2016-2017 Master Of Music Recital - Katherine Baloff (Violin),
2017
Lynn University
2016-2017 Master Of Music Recital - Katherine Baloff (Violin), Katherine Baloff, Sheng Yuan Kuan
Master of Music Recitals
No abstract provided.
Ekmeles,
2017
Syracuse University
Ekmeles, Charlotte Mundy, Elisa Sutherland, Tim Keeler, Jeffrey Gavett, Steven Hrycelak, Steven Bradshaw
Setnor School of Music - Performance Programs
No abstract provided.
Composition Studio Recital, February 5, 2017,
2017
Lawrence University
Composition Studio Recital, February 5, 2017, Lawrence University
Conservatory of Music Concert Programs
Memorial Chapel
Poco Allegro & Allegro Wind Ensembles: Elizabeth Buell, Terrence Caviness, And Justin Mertz, Directors,
2017
Syracuse University
Poco Allegro & Allegro Wind Ensembles: Elizabeth Buell, Terrence Caviness, And Justin Mertz, Directors, Allegro Wind Ensemble, Poco Allegro Wind Ensemble, Elizabeth Buell, Terrance Caviness, Justin Mertz
Setnor School of Music - Performance Programs
No abstract provided.
Richard Becker, Piano,
2017
University of Richmond
Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Sunday Music Series,
2017
Andrews University
Sunday Music Series, Department Of Music
Concerts and Event Programs 2016-2017
Peter Cooper (pianist) featuring works by Bach, Liszt, Ravel and Brahms.
Elizabeth Pogact, Flute: Student Recital,
2017
Syracuse University
Elizabeth Pogact, Flute: Student Recital, Elizabeth Pogact
Setnor School of Music - Performance Programs
No abstract provided.
The Iowa Guitar Quartet, February 3, 2017 [Program],
2017
University of Northern Iowa. School of Music.
The Iowa Guitar Quartet, February 3, 2017 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Trombones De Costa Rica, February 3, 2017 [Program],
2017
University of Northern Iowa. School of Music.
Trombones De Costa Rica, February 3, 2017 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Faculty Recital,
2017
Syracuse University
Faculty Recital, Laura Bossert, Steven Heyman, Diane Hunger, Julianna Sabol, Thomaidha Tili-Trebicka, Andrew Waggoner, Gregory Wood, Amy Heyman
Setnor School of Music - Performance Programs
No abstract provided.
Winter Concert,
2017
Andrews University
Winter Concert, Department Of Music
Concerts and Event Programs 2016-2017
Southwestern Michigan College Brass Band under the direction of Dr. Jonathan Korzun will perform works by Dukas, Downie and Theodorakis.
Andrews University Wind Symphony under the direction of Alan Mitchell featuring works by Jacob, Brosse, Waignen, Balmages and Morales.
Alto Sax Soloist: Phil Barham.
2016-2017 Performance Forum - February 2, 2017,
2017
Lynn University
2016-2017 Performance Forum - February 2, 2017, Kayla Williams, Yasa Poletaeva, Darren Matias, Sergio Cignarella, Sohyun Park
Performance Forum
No abstract provided.
Jazz Faculty Recital "The Music Of Dave Rivello," February 1, 2017,
2017
Lawrence University
Jazz Faculty Recital "The Music Of Dave Rivello," February 1, 2017, Lawrence University
Conservatory of Music Concert Programs
Harper Hall
Solo Performance: An Extension Of Vocal Pedagogy,
2017
CUNY Graduate Center
Solo Performance: An Extension Of Vocal Pedagogy, Monica J. Harte
Dissertations, Theses, and Capstone Projects
In this study, I examine the significance of the solo performance opportunity in vocal pedagogy at the tertiary level. In order to discover tangible correlations between solo performing and applied lessons, I designed and implemented a case study that focused on fourteen subjects rehearsing, performing, and recording roles in the children’s opera, Mambo. The findings stem from my theoretical analysis of substantive data collected through forty-one interviews and three months of observations. The data collected disclosed that whether the participants advanced within a particular performance practice (such as presentation), or developed a specific vocal technique (such as coloratura), Mambo …
A Performer’S Guide To Joaquín Rodrigo’S Concierto De Estío (1943) In The Context Of The Twentieth-Century Spanish Violin Concerto,
2017
CUNY Graduate Center
A Performer’S Guide To Joaquín Rodrigo’S Concierto De Estío (1943) In The Context Of The Twentieth-Century Spanish Violin Concerto, Eva León
Dissertations, Theses, and Capstone Projects
This dissertation provides a performer's guide to the Concierto de Estío (1943), a violin concerto by Joaquín Rodrigo (1901–1999). It offers an in-depth study of the Concierto by setting the work in its historical, biographical, and musical context, as well as analyzing its form, style, and performance issues, and by considering its technical difficulties and details of interpretation. It provides a general historical background to the evolution of the Spanish violin school during the nineteenth and twentieth centuries, and also outlines Rodrigo’s contribution to the violin repertoire.
