Musicology Commons^™

Breakdown: Vol 1: Text And Music, A Survey Of Methodology And Process, Vol 2: In Full Score., Andrew Synnott

Doctoral

The work presented here is in two parts. The first part is an opera composed to a libretto by the Irish playwright, John Breen. This opera is in three acts and concerns the performance of four famous performance art pieces; Rhythm 0 by Marina Abramović, Breakdown by Michael Landy, Velocity Piece by Barry La Va and How To Explain Pictures To a Dead Hare by Joseph Beuys. These art works are presented as the action of the opera and happen concurrently on the stage during the first two acts. The third act reflects on the action of acts one and …

Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe

Yale Journal of Music & Religion

This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese …

Chorale For One: Personal Expression In Nineteenth-Century Chorale Topic, Eileen Watabe

Yale Journal of Music & Religion

Chorale as a genre originated in the application of the term to sixteenth-century Lutheran worship music, but chorales and chorale style did not really enter the vocabulary of secular concert music as a musical topic until the eighteenth century, as a semiotic code for ideas and feelings associated with chorales. Chorales by definition are congregational, identifying and expressing the sentiments of a group, and their most common associations are of purity, archaism, and spirituality.

When chorales are used topically, the range of their expressive perspectives broadens considerably, and varies widely depending on the context. Chorale topic can express a religious …

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

Psalms, Islam, And Music: Dialogues And Divergence About David In Christian-Muslim Encounters Of The Seventeenth Century, David R. M. Irving

Yale Journal of Music & Religion

David (Daud) is revered in the Abrahamic faiths of Judaism, Christianity, and Islam variously as a king, prophet, and musician, providing the inspiration for what can be called the “Davidic tradition,” expressed in text, sound, ideology, and image. The scriptures associated with David are central to this tradition: within Judaism and Christianity they are the Psalms, human praises or entreaties to God; within Islam, the Zabūr is revered as a divine prophecy revealed to the prophet Daud, according to the Qurʾān. David’s musicianship and the identity of his instruments are understood differently in Jewish-Christian and Islamic traditions, and are interpreted …

“And Can It Be”: Analysing The Words, Music, And Contexts Of An Iconic Methodist Hymn, Martin V. Clarke

Yale Journal of Music & Religion

This paper interrogates the iconic status of Charles Wesley's hymn "And can it be" within British Methodism. It examines words, music and context, arguing that it is the combination of these that is crucial to understanding the hymn's status, and that such an approach may be more widely useful in hymnology. Through examination of the literary characteristics of the text, the musical settings associated with it throughout its history, and the ways in which it has been used within British Methodism, it reflects upon the hymn's peculiar place in the spiritual life of the denomination, and how this reflects upon …

Music In The South African Anglican Diocese Of Cape Town From 1900 To The Present: Toward A History Of Anglican Music In The Anglican Church Of Southern Africa, Andrew-John Bethke

Yale Journal of Music & Religion

This article provides a succinct history of Anglican cathedral and parish music in the Western Cape Province and the city of Cape Town. Within these parameters the author explores the musical trends in different strands of Anglicanism (Anglo-Catholic, Broad Church and Evangelical), documents the development of choirs and music groups and gauges the musical consciousness of South African Anglicans. The article begins at the turn of the twentieth century and extends to 2010. The earliest history (from 1750 - 1900) has been documented in a previous article by the same author.

Elements Of Alexander Technique: Discovering A Natural Approach To String Playing, Tomás Cotik

School of Music + Theater Faculty Publications and Presentations

This article covers a wide array of techniques and simple ways in which performers of all levels can achieve a more natural approach to instrumental playing by improving ease and freedom of movement. Practicing these exercises will refine and heighten kinesthetic sensitivity offering the performer a control which is fluid and lively, enhancing performance and helping avoid unnecessary tension, pain, and potential injuries.

Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz

Dissertations, Theses, and Capstone Projects

This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …

The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue

Masters Theses

The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …

Missa Yielu: Music In The Dagara Mass, Karin Rau

Masters Theses

This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …

Issues Of Rhythm, Symmetry, And Style In Alfred Schnittke's Concerto For Piano And Strings, Ilya Mayzus

Dissertations, Theses, and Capstone Projects

This dissertation takes as its subject of study Schnittke’s Concerto for Piano and Strings and seeks to examine several interconnected issues in Schnittke’s music: the problem of unification of disparate and conflicting forces that generally describe his style; the wave-like shape of intensification followed by a pullback that can be seen as acting on different temporal levels; and one of narrative meaning. Particular attention is given to symmetry in various manifestations, which the composer considered a necessary ingredient, comparing rhythmic regularity to periodicity found in nature, while at the same time undermining it through the use of asymmetries in order …

Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …

Frederick May Songs, Mark Fitzgerald

Compositions/Arrangements

This volume gathers together Frederick May's surviving songs in a new performing edition with a commentary by the editor. Individual string parts for the Four Romantic Songs are available from the editor.

The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq

Theses and Dissertations

For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.

This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.

The …

Finding Their Voice: Women Musicians Of Baroque Italy, Faith Poynor

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.

Beyond England's "Green And Pleasant Land": English Romantics Outside The Musical Renaissance, Christopher Little

Theses and Dissertations--Music

England experienced a resurgence of musical talent in the late nineteenth and early twentieth centuries known as the "English Musical Renaissance." This rebirth spanned the years 1880 – 1945 and is credited to the work of Edward Elgar, Frederick Delius, Gustav Holst, and Ralph Vaughan Williams. Their break with Continental compositional models and the subsequent rediscovery of Tudor music and English folk song eventually created a "pastoral" musical style, heard as the authentically English musical voice.

A strain of English musical Romanticism continued parallel to the Renaissance, however, represented by Granville Bantock, Joseph Holbrooke, Rutland Boughton, Arnold Bax, and Havergal …

Music As Narrative In American College Football, John M. Mccluskey

Theses and Dissertations--Music

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …

Henry Cowell, The Great Experimenter: Uncovering The Catalysts That Generated A Composer’S Ultramodernist Piano Techniques, Chessa Catherine Wathen

Scripps Senior Theses

In the scholarship surrounding piano repertoire, Henry Cowell is seen as a kind of “one-hit-experimental-wonder,” being know mostly for his astonishingly progressive piece The Banshee. However, Cowell was an enigmatic composer, a diverse scholar, an influential proponent new music, as well as a music theorist and comparative musicologist. Therefore in order to gain a more complete understanding of Cowell and his deeply influential piano works, this project seeks to explore the philosophical, cultural, and non- Western musical influences that inspired Cowell’s novel experimentation at the piano.

El Murciano's "Rondeña" And Early Flamenco Guitar Music: New Findings And Perspectives, Mª Luisa Martínez Martínez, Peter L. Manuel

Publications and Research

The "Rondeña" of guitarist Francisco Rodríguez Murciano (El Murciano, 1795-1848) of Granada--as documented in a notation made by his son--has been a subject of considerable interest among scholars interested in the evolution of flamenco guitar playing (toque). Such authors as Eusebio Rioja (2008, 2013), Javier Suárez Pajares (2003), Guillermo Castro Buendía (2014), and Norberto Torres Cortés (2010) have recognized the importance of this piece in the attempted reconstruction, however hypothetical, of the development of the art of flamenco guitar. These authors have raised various questions about the piece, involving the date and circumstances of its preparation and the …