Concert Recording 2010-02-17,
2010
University of Arkansas, Fayetteville
Concert Recording 2010-02-17, Katie Zwit, Jeannie Lee, Olga Greenhut, University Of Arkansas, Fayetteville. Tuba Quartet
Concert Recordings & Programs
Concerto in f minor / Georg Philipp Teleman -- Sonata no. 3 / Dmitri Kabalevsky -- Episodes / John Reeman
A Master's Recital In Viola,
2010
University of Northern Iowa
A Master's Recital In Viola, Amy Beekhuizen
Dissertations and Theses @ UNI
Amy Beekhuizen performed her graduate recital on March 12, 2010 at 6:00 p.m. in Davis Hall at the Gallagher-Bluedorn Performing Arts Center, University of Northern Iowa. This recital was given in partial fulfillment of the Master of Music degree in viola performance. The program consisted of Suite No. 3 in C major, BWV 1009, by Johann Sebastian Bach, Sonate for Viola and Piano, Op. 25, No. 4, by Paul Hindemith, Elegy for Viola and Piano, Op. 44, by Alexander Glazunov, and Sonata for Viola and Piano, by Rebecca Clarke. Polina Khatsko, adjunct instructor of piano at the University of Northern …
A Collection Of Original Music,
2010
University of Northern Iowa
A Collection Of Original Music, Hanna Van Hemert
Honors Program Theses
The thesis project, 'A Collection of Original Music', is a creative/performative project comprised of composing, rehearsing, performing, recording, and notating original music. Designed to be completed as a collaboration between two musicians, Kelsey and I worked together during each of the tasks of the project. Consisting of four original pieces for piano/voice, and ukulele/voice, the compositions were performed at a live concert/thesis presentation, recorded at a later date, and transcribed for posterity.
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey,
2010
CUNY Graduate Center
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
Publications and Research
In this paper I explore the production aesthetics that define the sound of most arranged traditional music albums produced in the early 2000s in Istanbul, Turkey. I will focus on two primary aesthetic characteristics, the achievement of which consume much of the labor put into tracking and mixing: parlak (“shine”) and büyük ses (“big sound”). Parlak, at its most basic, consists of a pronounced high frequency boost and a pattern of harmonic distortion characteristics, and is often described by studio musicians and engineers in Turkey as an exaggeration of the perceived brightness of the majority of Anatolian folk instruments. Büyük …