The Concierto de Estío is an important addition to the genre in general, …
Max Kowalski's Japanischer Frühling: A Song Collection From The Period Of The Jewish Cultural Alliance In Nazi Germany,
2017
CUNY Graduate Center
Max Kowalski's Japanischer Frühling: A Song Collection From The Period Of The Jewish Cultural Alliance In Nazi Germany, Nils Neubert
Dissertations, Theses, and Capstone Projects
The topic of this dissertation is the song composer Max Kowalski (1882-1956) and his song collection Japanischer Frühling (1934-1938). This dissertation presents a critical edition of this previously unpublished song collection, which sets adaptations of Japanese poetry by the German poet Hans Bethge (1876-1946). Aside from the edition and critical report, the dissertation includes chapters on the literature (Chapter One); the composer’s biography (Chapter Two); his output and reception (Chapter Three); Hans Bethge’s adaptations of the Japanese poetry that form the basis of the collection (Chapter Four); the genesis, performance history, and reception of the song collection (Chapter Five); and …
William Bolcom’S "Twelve New Etudes" (1988): Theoretical And Interpretative Analysis,
2017
CUNY Graduate Center
William Bolcom’S "Twelve New Etudes" (1988): Theoretical And Interpretative Analysis, Ran Dank
Dissertations, Theses, and Capstone Projects
Ever since its naissance, composer William Bolcom’s set of Twelve New Etudes has garnered great critical praise, culminating with the prestigious Pulitzer Prize in 1988. Although much has been written about the background surrounding the creation of these pieces and their technical novelty, no formal analysis of this set of etudes has been published.
This dissertation thoroughly examines the various aspects which hold these pieces together. Each etude is analyzed according to a clearly defined set of criteria: dynamics, compositional language, range, texture, articulation and contour, meter and rhythm, and form. In addition, a more detailed analysis is offered, providing …
A Study Of Nikolai Medtner's Compositional Technique: Form And Narrative In Tales,
2017
CUNY Graduate Center
A Study Of Nikolai Medtner's Compositional Technique: Form And Narrative In Tales, Oliver H. Markson
Dissertations, Theses, and Capstone Projects
This dissertation delves into the compositional approach of Russian-born composer Nikolai Medtner. A discussion of Medtner’s own words on composition from his book The Muse and Fashion: Being a Defence of the Foundations of the Art of Music is followed by original analyses of four Tales. Focus is placed on the composer’s philosophy regarding the relationship between form and narrative, in association with his expressed warnings of the dangers behind shifting compositional dominance from pure music to extra-musical narrative. The analyses are followed by a discussion of the vital importance of Medtner’s music and writings for future generations of composers. …
Faculty Recital: Stephen Coxe,
2017
Old Dominion University
Faculty Recital: Stephen Coxe, Stephen Coxe, Old Dominion University Diehn Chorale, Nancy Klein (Conductor), Patti Carlson, Wayla J. Chambo, Bianca Hall, Paul S. Kim, Jeffrey Phelps
Faculty Recitals
No abstract provided.
Uni Faculty And Student Chamber Music Concert, January 31, 2017 [Program],
2017
University of Northern Iowa. School of Music.
Uni Faculty And Student Chamber Music Concert, January 31, 2017 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
