Singing Our Story: Composing And Writing An Original Musical,
2025
Ursinus College
Singing Our Story: Composing And Writing An Original Musical, Gianna C. Daiuto
Music Summer Fellows
How can we use music to deepen the emotions of the stories we tell? What is the effect of combining song and speech? Through an extensive independent project, I have composed several pieces of original music alongside a script to create an original musical. While it is still in its infancy, this project is the first full draft of this story, and will hopefully be fleshed out to be staged and performed one day in its entirety.
A Performance Guide To Christos Hatzis’ Songs On Poems By Sappho,
2025
Louisiana State University and Agricultural and Mechanical College
A Performance Guide To Christos Hatzis’ Songs On Poems By Sappho, Maria E. Thomas
LSU Doctoral Dissertations
Abstract
Christos Hatzis’ Three Songs of Poems by Sappho (1999) represents a compelling yet understudied contribution to contemporary art song repertoire. This study examines Hatzis’ settings of Sappho’s Fragments 1, 16, and 44, offering both scholarly analysis and practical performance guidance to make the cycle more accessible to singers and scholars. Through musical and textual analysis, this project reveals how Hatzis bridges ancient Greek lyric poetry with modern compositional techniques. The study demonstrates his innovative approach to word painting, rhythmic flexibility, and extended tonality, showing how these elements honor Sappho’s intimate first-person voice while creating a distinctive 20th-century art song …
The Oboe Thread: Tracing The Evolution Of Viet Cuong's Compositional Voice,
2025
Louisiana State University and Agricultural and Mechanical College
The Oboe Thread: Tracing The Evolution Of Viet Cuong's Compositional Voice, Devin Gilbreath
LSU Doctoral Dissertations
Viet Cuong is an emerging and highly regarded American composer currently serving on the faculty at the University of Nevada, Las Vegas, where he teaches composition, orchestration, and music theory. Cuong's academic credentials include degrees from prestigious institutions such as the Curtis Institute of Music, Princeton University, and the Peabody Conservatory of Music. Over the years, his compositional portfolio has expanded significantly, encompassing a diverse range of genres and mediums, including vocal, orchestral, wind band, and chamber music. His chamber works, in particular, stand out for their fusion of diverse genres and instrumentation. One area in which Cuong has made …
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community,
2025
University of Central Asia
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov
Music & Performance in Muslim Contexts
An illuminating account of Ismaili music, spiritual poetry and social change in Badakhshan.
In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, delocalisation and relocation.
This book introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry.
• Based on six …
Relationships Between Modern Marching Percussion And Concert Percussion: An Investigation Of Selected Percussion Ensemble Repertoire,
2025
University of South Carolina
Relationships Between Modern Marching Percussion And Concert Percussion: An Investigation Of Selected Percussion Ensemble Repertoire, Ian Patrick Mahaffey
Theses and Dissertations
Percussion, as an expansive and diverse art form, encompasses a wide range of performance and cultural aesthetics, all unified by the foundational elements of rhythm, technique, and expression. Within this spectrum, the relationships between marching percussion and concert percussion presents a significant area of study. This document explores the relationships of marching percussion and concert percussion through the contextual analysis of specific percussion ensemble repertoire. By defining the distinct characteristics of concert and marching percussion, the study establishes a framework for comparison and analysis. It highlights how techniques, both musically and compositionally, and the roles of specific instrumentation has contributed …
As Iron Sharpens Iron: Intentional Near-Peer Mentorship In The Collegiate Applied Studio,
2025
University of South Carolina
As Iron Sharpens Iron: Intentional Near-Peer Mentorship In The Collegiate Applied Studio, Morgan Smith Owen
Theses and Dissertations
Undergraduate students struggle to adjust to the expectations of university music programs. Mentoring programs are consistently cited as tools to build social capital and academic success, but there are few documented studies of mentoring applied directly to the traditional model of conservatory music instruction. Effective near-peer mentoring can build musicianship skills and develop accountability, establishing stronger practice routines and easing the transition to collegiate music study for younger students. This case study examines three models of mentorship to identify ways to create an intentional mentorship program within the applied studio, regardless of scale or specific form of instruction.
