Music Performance Commons^™

Johann Nauwach's Teütscher Villanellen: A Critical Performance Edition With Performance Practice Commentary, Christopher Pfund

Dissertations, Theses, and Capstone Projects

Johann Nauwach (1595–1630) was an early seventeenth-century German lutenist who was sent to Florence to study with Medici court lutenist, Lorenzo Allegri (1567–1648). Nauwach returned to Dresden around 1618 and published two volumes of songs. His first, Libro primo di arie passegiate a una voce per cantar (1623), contains monodic settings of popular Italian eclogues into which he composed extensive diminutions similar in style to Caccini. In 1627, Nauwach published Teütscher Villanellen dedicated to the nuptial celebrations of Sophie Eleonore of Saxony and Landgrave Georg II of Hesse-Darmstadt –– the same celebration for which Heinrich Schütz (1585–1672) and Martin Opitz …

Analyzing Harmonic Polarities: A Tonal Narrative Approach, Stephen J. Whale

Dissertations, Theses, and Capstone Projects

This dissertation aims to develop an approach to analyzing common-practice repertoire based on the dynamic interplay of centripetal and centrifugal forces. It aims at interpreting various kinds of chromaticism and modulation in terms of the interaction of forces moving away from the tonic or principal key (centrifugal) and those returning to it (centripetal). Centripetal forces also correspond to the force of cadential substantiation of keys, not only the principal key, which I call temporal-centripetal force; temporal-centrifugal forces correspond to the phenomena of tonal instability, of motion through multiple regions.

The dynamic interplay and counterbalancing of these forces is a core …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Women's Contributions To Viola Repertoire And Pedagogy In The Twentieth Century: Rebecca Clarke, Lillian Fuchs, And Rosemary Glyde, Eva R. Gerard

Dissertations, Theses, and Capstone Projects

This dissertation discusses the life and work of Rebecca Clarke (1886–1979), Lillian Fuchs (1901–1995), and Rosemary Glyde (1949–1994), whose concept of the viola’s sound was fundamentally different from their male counterparts Lionel Tertis (1875–1975) and William Primrose (1904–1982). These women’s work has mostly been ignored, due to their gender and use of small forms in their compositions. This dissertation will explore the journeys of these three women through a discussion of their performances, pedagogy, and compositions; simultaneously it will chart the viola’s journey from obscurity to recognition as well as its evolution from lowly harmonic filler to expressive, melodic voice.

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

Baroque Pianism: Perspectives On Playing Baroque Keyboard Music On The Piano, With Emphasis On Bach’S Fugues In The Well-Tempered Clavier, Chih-Tung Cheng

Dissertations, Theses, and Capstone Projects

In a famous quote, Schumann described the fugues in Bach's Well-tempered Clavier as pianists’ “daily bread.” This dissertation explains how these fugues can be pianists’ practical daily bread by encouraging them to explore a virtuosity of subtlety. I assert that the compositional complexity in these fugues increases pianistic challenges in both interpretive and technical aspects; these challenges can lead pianists to explore a multi-faced pianistic awareness in a way that they may not encounter when performing other styles of music.

Exploring Political Action And Socialization Through Group Improvisation Within The Music Of Frederic Rzewski And Cornelius Cardew, Marcel Rominger

Dissertations, Theses, and Capstone Projects

In the late 1960s, socialist composers, Cornelius Cardew and Frederic Rzewski, each established ensembles with the purpose of performing works consisting of experimental forms of improvisation. By employing group improvisation, and including untrained, non-musicians within their performances, they strove to use these ensembles as a model for society itself; this model includes a dissolution of the hierarchy among performers and the barrier between performer and audience. Improvisation helped music resist commodification by the culture industry or appropriation by authoritarian regimes for the purpose of propaganda. This dissertation aims to explore how Cardew and Rzewski constituted effective socialization and political action …

Student Recital: Andersen Broom, Horn, Andersen Broom, Bobbie Kesler-Corleto

Student Recitals

Andersen Broom is a student of Marlene Ford. This recital is given in partial fulfillment of the requirements for the Bachelor of Music, Music Performance degree.

Andersen Broom, horn

Bobbie Kesler-Corleto, piano

Charles W. Bolen Faculty Recital Series: Adriana Ransom, Cello; August 29, 2019, Adriana Ransom

School of Music Programs

Kemp Recital Hall
August 29, 2019
Thursday Evening
7:30 p.m.

Jury Recognition Recital, August 26, 2019, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
August 26, 2019
Monday Evening
7:00 p.m.

