Music Performance Commons^™

Guest Recital, New Collegiate Large Brass And Percussion Ensemble, October 7, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest Recital, Anna Marie Wytko, Saxophone, October 7, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Composition Studio Recital, October 7, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.

Senior Recital: Jarrett Defields, Percussion; October 7, 2018, Jarrett Defields

School of Music Programs

Kemp Recital Hall
October 7, 2018
Sunday
Noon

Fall Preview Concert, Lawrence University Choirs, October 6, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest Artist Joint Recital: Alison Robuck, Oboe/Cor Anglais; Tuyen Tonnu, Harpsichord/Piano; October 6, 2018, Alison Robuck, Tuyen Tonnu

School of Music Programs

Kemp Recital Hall
October 6, 2018
Saturday Afternoon
2:00 p.m.

The English Voyage Of Pietrobono Burzelli, Evan A. Maccarthy

Faculty & Staff Scholarship

Praised by poets, scholars, and fellow musicians of his day, the singer, lutenist, and teacher Pietrobono Burzelli (ca. 1417–97) achieved international renown for his skill at improvisational performances on plucked instruments. Until recently, archival documents recorded his presence at many courts on the Italian peninsula and as far away as the Hungarian court. Documents until now unknown to musicologists reveal that Pietrobono also traveled to England. In August 1466 he signed a will and testament in advance of a risky trip “ad partes Anglie” that he was planning to begin the next day.

The testament offers new information about Pietrobono’s …

Ensemble Concerts: Symphonic Band And Symphonic Winds, October 5, 2018, Doug Morin, Anthony C. Marinello, Zachary A. Taylor

School of Music Programs

Center for the Performing Arts
October 5, 2018
Friday
8:00 p.m.

Percussion Studio Fall Concert, October 4, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Redbird Road Concert, October 4, 2018, School Of Music

School of Music Programs

Westminster Village
October 4, 2018
Thursday Evening
7:00 p.m.

2018-2019 Performance Forum - October 4, 2018, David Brill, Lydia Roth, Daniel Graber, Meng Hsin Shih, Dunia Andreu, Mirna Monclova, Guzal Isametdinova, Yue Yang, Sheng Yuan Kuan, Kevin Karabell, Olga Konovalova, Nicole Marie P. Cortero, Ying Peng Wang

Performance Forum

No abstract provided.

New Music Series, The Atlantic Brass Quintet, October 3, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Chamber Winds, October 3, 2018, School Of Music

School of Music Programs

Kemp Recital Hall
October 3, 2018
Wednesday Evening
8:00 p.m.

Guest Recital, Ken Thomson Sextet, October 2, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Syracuse University Wind Ensemble; Dr. Bradley P. Ethington, Conductor; Dr. Timothy W. Diem, Conductor; Ms. Samantha Ryan, Graduate Conducting Associate, Syracuse University Wind Ensemble, Setnor School Of Music, Bradley P. Ethington, Timothy W. Diem, Samantha Ryan

Setnor School of Music - Performance Programs

No abstract provided.

Physicality And Devotion In Heinrich Ignaz Franz Biber’S Rosary Sonatas, Roseen Giles

Yale Journal of Music & Religion

The Rosary Sonatas of Heinrich Ignaz Franz Biber (1644–1704) for solo violin were likely composed in the late 1670s, and were dedicated to the composer’s patron, the Archbishop of Salzburg Maximilian Gandolph von Kuenburg. The sonatas in this remarkable set of fifteen are preceded by copperplate engravings, each depicting one of the mysteries of the rosary. The pieces display Biber’s extensive use of scordatura, an unusual “discordant” tuning, notated with a semi-tablature in which the visual contours of the notation on the page are at odds with the audible contours of the phrases. Biber’s sonatas are intentionally enigmatic, revealing …

Holy Cross Choirs Newsletter (Fall 2018), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.

The Art Of Collaboration - An Interdisciplinary Practice-Led Research Initiative, Paul Roe

Conference papers

No abstract provided.

Call To Prayer: Creative Liturgy In Transcultural Islamic Practice, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.