Music Performance Commons^™

Senior Recital: Alize Graves, Soprano; March 24, 2018, Alize Graves

School of Music Programs

Kemp Recital Hall
March 24, 2018
Saturday Afternoon
3:00 p.m.

Recital: Horn Studio, March 24, 2018, School Of Music

School of Music Programs

Kemp Recital Hall
March 24, 2018
Saturday Evening
7:00 p.m.

Transcribing And Editing The Selected Works Of Robert Fleming Through Sibelius Music Software, Annaleise A. Lee

Seaver College Research And Scholarly Achievement Symposium

Transcribing and Editing the Selected Works of Robert Fleming Through Sibelius Music Software

"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper

Performance Practice Review

Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-09345-4.

John Michael Cooper discusses this 2016 work published by Cambridge University Press and edited by Russell Hartenberger.

Opera Workshop: Love, Hate, & Champagne -- The Happenings And Shenanigans At Hotel D’Antonio, Eric Baskerville, Emily Hines, Keli Bly, Lauren Craddock, Cailin Crane, Natalie Dyke, Alyssa Harney, Tracy James, Logan Kenison, Tony Lu, Olivia Rominiyi, Jaron Stevenson, Brooke Sweeney, Katie Wesley, Brian Nedvin (Director), Laura Bjork (Assistant Director), Bobbei Kesler-Corleto (Piano), Brooke Sweeney (Stage Manager)

Student Recitals

No abstract provided.

Yun Piano Studio Recital, Department Of Music

Concerts and Event Programs 2017-2018

Students of the Department of Music featuring works by Brams, Prokofiev, Chopin, Clementi, Beethoven, Haydn, Bach, and Debussy.

Megan Murphy, Voice: Senior Voice Recital, Megan Murphy

Setnor School of Music - Performance Programs

No abstract provided.

Symphonic Winds, March 23, 2018, Anthony C. Marinello, Marykatheryne E. Kuhne

School of Music Programs

Center for the Performing Arts
March 23, 2018
Friday Evening
8:00 p.m.

2017-2018 Mostly Music: Claude Debussy, Dunia Andreu, Guzal Isametdinova, Jiawei Yuan, David Cole, Sheng Yuan Kuan, Meiyu Wu, Carol Cole, Bailey Michelle Collins, Marshall Turkin, Jay Stuart

Mostly Music Series

No abstract provided.

Piano Project 2018, March 22, 2018, School Of Music

School of Music Programs

Kemp Recital Hall
March 22, 2018
Thursday Evening
6:00 p.m.

Graduate Recital: Matthew Alan Vala, Tenor; March 22, 2018, Matthew Alan Vala

School of Music Programs

Kemp Recital Hall
March 22, 2018
Thursday Evening
8:00 p.m.

Mia Chou-Li Tsai, Cello: Graduate Recital I, Mia Chou-Li Tsai

Setnor School of Music - Performance Programs

No abstract provided.

Isu Guitar Ensemble, March 21, 2018, Dr. Angelo L. Favis

School of Music Programs

Kemp Recital Hall
March 21, 2018
Wednesday Evening
7:30 p.m.

William Preucil: Open Rehearsal/Masterclass, William Preucil

Setnor School of Music - Performance Programs

No abstract provided.

Guest Artist Recital, Blueshift Percussion: Christopher Butler; Matthew Geiger; Jeremy Maytum; Francisco Perez; March 19, 2018, Christopher Butler, Matthew Geiger, Jeremy Maytum, Francisco Perez

School of Music Programs

Kemp Recital Hall
March 19, 2018
Monday Evening
8:00 p.m.

F. Ludwig Diehn Chorale Premieres: A Day In The Life Of A Fifth Grader By Richard Moriority, Old Dominion University F. Ludwig Diehn Chorale, Nancy K. Klein (Director), Richard Moriarty (Composer), Elizabeth Hankin (Lyrics), Bobbie Kesler-Corleto, Emily Hines

Ensemble Performances

No abstract provided.

2017-2018 Scott Pool Bassoon Recital, Scott Pool, Feruza Dadabaeva, Eric Van Der Veer Varner

Guest Recitals

No abstract provided.

2017-2018 Performance Forum - March 15, 2018, Suhao Bai, Irina Antsiferova, Kristine Mezines, Meiyu Wu, Isaac Roles, Joshua Cessna, Bailey Michelle Collins, Stephanie Barrett

Performance Forum

No abstract provided.

Not Set In Stone: Mikhail Pletnev's Rewrite Of Scriabin's Piano Concerto, Anatole Leikin

Performance Practice Review

Not Set in Stone: Mikhail Pletnev’s Rewrite of Scriabin’s Piano Concerto

Scriabin’s Piano Concerto in F-sharp minor, Op. 20 (1897), was initially met with harsh criticisms. Then, in 1899, the critics’ and the public’s reaction suddenly changed from disparaging to admiring. Subsequently, Scriabin’s performances of the Concerto continued to consistently gather highest accolades throughout Russia, Western Europe, and the U.S.

The only credible explanation for such a remarkable metamorphosis is that Scriabin somehow modified (and improved) the piano part in his performances. No written corrections of the piano score exist, which is not at all surprising. Scriabin never revised his …

2017-2018 Master Of Music Recital - Stephanie Barrett (Cello), Stephanie Barrett, Sheng Yuan Kuan, Kristine Mezines

Master of Music Recitals

No abstract provided.