Dvd Review: Rossi, Luigi. L’Orfeo. Pygmalion, Musical Direction By Raphaël Pichon, Staging By Jetske Mijnssen. Recorded At L’Opéra National De Lorraine (Nancy), February 7 And 9, 2016. Arles: Harmonia Mundi, 2017. Hmd 9859058.59 Dvd And Blu-Ray Disc., Roger Freitas

Performance Practice Review

DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.

Roger Freitas discusses a production of Rossi's L'Orfeo recorded on DVD.

Singing God's Words: The Performance Of Biblical Chant In Contemporary Judaism, Mili Leitner Cohen

Yale Journal of Music & Religion

A book review is presented for Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (New York: Oxford University Press, 2016).

Nyssma Manual Revisited, Di Su

Publications and Research

The New York State School Music Association’s NYSSMA Manual is revised every three years. A new edition, the 33^rd, is expected in July 2021. Back in 2008 this author wrote a review article of the 28^th edition (2006). Since then, four revisions have been released and some changes have been made. This article, as a follow-up, reviews the Violin Solos section of the current edition, the 32^nd (2018).

Asian And European Musical Images Of Water: Exploring The Stylistic Evolution And Development Of Musical Language By Comparing Selected Water-Themed Piano Works From The Nineteenth Century To The Present, Chubing Wang

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document aims to explore the stylistic evolution and development of musical language by comparing water-themed piano works selected from the nineteenth to the twenty-first century. The study first examines how water-related pieces were developed through the nineteenth to the twentieth century demonstrating the growth of compositional language on this particular theme. At the turn of the twenty-first century, the document focuses on the similarities and differences between Asian and European water pieces by Karen Tanaka and Andrea Granitzio. The goal of the study is to discuss how the previous generations influenced later composers’ works and how the current generation …

Footprints Of Resilience: Tracking The Career Development Steps Of African American Male Musicians, Patrice Tiffany Leshay Bax

Graduate Theses and Dissertations

For African American (AA) male musicians, the road toward career advancement in the entertainment industry is particularly arduous. Despite many difficulties on the journey to career success, the history of gospel, R&B, jazz, and funk music is evidence that many AA male musicians find their way to develop and advance their careers. Many AA male musicians find career development and advancement opportunities through religious and sacred institutions. However, the journey to become a professional musician for AA males is fluid and not formalized causing ambiguity in the steps taken to enter this career field and sustain growth in a rapidly …

The Value Of The Uzbek Piano School In The Development Of The World Piano Music Performing Culture, Dilyara Islyamova

Eurasian music science journal

The milestones of the stages of formation and the development of Uzbek piano performing school, which reached unprecedented flourishing in the world cultural space in the years of independence, are considered in the article. The basic pedagogical principles are characterized and the activities of leading teachers, in particular, O. Yusupova, T. Popovich and others, are briefly covered. Particular attention is paid to the piano school’s international relations with compatriots working abroad, in particular with Stanislav Ioudenitch, Professor of International Center for Music of Park University (USA), Vice-President of the Lake Como International Piano Academy (Italy), who arrived in Uzbekistan with …

The Formation Of Multiplication In Uzbekistan (In The Problem Of The Interaction Of Audio And Video Series), Shoyista Ganikhanova

Eurasian music science journal

Animation is a unique form of cinema, having its own specific means of expression, forms and genres. This art form has an amazing history of development. It is interesting to understand the specifics of multiplication through the analysis of the interaction of audio and video sequences. Having traced the history of the development of animation in the Soviet Union and partly in the United States, we stopped at the analysis of the works of the Uzbek master of cartoon art. Our goal is to identify the relationship issues of audio and video series

Verifying Modeling And Audiovisual Stimuli As Strategies For Mastering Guedes Peixoto's Maracatú, Rodrigo Clementino Diniz

LSU Master's Theses

ABSTRACT

Literature has been saying that auditory Modeling can be a useful tool in order to develop or broaden musical interpretive ideas. In the same way, literature ventilates that audiovisual stimuli can be applied to musicians in order to raise emotions that some scholars consider as indispensable when it comes to deliver expressive musical communications. More specifically, research in the Music Performance field points out that Modeling and Audiovisual stimuli are useful strategies in the learning process of building up a musical interpretation, both, fostering expressive tools for aiming musical performance.

This research is intended to empirically verify the applicability …

Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam

Doctoral

This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …

London Stage Database, Mattie Burkert, Will Daland, Emma Hallock, Todd Hugie, Lauren Liebe, Derek Miller, Dustin Olson, Ben R. Schneider Jr.

Browse all Datasets

Recovered files, and documents and archival data used to revitalize the London Stage Information Bank, which was completed in the 1970s but had become technologically obsolete.

Contents:

--Greene_2018_SITAR_3.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her via mail by John Greene, who received it from Ben Schneider in or around 1990.

--Greene_2018_SITAR_5.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her …