Music Performance Commons^™

Marshall University Department Of Music Presents A Senior Recital Karen Barnett, Trombone, Karen Barnett, Henning Vauth Dr.

All Performances

No abstract provided.

Doctoral Recital, Wen Zhang, Karen J. Mccann

Graduate Student Recitals

Program listing performers and works performed

The Whimsy And Woe Of Youth: A Senior Voice Recital, Samantha Downes

Honors Theses

My Senior Voice Recital/Honors Thesis is called "The Whimsy and Woe of Youth." Each song in the repertoire can fit into this theme. The voice recital counted as both a Senior Voice Program requirement and the Honors College Thesis requirement.

The recital began with "Ei! Wie schmeckt der Coffee suBe" from Schweigt stille, plaudert nicht (Coffee Cantata) written by Johann Sebastian Bach, represented the Baroque era. Next, two lieder composed by Hugo Wolf were performed. They both tell cute little stories that can be enjoyed by a child's mind. The recital continued with two arias sung by Gretel in Engelbert …

2011 Ursinus College Messiah Performance Program, Music Department

Messiah Programs

This music event program from 2011 contains information about the 74th annual performance of Handel's "Messiah" at Ursinus College. It lists the performers and conductor as well as the order of each piece of music.

Graduate Woodwind Quintet Recital, Carmella Cao, Alexandra Gilroy, Jennifer Iles, Brian Marsh, Erin Paul

Graduate Student Recitals

Program listing performers and works performed

Senior Recital: Robert Emmerich, Baritone, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Nextet, Frederick Lesemann, Virko Baley

Chamber Music Programs

Program listing performers and works performed

Clarinet Ensemble Recital, Jonathan Cannon, Tallyn Wesner, Isaiah C. Pickney, Kaitlynn Zigterman, Carlos Mata-Alvarez, Steven Porter, Aki Oshima, Audrey Wood, Jennifer Iles, Johnathon Cannon

Chamber Music Programs

Program listing performers and works performed

2011-2012 Lynn Philharmonia No. 3, Lynn University Philharmonia, Bruce Polay, Heqing Huang, Doniyor Zuparov, Chun Yu Tsai, Anastasiya Timofeeva

Philharmonia

2011 Concerto Competition Winners

• December 3, 2011 at 7:30 PM and December 4, 2011 at 4:00 PM
• Bruce Polay, guest conductor ; Heqing Huang, piano ; Doniyor Zuparov, cello ; Chun Yu Tsai, marimba ; Anastasiya Timofeeva, piano
• Overture to Rienzi / Richard Wagner -- Piano Concerto No. 1 in C Major, op. 15 / Ludwig van Beethoven -- Cello Concerto No. 1 in E-flat Major, op. 107 / Dmitri Shostakovich -- Concerto for Marimba and String Orchestra / Emmanuel Séjourné -- Piano Concerto No. 1 in B-flat Minor, op. 23 / Pyotr Ilyich Tchaikovsky

2011-2012 Philharmonia Season Program

Convocation, Gianni Becker, Isabella Ivy, Stephany Padua, Carla G. Lopez, Anthony Rodriguez, K. C. Singer, Timothy Harpster, Audrey Wood, Tabitha Mackin, Jonathan Cannon, Dustin Stevens, Noe Otani, Jessica Kim, Travis Lohmann, Michelle Lee, Bilyana Tancheva, Adriel Algiere, Zhu Sun, Maryann Taylor, Danbi Cho

Convocations

Program listing performers and works performed

Unlv Choral Ensembles And Chamber Orchestra, David B. Weiller, Jocelyn K. Jensen, Taras Krysa, Jessica Kim, Amy Homer-Smith

Choral Ensembles

Program listing performers and works performed

Student Recital, Mark Runkles, Ali Gilroy, Matthew Thomas Guschl, Erin Kennelly, David Warner, Albina Asryan, Allison Mcswain, Rachel L. Waddell

Chamber Music Programs

Program listing performers and works performed

2011-2012 Dean's Showcase No. 2, Jo Brand, Roman Yearian, Cassidy Moore, Jesse Yukimura, Noemi Rivera, Fabian Alvarez, Fabiola Porras, Greg Stead, Raul Rodriguez, Aneliya Novikova, Anastasiya Timofeeva

Dean's Showcase

No abstract provided.

Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard

All Performances

No abstract provided.

A Madrigal Eve, December 2011, Illinois State University

Madrigal Dinner Programs

Illinois State University Alumni Center

An Analysis Of Selected Trombone Ensemble Music By Dr. Eric Ewazen, Gregory S. Brandt

Theses and Dissertations

Dr. Eric Ewazen is a prolific, and celebrated composer, having written over fifty works for brass, thirty-one of which include trombone. His contribution to trombone repertoire is significant and wide-ranging. Research papers and doctoral dissertations have been written about Dr. Ewazen's instrumental compositions, however none of them have thoroughly explored his homogeneous chamber music for trombone or articulated his unique method of composition. Various people with numerous backgrounds listen to, perform, conduct, and teach the music of Dr. Ewazen. Due to his unique compositional style, it is imperative that one analyzes and reflects on his works to aid understanding. By …

From Bendinelli To Arban: Styles Of Articulation Within Selected Trumpet Method Books, Nate Locke

Theses and Dissertations

The earliest known trumpet method book to be compiled was Tutta L 'arte della Trombetta (The Entire Art of Trumpet-Playing) in 1614 by Cesare Bendinelli. This book proved to be the pioneer for six that followed by: Girolamo Fantini (1638), Johann Ernst Altenberg (1795), Joseph-Gebhardt Kresser (1836), Raniero Cacciamani (1853), Francois Georges Auguste Dauverne (1857), and Jean Baptist Arban (1864). These books alone attest that articulation was a worthy topic of discussion during this 250-year period. The purpose of this paper is to address how articulation developed through the above seven method books as well as consider how articulation is …

Student Chamber Music Recital, December 1, 2011 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Unlv Percussion Ensemble, Dean Gronemeier, Timothy Jones

Chamber Music Programs

Program listing performers and works performed

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …