Music Performance Commons^™

2011-2012 Guest Pianist Weekend: "Postcards From Russia" - Jon Kimura Parker, Jon Kimura Parker

Guest Recitals

Jon Kimura Parker Master Class (January 14, 2012 at 10:00 am and 1:00 pm) - Program

2011-2012 Master Class - Jon Kimura Parker (Piano), Jon Kimura Parker, Aneliya Novikova, Dotan Nitzberg, Marina Lenau, Zhou Jiang, Darren Matias, Anastasiya Timofeeva, Stephen Seto, Heqing Huang, Misaki Saito

Master Classes

Jon Kimura Parker Performance (January 15, 2012) - Program

Marshall University Department Of Music Presents A Junior Recital - Amber Martin, Soprano And Mark Smith, Piano, Amber Martin, Mark Smith

All Performances

No abstract provided.

Marshall University Department Of Music Presents A Faculty Recital Marlayna Maynard, Soprano, Marlayna Maynard

All Performances

No abstract provided.

2011-2012 Junior Recital - Josh Devries (Tuba), Joshua Devries, Teng Kuan Wang, Yang Shen

Junior and Senior Recitals

No abstract provided.

2011-2012 Ppc Recital - John Patton (Percussion), John Patton, Darryl Littman, Chun Yu Tsai, Scott Crawford

PPC/PSDP Recitals

No abstract provided.

2011-2012 Ppc Recital - Chun-Yu Tsai (Percussion), Chun Yu Tsai, Zhou Jiang

PPC/PSDP Recitals

No abstract provided.

2011-2012 Collaborative Spotlight: The American Brass Quintet, Raymond Mase, Kevin Cobb, David Wakefield, Michael Powell, John D. Rojak

Other Seasonal Concerts

Past Collaborative Spotlight Concerts

• 2011 - Duo Pianists Leonard and Shen

2011-2012 Master Class - Phillip Evans (Piano), Phillip Evans, Claire Chiu, Ellis Regina Ramos, Agnieszka Sornek, Maria Lyapkova

Master Classes

No abstract provided.

The Mechanics Of Conducting: Developing Efficient Nonverbal Communications, Donald J. Running

Music Faculty Publications

No abstract provided.

Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner

Sikaiana Ethnography

A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.

A related website is www.sikaianaarchives.com

"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg

Performance Practice Review

David Schulenberg discusses and reviews Walls' 2011 work.

Walls, Peter, ed. Baroque Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-7546-2882-8.

"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson

Performance Practice Review

Colin Lawson discusses and reviews Milsom's 2011 work.

Milsom, David ed. Classical and Romantic Music, the Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-754-62859-0.

If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson

Electronic Theses and Dissertations

Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the 2004 firing of Deborah Voigt demonstrates, present-day opera singers are increasingly being held to stricter image standards. In 2004, Covent Garden dismissed Voigt from their production of Ariadne auf Naxos, in which Voigt was supposed to reprise her critically acclaimed interpretation of the title role. According to Voigt, Covent Garden's casting director Peter Katona felt that she was too large to fit into the black dress the new production required of the character. Voigt's removal …

Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani

Performance Practice Review

This article disputes some basic questions concerning the coordination of seventeenth century sacred music, approaching the phenomenon through a musical species of particular interest, though largely unstudied from a performance practice point of view. Roman polychorality with its specific performing conditions offers an illuminating perspective on principles of musical direction and interaction which differ significantly from our modern access path towards these topics. The inquiry ranges from basics of performance (such as sheet music, rehearsals, direction technics, models and stylistic conditioning of the performers) over the concrete role of the maestro di cappella as well as the tactus as cornerstones …

Dragon Rhyme By Chen Yi, Russell G. Mccutcheon

Sunderman Conservatory of Music Faculty Publications

Russell McCutcheon, Assistant Professor of Music and Director of Bands in the Sunderman Conservatory of Music, published an analysis of "Dragon Rhyme", a major new composition for wind band, by composer Chen Yi in Teaching Music Through Performance in Band, Volume 9.

A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.

Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …

New Tools In Improvised Music Performance., Seán Mac Erlaine

Articles

This paper looks at the synthesis of computer technology and instrumental practice in improvised music performance. The emerging field of performers who use real-time signal processing as a technological extension of their instrument is discussed. How do new tools affect musical practice? Does the use of computers impose an associated aesthetic?

A number of key players are scrutinised including Evan Parker, La Monte Young, Terry Riley, Jon Hassell, Miles Davis, Pauline Oliveros, David Behrman. The research provides a historical context to these practices and explores how pre- and post-digital technologies have shaped their work.

This article identifies an innovative and …

Music For Mercer's: The Mercer's Hospital Music Collection And Charity Music In Eighteenth-Century Dublin., Tríona O'Hanlon

Dissertations

This thesis examines and analyses the contents of the Mercer’s Hospital Music Collection. The collection includes fifty manuscript and seven printed volumes of
music containing works by Handel, Greene, Boyce, Purcell, Corelli, Humfrey, Avison, Barsanti, Stanley and Festing. Selected works were performed at the Mercer’s Hospital benefit concerts, established in April 1736 to provide important financial support to the
hospital, which opened on Stephen Street, Dublin in 1734. Mercer’s was the first voluntary Dublin hospital to initiate a series of benefit concerts. The Mercer’s benefit concerts attracted the participation of a wide range of Dublin-based performers, both singers and instrumentalists. …

Rebekah & Aliya, Mark Hirsch

Lawrence University Honors Projects

Rebekah & Aliya is a multimedia ballet for two dancers, ten musicians, and film based on a story of love, timelessness, and transcendence. Drawing inspiration from literary themes of Jorge Luis Borges as well as composers of the Renaissance and Avant-garde alike, this collaboration with choreographer Madeline Bunke is a four-scene work, alternating between film and live dance, with live music throughout.