Musical-Political Values In Nazi Germany And The Soviet Union,
2019
University of Denver
Musical-Political Values In Nazi Germany And The Soviet Union, Winnie Yang
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Censorship In Popular Music Today And Its Influence And Effects On Adolescent Norms And Values,
2019
University of Denver
Censorship In Popular Music Today And Its Influence And Effects On Adolescent Norms And Values, Sarah Wagner
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Bias In The Canon: An Exploration Into Whitewashing In America’S Classical Music And Its Forgotten African-American Past,
2019
University of Denver
Bias In The Canon: An Exploration Into Whitewashing In America’S Classical Music And Its Forgotten African-American Past, Jennifer Rose Thompson
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Cognitively Generated Emotion Through Alexandrian Inhibition: Annotated Bibliography,
2019
University of Denver
Cognitively Generated Emotion Through Alexandrian Inhibition: Annotated Bibliography, Kaira Rouer
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Alleviating Performance Anxiety Naturally In String Players,
2019
University of Denver
Alleviating Performance Anxiety Naturally In String Players, Drew Ritchie
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Barber Of Seville: Production, Staging, And Costuming Reception Through The Years,
2019
University of Denver
Barber Of Seville: Production, Staging, And Costuming Reception Through The Years, Julianne M. Perkins
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Space Music: Annotated Bibliography,
2019
University of Denver
Space Music: Annotated Bibliography, Juan Panneflek
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Harp Renaissance: An Annotated Bibliography,
2019
University of Denver
The Harp Renaissance: An Annotated Bibliography, Tashianna Merryman
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Role Of Patronage In American Popular Music And The Reemergence Of Payola In Streaming Services,
2019
University of Denver
The Role Of Patronage In American Popular Music And The Reemergence Of Payola In Streaming Services, Philip Lotterhos
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
How “Frei” Was Richard Strauss’S Also Sprach Zarathustra: Tondichtung (Frei Nach Friedr. Nietzsche)?,
2019
University of Denver
How “Frei” Was Richard Strauss’S Also Sprach Zarathustra: Tondichtung (Frei Nach Friedr. Nietzsche)?, Xiaopei Jennie Liu
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
A Mindful Approach To Training And Healing The Male-To-Female Transitioning Voice,
2019
University of Denver
A Mindful Approach To Training And Healing The Male-To-Female Transitioning Voice, Kimberly N. Gnagey
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
‘Accessibility’ Is A Four-Letter Word: Developing Western Music Resources For The Visually-Impaired,
2019
University of Denver
‘Accessibility’ Is A Four-Letter Word: Developing Western Music Resources For The Visually-Impaired, Christina Ebersohl
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
An Analysis Of The Problem Of Relaxation When Singing,
2019
University of Denver
An Analysis Of The Problem Of Relaxation When Singing, Jiawei Deng
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Political Influence In The Chamber Music Of Dmitri Shostakovich: An Annotated Bibliography,
2019
University of Denver
Political Influence In The Chamber Music Of Dmitri Shostakovich: An Annotated Bibliography, Evan De Long
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Using The Myers-Briggs Type Indicator To Analyze Characters In Mozart’S Die Zauberflöte,
2019
University of Denver
Using The Myers-Briggs Type Indicator To Analyze Characters In Mozart’S Die Zauberflöte, Lilli Bailey-Duran
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Michael Haydn's Early Masses And Their Viennese Context,
2019
Brooklyn College - CUNY
Michael Haydn's Early Masses And Their Viennese Context, Bruce C. Macintyre
HAYDN: Online Journal of the Haydn Society of North America
Although Joseph Haydn felt that his brother Michael (1737-1806) held “first place” in the field of church music, scholarship on the brother surprisingly still has many lacunae; e.g., in the study of Michael’s early works composed before he went to Salzburg. Nearly half of this brother’s 28 settings of the Mass Ordinary for voices with orchestral accompaniment were composed in his early years, i.e. after his early studies in Vienna ca. 1745 and during his work for the bishop in Grosswardein (Oradea, Romania) and prior to his arrival in Salzburg in August 1763. This paper attempts to shed more light …
An Integration Of East And West: History, Analysis And Reception Of The Yellow River Piano Concerto,
2019
Louisiana State University and Agricultural and Mechanical College
An Integration Of East And West: History, Analysis And Reception Of The Yellow River Piano Concerto, Lin Tao
LSU Doctoral Dissertations
The Yellow River Piano Concerto remains as one of a few representative and major instrumental compositions within the Chinese repertoire since it was composed in 1969. Thanks to the devoted work of Chinese pianists, the Yellow River Piano Concerto has disseminated around the world and has become a musical symbol of Chinese culture in recent years. This piano concerto serves as a tool for the cultural communication between China and the world. The Yellow River Piano Concerto has a unique ability to depict Chinese culture and history through the language of music. Its exotic pentatonic melodies and eastern orchestrations make …
Jesus, Popular Culture, And The Politics Of The Margins: A Theomusicological Analysis Of The Drive-By Truckers,
2019
Arkansas State University
Jesus, Popular Culture, And The Politics Of The Margins: A Theomusicological Analysis Of The Drive-By Truckers, Vinson Lee Edwards
Student Theses and Dissertations
With the September 2016 release of the American Band album, the Drive-By Truckers, a band formed in 1996, inserted themselves into discussions on politics like never before. In response to the media’s frequent question of, “What made you decide to get so political now?” the band—chiefly Patterson Hood and Mike Cooley—replied, “We have always been a political band.” This study aims to pinpoint what the band means by such a statement, first by analyzing the band’s previous albums; then by considering the band’s Southern, Bible-Belt background; and finally, by examining additional aspects of the band such as sonic qualities, genre, …
Motown Unreleased: 1969 [Various Artists],
2019
Carleton College
Motown Unreleased: 1969 [Various Artists], Andrew Flory
Motown Annotated Track Lists
Liner notes to support the digital release of the 2019 various artists collection Motown Unreleased: 1969
A Tribute To The Great Nat King Cole [Expanded Edition],
2019
Carleton College
A Tribute To The Great Nat King Cole [Expanded Edition], Andrew Flory
Marvin Gaye Annotated Track Lists
Liner notes to support the digital release of the 1965 Marvin Gaye LP A Tribute to the Great Nat King Cole [Expanded Edition]
