Music Performance Commons^™

Concert Recording 2023-03-06b, Lorenz Gamma, Dayton Strick, Chloe Harder, Er-Gene Kahng

Concert Recordings & Programs

[00:00]. Passacaglia for violin solo / Heinrich Biber -- [08:25]. "On the Other Hand" for violin solo / Chrysanthe Tan --[16:19]. Fantasia X for violin solo / Georg Philipp Teleman -- [21:28]. "La magia de tus ojos" for violin solo / Yalil Guerra -- [27:44]. Fantasia VII for violin solo / Georg Philipp Teleman -- [36:36].Quartet for four violins. I. Allegretto - Allegro giocoso ; II. Andante tranquillo ; III. Molto allegro / Grazyna Bacewicz -- [48:37]. Sonata no. 2 in A Major for two violins. I. Allegro ; II. Sarabande: Largo ; III. Allegro / Jean-Marie Leclair -- [57:22]. …

A Graduate Recital In Piano, Heather Gillis

Dissertations and Theses @ UNI

Heather Gillis presented a full graduate piano recital on Friday, March 10, 2023. The recital was performed at 8:00 p.m. in Davis Hall in the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa. This recital was given in partial fulfillment of the Master of Music degree in Piano Performance and Pedagogy. The program consisted of works by Sergei Prokofiev, Robert Schumann, and Joseph Haydn. This abstract contains further discussion of performed works.

The Effect Of Different Warm-Up Durations On Subjective And Objective Measures Of Singing In Choral Singers Over The Age Of 55, Jeremy A. Chesman

Graduate Theses/Dissertations

Choral singing is a popular activity in the United States. Choral singers are often encouraged to warm up vocally before they sing. Considering voice conditions, like presbyphonia, that can develop shortly after retirement, more research about vocal warm-ups is needed for those over the age of 55. This study assesses the effects of various durations of vocal warm-ups on subjective and objective measures of the singing voice using a within-groups design with randomized condition order. Nine participants performed vocal warm-ups for 0, 5, 10, and 15 minutes. A song sample was then recorded and sent to two expert raters who …

Graduate Recital Yuxiao Sun, Piano, Yuxiao Sun

Dissertations and Theses @ UNI

Yuxiao Sun presented a solo piano recital on November 2, 2023 at 8:00 p.m. in Davis Hall of the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa. This recital marked a partial completion of her Master of Music degree in Piano Performance. The program included the following works: Piano Sonata No. 23 in F minor, Op. 57 “Appassionata” by Ludwig van Beethoven, Partita No.1 in B flat Major, BWV 825 by Johann Sebastian Bach, and Pour le Piano, L. 95 by Claude Debussy.

Piano Sonata No. 23 in F minor, Op. 57 “Appassionata” by Ludwig van Beethoven

Ludwig …

Concert Recording 2023-02-26, Wesley Becherer, Sidney Hudelson, Grace Clark, Jonathan Lea, Sierra Hoaglund, William Vandelinder, Josue Avelar, Ethan Sevigny, Amy Short, Olivia Harrison, Lauren Zygmont

Concert Recordings & Programs

[00:00]. Quartet in F (1814/15), Op. 37. I. Allegro ; II. Andantino ; III Menuetto ; IV. Rondo / Justus Johann Friedrich Dotzauer -- [24:00]. Trio (1970). I. Allegro con brio ; II. Andante semplice ; III. Allegro giocoso / Madeleine Dring -- [39:17]. Trio de Salon, Op. 8. I. Andantino sostenuto ; II. Allegro Moderato / Clemence de Grandval ; [01:45:23]. Wind Quintet (1922), Op. 43. I. Allegro be moderato ; II. Menuet ; Praeludium: Temo con variazioni / Carl Nielsen.

A Master’S Recital In Wind Band Conducting, Stephen Seaberg

Dissertations and Theses @ UNI

Stephen Seaberg conducted three performances that constituted a recital in partial fulfillment of a Master in Music in Wind Band Conducting. The performances took place on the evenings of Tuesday, November 15th, 2022; Thursday, February 23rd, 2023; and Tuesday, April 11th, 2023 in the Great Hall at the Gallagher Bluedorn Performing Arts Center. The recital program included four works that relate to historical music in different ways, and three of which are part of the standard repertoire. The works included: Paul Hindemith’s Geschwindmarsch by Beethoven (1946), Percy Grainger’s Ye Banks and Braes O’ Bonnie Doon (1936), Li Chan’s Folksong of …

’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan

Journal of Feminist Scholarship

In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups …

Concert Recording 2023-04-03, Dylan Wenino

Concert Recordings & Programs

[00:00]. Phase dance / Pat Metheny ; Lyles Mays -- [08:33.5]. 500 miles high / Chick Corea -- [13:59]. In a sentimental mood / Duke Ellington -- [17:08]. Falling grace / Steve Swallow -- Dolphin dance / Herbie Hancock -- [22:24]. Song of storms / Koji Kondo, arranged by Dylan Wenino -- [29:13]. Affirmations / Jose Feliciano.