What Is Standard? Defining The Orchestral Percussion Excerpt Canon Through Comparison To Annual Symphonic Programming,
2025
University of South Carolina
What Is Standard? Defining The Orchestral Percussion Excerpt Canon Through Comparison To Annual Symphonic Programming, Julia Kathleen Ross
Theses and Dissertations
The present study seeks to compare requirements for orchestral auditions with season programming for 15 American orchestras to gauge the perception that the most frequently requested percussion excerpts are from works that are rarely, if ever, performed. Examination of required repertoire lists for 35 auditions held by the surveyed orchestras from 2000-2025 shows the relative frequency of each excerpt among eight instrument categories and demonstrates that certain selections are more firmly entrenched in the audition canon than others. This analysis complements a comprehensive review of each orchestra’s Masterworks programming from September 2014-June 2025, wherein the appearance of the larger work …
Reimagining Musical Collaboration: Ai And Music Real-Time Communication (M-Rtc), The Future Of Musical Creativity,
2025
Indiana University, Indianapolis
Reimagining Musical Collaboration: Ai And Music Real-Time Communication (M-Rtc), The Future Of Musical Creativity, Dana Kemack Goot
Journal of the Association for Technology in Music Instruction
This project explored the intersection of Music Real-Time Communication (M-RTC), artificial intelligence (AI), and machine learning (ML) in online musical collaboration. Presented at the 2023 National CMS/ATMI conference, the project served as a preliminary inquiry into how online musicking technologies impact human-to-human interactions and sought out the capabilities in creativity in music technology. The live performance featured three musicians performing from different geographic locations using an AI-generated composition and an AI-powered accompaniment application. The project demonstrated the creative potential of integrating AI and ML into M-RTC, expanding the possibilities for remote collaboration, composition, and performance. The musicians navigated both the …
Clarifying Issues Surrounding The “First” Jazz Recording,
2025
Heidelberg University, Tiffin, Ohio, USA
Clarifying Issues Surrounding The “First” Jazz Recording, Mark C. Gridley
The IASJ Journal of Applied Jazz Research
Ten questions are answered regarding the first jazz recording, whether it was really the first, and if so, how it qualifies as jazz. They touch on the nature of swing feeling, the extent of improvisation in the recordings, the primacy of the Original Dixieland Jazz Band, the recordings of Wilbur Sweatman, and the comedy team of Harlan and Collins, and why the Original Creole Orchestra of Bill Johnson, featuring Freddie Keppard, did not record.
East Asian And “Extraordinary”: Intersecting Racial And Musical Identities In The Classical Music Solo Career,
2025
CUNY Graduate Center
East Asian And “Extraordinary”: Intersecting Racial And Musical Identities In The Classical Music Solo Career, Audrey Chen
Dissertations, Theses, and Capstone Projects
A performer’s success within the classical music industry is reliant not only on musical merit but also on extramusical factors like race, gender, class, and culture, all of which influence a musician’s upbringing. For East Asian musicians, distinctions of merit can be accompanied by racialized and often paradoxical narratives about Asian identity that essentialize their performance, personality, and background. This dissertation examines how Asian and Asian-American performers of Western classical music navigate this interplay of racial and musical identity within their careers, with a specific focus on string players and pianists.
Chapter 2 introduces five major racialized narratives used to …
Friends And Family: How To Prepare A Themed Recital,
2025
Portland State University
Friends And Family: How To Prepare A Themed Recital, Henry Broughton
University Honors Theses
Recital preparation is an essential part of being a successful musician that can be very challenging to students that are unfamiliar with the process. A recital that revolves around a theme can lead to greater audience engagement and make a sense of continuity to multiple pieces on a recital. Though there are countless method books to brass playing, very few of them discuss a method or process for organizing recitals, especially recitals revolving around a theme.
In this paper I will discuss the methods that I used to prepare my senior thesis recital: the techniques I used to practice difficult …
Breath, Void, Ground,
2025
Rhode Island School of Design
Breath, Void, Ground, Huichun Yang
Masters Theses
Before the sound, there is breath. Before the explosion, there is a threshold. Before the noise, there is silence.
Inspired by the physicality of balloons, this thesis explores breath as sonic material that carries memory, moves through bodies, and resonates across spaces. The balloon becomes a skin that holds breath: a force inhaling trauma, ritual, and intimacy. When released through mouth and latex, breath conjures alien, untranslatable voices that hiss and hum.
