibliography For "Bone Hill & Martha Redbone Display", Arianna Tillman, Isabella Piechota, Kalea Brown

Library Displays and Bibliographies

A bibliography to accompany a display about Bone Hill & Martha Redbone at the Leatherby Libraries at Chapman University in April 2023.

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

The Color Of Sound: An Insight On Chromesthesia, Lupe Rodriguez

Honors Capstones

Many people can see with their eyes, but there are some people who can see through sound. Chromesthesia is when sound involuntarily evokes an experience of color through shapes and movement. The goal of this project is to show what this experience is like and give people an opportunity to experience it in a way themselves.

The Color of Sound Website Prototype

Faculty & Guest Artist Recital: Alison Thomas & Louise Thomas, Music For Two Pianos, Alison Thomas, Louise Thomas

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman University Big Band And Jazz Combo, Chapman University Big Band, Chapman Jazz Combo

Printed Performance Programs (PDF Format)

No abstract provided.

Opera Chapman Presents: Cinderella By Jules Massenet, Opera Chapman

Printed Performance Programs (PDF Format)

No abstract provided.

Visualizing The Spread Of Western Music Throughout The World Using Big Data, Dakota C. Cookenmaster

Campus Research Month

Music, perhaps the most prevailing form of art throughout the ages, has impacted the world in countless ways. Due to the vast magnitude of published musical compositions, it is difficult to comprehend the full extent of how Western music has spread from Europe to the rest of the world. Our contribution is a presentation of the history of music throughout the ages, highlighting the countries of publication by year since the 15th century. Our visualization also exhibits the top 10 most prevalent composers within the British Library, with additional information such as the composers’ number of works and lifespan.

The Sound Of The Civil War: Examining The Intersection Between Music And Emotion In America, 1861-1865, Christina Cannon

Campus Research Month

The topics of the history of music and the history of music intersect in the Civil War in fascinating ways. Both religious music and “secular” music were seen to have great power over their listeners, potentially with the power to alter the directions of lives or their salvation status. Music was used both as a mode of rebellion against the antagonizing army and ideal and a rebellion against unnecessarily violent acts. Each side used it against the other, but a select few also used it against the war itself. Soldiers marched to music, set camp to music, and fought to …

Chapman Saxophone Ensemble, Chapman Saxophone Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Worshipers At War: The Church’S Call To Praise On The Frontlines, Keely Cox

Senior Honors Theses

As spiritual warfare wages on and battles are constantly fought, the worship leader must understand the power of worship the Church wields in the love and strength of the Lord. In order for the role of the worship leader to be fully recognized and understood as a significant part of the body of Christ, its unique history must also be examined. It can be seen in the appointment of the Levites to the ministry of the Israelite tabernacle and their leadership on the battlefield. It can be found in first-century Christian leaders who persisted to praise the one true God …

The Impressionist Impact: How Claude Debussy Influenced Non-Western Composers And Music, Ragan Love

University Honors Theses

Achille-Claude Debussy (1862-1918) was a French composer and a pioneer in Impressionist music and experimented with an original system of harmony which would shape music for the rest of the 20th century. His work would go on to impact the compositional style of two other composers, Toru Takemitsu (1930-1996), a Japanese composer, and Herbie Hancock (1940- ), a jazz performer and composer. Throughout this project you will see the influence that Debussy had on these other composers through a multimedia experience with scores and recordings. Debussy's use of chromaticism and modal melodies are big contributors to the music of Takemitsu …

A Comparative Investigation Of Tonal Memory Improvements With Electronic And Vocal Pitch Stimulus Training, Grayson M. Fletcher

Senior Theses

The study described herein compares improvements in tonal memory for young adults (age 19- 22), specifically retention of pitches, between two groups (n1=8, n2=8) with nearly identical training programs. One group was provided electronic pitch stimuli for the training program, while the other group was given human vocal stimuli. Self-paced computerized training sessions were conducted in a soundproofed testing room and interposed between pre-test and post-test measurements. A pre-test—post-test randomized experimental design allowed for assessment of whether the training was effective for each group in addition to comparing effectiveness of training between groups. Analyses with demographic factors, particularly previous musical …