Music Performance Commons^™

2019-2020 Ppc Recital - Georgiy Khokhlov (Cello), Georgiy Khokhlov, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

Graduate Recital: Miguel Lumbao, Guitar; March 22, 2020, Miguel Lumbao

School of Music Programs

Kemp Recital Hall
March 22, 2020
Sunday Afternoon
3:00 p.m.

2019-2020 Junior Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Ppc Recital - Yiming Tang (Piano), Yiming Tang

PPC/PSDP Recitals

No abstract provided.

2019-2020 Senior Recital - Yingpeng Wang (Piano), Ying Peng Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Senior Recital - Chase Decarlo (French Horn), Chase Decarlo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2019-2020 Junior Recital - Christa Rotolo (French Horn), Christa Rotolo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

F. Ludwig Diehn Concert Series: Rod Gilfry, Baritone With The Norfolk Chamber Consort; Andrey Kasparov And Oksana Lutsyshyn, Artistic Co-Directors -- Prince Igor And Poulenc, Rod Gilfry, Norfolk Chamber Consort, Andrey Kasparov, Oksana Lutsyshyn

Guest Performances

No abstract provided.

Katie Short's Senior Voice Recital, Katherine Short

Honors Theses

For my honors thesis, I used my Senior Voice Recital. When starting the process, I met with my thesis chair, Dr. Karen Kness to discuss which repertoire I wanted to perform for the recital. We focused on picking song selections ranging from the Baroque musical era to the mid- 1900s. As part of my requirement, I needed to select at least thirty-five minutes of music to present and this music needed to be in at least five different languages. Half of my repertoire was selected from my previous semester of Applied Voice lessons and the other half I learned over …

Senior Viola Recital, Kennedy Dixon

Honors Theses

Coming to the end of my Viola Performance Degree at WMU was a milestone that I have been looking forward to since stepping foot on campus, yet a moment that felt so far away. Preparing for my Senior Viola Recital/Honors Thesis was one of the most exciting, difficult, and overall most rewarding experiences that I will never forget. I’ve had the honor of knowing my currently Viola Professor/Thesis chair since my Freshmen Year of Highschool, where I attend a summer music camp here at WMU, and I can say that I have learned so much about music, responsibility, courage, and …

A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers

LSU Doctoral Dissertations

Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).

Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …

2019-2020 Scholarship Fund Concert At The Country Club Of Florida, Friends Of The Consevatory, David Brill, Askar Salimdjanov, Tom Wong, Georgiy Khokhlov, Feruza Dadabaeva, Xiaoxiao Wang

Friends of the Conservatory Events

No abstract provided.

Ivalas Quartet, March 12, 2020 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2019-2020 Performance Forum - March 12, 2020, Gabriel Galley, Sheng Yuan Kuan, Kari Jenks, Klyde Ledamo, Ricardo Lemus, Gerson Medina, Virginia Mangum, Yunus Rajabiy, Jin Cai, Kelsey Castellanos, Dunia Andreu, Dennis Pearson, Guillermo Yalanda, Chase Decarlo, Christa Rotolo

Performance Forum

No abstract provided.

A Performer's Guide To "No Man In His Right Mind," "Letter," And "Mirror Mirror" From The Opera, Dog Days, Grace Claire Mccrary

LSU Doctoral Dissertations

Dog Days is a modern, American opera based in a war-torn, post-apocalyptic United States of America. Written by internationally acclaimed composer David T. Little and internationally acclaimed librettist Royce Vavrek, Dog Days is told through the eyes of a 13-year old girl, named Lisa. This project serves as a performer’s guide to Lisa’s three arias. Chapter one provides a biographical sketch of the composer, David T. Little. Chapter two briefly describes the life events of Royce Vavrek, leading to the development of Dog Days. Chapter three provides the detailed process of how the opera was created, specifically the development …

"Lift Every Voice And Sing!" Choral Collage Featuring American Spiritual Ensemble; Everett Mccorvey, Director, Everett Mccorvey, American Spiritual Ensemble, Jeffrey Welcher, Orange Collective, Setnor School Of Music, Orange Syndicate, Setnor School Of Music, Jose Calvar, Hendricks Chapel Choir, Setnor School Of Music, Setnor Sonority, Setnor School Of Music, Hillary Ridgley, Crouse Chorale, Setnor School Of Music, John Warren, University Singers, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Caryl Clark And Sarah Day O'Connell, Eds. The Cambridge Haydn Encyclopedia, Denis Mccaldin

HAYDN: Online Journal of the Haydn Society of North America

A review of "Caryl Clark and Sarah Day O’Connell, eds. The Cambridge Haydn Encyclopedia"

Syracuse University Symphony Orchestra; James Tapia, Director, James Tapia, Syracuse University Symphony Orchestra

Setnor School of Music - Performance Programs

No abstract provided.

A Survey Of French Cello Music Dating From The Baroque Era To The 20th Century, Chien-Hui Yang

LSU Doctoral Dissertations

This research aims to examine how French music progressed from the Baroque era to the 20^th-century through the cello repertoire. This document will be a useful tool for people who are interested specifically in French cello compositions. The researcher will discuss fifteen composers and seventeen cello works. Through reading composers’ biographies and examining the selected cello compositions from these French composers, the researcher will better comprehend and attempt to describe the composers’ musical styles and their musical legacies within the canon of music for the cello.

From the Baroque era, François Couperin, Jean-Baptiste Barrière, and Martin Berteau are …