It begins with a balloon and expands with endless breath. The balloon becomes a site where the history, body, and voice disintegrate and reform. The pressure and tension …
Kevin Bobo's Boboland: A Performer's Guide,
2025
Louisiana State University and Agricultural and Mechanical College
Kevin Bobo's Boboland: A Performer's Guide, Tyler D. Whitehead
LSU Doctoral Dissertations
Kevin Bobo is an active American percussionist, educator, and performer that continues to leave a lasting influence in the percussion community. His works for chamber percussion ensemble and solo marimba continue to push the limitations for percussionists in terms of technical ability, new compositional methods and techniques for expanded timbral effects. Bobo’s compositions such as Boboland, a marimba solo with percussion quartet, present technical and musical challenges that are generally unaligned with traditional performance practices in percussion and especially the marimba. This document aims to provide detailed guidance and instruction for the performance of Boboland and will cover all aspects …
Sweet Talk "Switch On",
2025
SAE University College
Sweet Talk "Switch On", David Turner, Soren Walker
Staff Scholarship - Australia & Dubai
“Switch On” is the debut album by Melbourne’s Sweet Talk. Founded in 2018 by D. M. Turner and Soren Walker, Sweet Talk was created as a means to explore their love of American music of the mid to late 20th century through a uniquely Australian lens. Australia and the United States have a close relationship stretching back over 100 years. This bond continues to be expressed geopolitically and is prevalent in the cross-cultural exchange found in contemporary music. Sharing a British and Irish heritage, the countries have developed several musical styles in parallel including country music and rock n roll. …
The Application Of Syncopated Rhythms In The Development Of Sight-Reading Skills For Non-Keyboard Music Majors,
2025
Louisiana State University and Agricultural and Mechanical College
The Application Of Syncopated Rhythms In The Development Of Sight-Reading Skills For Non-Keyboard Music Majors, Ronald David Rodriguez Herrera
LSU Doctoral Dissertations
This study investigates the impact of integrating syncopated rhythms into the group piano curriculum for undergraduate music students with varied levels of piano proficiency. Participants (N=76) enrolled in Group Piano II and IV were assigned control and experimental groups across multiple class sections. Three research questions guided the study: (1) How does the introduction of syncopated rhythm patterns affect group piano students’ sight-reading performance? (2) How does consistent practice of syncopated rhythms influence students' ability to sustain a steady pulse? (3) Do students consider exposure to syncopated rhythms a valuable component in their future careers as music educators …
Graduate Harpsichord Recital,
2025
Pittsburg State University
Graduate Harpsichord Recital, Dongyuan Chen
Electronic Theses & Dissertations
The thesis consists of a harpsichord recital that will include the Suite No. 3, “Melpomene” in A Minor by Johann Caspar Ferdinand Fischer; The First Pavan and Galliard by William Byrd; Sesta Toccata by Michelangelo Rossi; Sonata No. 1 in C Major: The Fight between David and Goliath by Johann Kuhnau; Keyboard Sonata No. 37 in E Minor by Carlos de Seixas; Keyboard Suite in D Minor, HWV 436, by George Frideric Handel; and Passacaglia Ungherese by György Ligeti. Accompanying the recital is an extended research document, which includes program notes with introductions to the composers and their musical styles, …
East Meets West In Chinese Orchestral Repertoire: The Fusion Of Chinese Nationalism And Western Musical Influence,
2025
University of Nevada, Las Vegas
East Meets West In Chinese Orchestral Repertoire: The Fusion Of Chinese Nationalism And Western Musical Influence, Tianxi Wen
UNLV Theses, Dissertations, Professional Papers, and Capstones
This doctoral document explores the intersection of Chinese musical traditions and Western orchestral influences, focusing specifically on how Chinese composers have navigated this blend to create distinctive orchestral works. Grounded in my background as a doctoral student in orchestral conducting and enriched by my ethnomusicological expertise, this document examines how these composers have integrated both traditions into their music.CHAPTER 1, “Introduction”, introduces the document’s structure, central argument, and the selection of orchestral works for analysis. It also defines the document's purpose and scope. CHAPTER 2, “A Brief History of the Orchestra in China”, examines the origins, evolution, and development of …
The Jack Pine And Four Other Solo Piano Works Composed By Five Canadian Women In The Twenty-First Century,
2025
James Madison University
The Jack Pine And Four Other Solo Piano Works Composed By Five Canadian Women In The Twenty-First Century, Huanwen Wang
Dissertations, 2020-current
This document aims to shine a light on five distinctive piano works by five twenty-first century Canadian women composers. The pieces are Minute Etudes (Book Two) (2002) by Emily Doolittle, From Wapta Ice (2003) by Diana McIntosh, The Jack Pine (2010) by Jocelyn Morlock, Smoke Darkened Sky (2021) by Kelly-Marie Murphy, and …our inner lives were entwined… embroidered with the same pattern... (2021) by Karen Sunabacka. The main objective of this document is to identify stylistic traits in the selected pieces, discuss the source of inspiration of each piece and illustrate how the musical elements reflect the source of …
The Sonata For Double Bass And Piano By Ruth Gipps: A New Performer's Edition With Commentary,
2025
James Madison University
The Sonata For Double Bass And Piano By Ruth Gipps: A New Performer's Edition With Commentary, Nicholas M. Greer-Young
Dissertations, 2020-current
The Sonata for Double Bass and Piano by Ruth Gipps (completed in 1996) presents unique challenges for performers. The piece was previously only available in a published version of the manuscript which lacks many articulation markings, dynamics, and other expressive indicators. This allows performers justification for a wide variety of interpretations but also requires a high level of analytical investment to produce a compelling performance. The new, fully edited, score makes the sonata more easily accessible while the opportunity to engage in in-depth analysis and interpretation offers tremendous pedagogical value to students who would like to start from the first …
A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20,
2025
James Madison University
A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20, Wei Mo
Dissertations, 2020-current
Russian composer and pianist Rodion Shchedrin (b. 1932) is considered one of the most successful contemporary Russian composers. He established his reputation at a young age. This document will discuss Shchedrin’s early musical style as reflected in his Ten Piano Pieces, Op. 20, a collection of ten pieces composed between 1952 and 1961. By analyzing the structure, harmony, and character of these pieces, this document aims to explore the commonalities among them and explore the distinctive appeal of Shchedrin's music.