Unconventional Wisdom In Resonating Echoes Of The Past: A Memoir On The Life And Music Of Royal Hartigan, Joseph Elias Boulos

Graduate Theses, Dissertations, and Problem Reports (ETD)

Unconventional Wisdom in Resonating Echoes of the Past:

A Memoir on the Life and Music of royal hartigan

Joseph Elias Boulos

Detailed fieldwork achieved by people in the discipline of social/humanistic studies, specifically ethnomusicologists, in any form: book, biography, documentary, etc., have contributed to the strengthening the understanding of any group of people, community, or culture. This research project is a co-authored memoir grounded in oral history and collaborative ethnography on, and with, Dr. royal hartigan. The purpose of this ethnographic research is to fill in the lack of information readily available on royal, from his sole perspective, and to …

The Percussionist's Guide To Music Theory Fundamentals, Mckenna M. Lee

Graduate Theses, Dissertations, and Problem Reports (ETD)

The research priorities that I have established as a theorist, percussionist, and an instructor of both, have led me to a master's thesis project combining music theory practices within the study and performance of percussion repertoire. As the graduate assistant of the percussion department at West Virginia University, I have been teaching applied orchestral percussion lessons and leading percussion ensembles. In my experience, a number of first-year percussionists in the studio at WVU have had a limited background with reading definite pitches on the staff, and struggle with sight-reading and pitch identification, therefore making their Written I and Aural I …

Analysis And Performance Of Osvaldo Golijov’S Hebreische Milonga, Gerardo Sanchez Pastrana

Graduate Theses, Dissertations, and Problem Reports (ETD)

Argentinian composer Osvaldo Golijov is one of the most important and well-recognized composers of the 21^st century. His works are unique because of the diverse mixing of styles due to the interculturalism present in his music. In the program notes of his Hebreische Milonga, Golijov mentions that this piece can connect his Argentinian and Jewish roots as well as the influence of Astor Piazzolla’s music. In addition, there is a connection between the tango and the Jewish people residing in Buenos Aires, Argentina, that is not addressed frequently when discussing the history of the tango. This research begins …

A Study Of Six Selected Piano Variations By Czerny, Hao Zhang

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research paper is focused on the piano variations by Carl Czerny (1791-1857), with discussion and analysis of six among his 180 sets of piano variations. These six sets of variations include: Les charmes de l'amitié (Charms of Friendship), Op. 55; Variations on a Theme from Oberon, Op. 134; Introduction and Variations on La muette de Portici, Op. 208; Variations brillantes sur un thème favori de l'opéra Hans Heiling de Henri Marschner, Op. 341; Variations on a Motif by Ch. L. Hoffmann, “Souvenir de Boieldieu,” Op. 352; and Eisenbahn Variationen (Variations on a Waltz by Strauss), Op. 431. These …

Pedagogical Piano Works By Four Contemporary Composers: Emma Lou Diemer, Dianne Goolkasian Rahbee, Karen Tanaka And Chee-Hwa Tan, Manuel Alejandro Molina Flores

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research document aims to help diversify the pedagogical piano repertoire by featuring four contemporary composers living in the United States: Emma Lou Diemer, Dianne Goolkasian Rahbee, Karen Tanaka, and Chee-Hwa Tan. Their commitment to the creation of pedagogical works at the elementary, intermediate, and early-advanced levels gives students the opportunity to develop their piano technique while learning beautifully crafted pieces. The present document covers the life, formal education, important influences, and the compositional style of each composer. Additionally, it includes selected pieces at the late-elementary and early-intermediate levels where a discussion about their pedagogical benefits is included. Lastly, a …

A Selective Guide To Solo Bass Trombone Repertoire From 1961 To Present, Andrew Amadeus Ortega

Graduate Theses, Dissertations, and Problem Reports (ETD)

For nearly 60 years composers have written for bass trombone as a solo instrument and continue to create works that showcase its virtuosity and musical capabilities. Before 1961, bass trombonists would often play tuba solos, transcriptions, and musical arrangements from other instruments. This document includes works that were composed specifically for bass trombone from as early as 1961 to 2021. Each piece is categorized and presented with an evaluation in addition to a level of performance preferable for collegiate students to professional performers. Commentary has also been included discussing challenging areas as well as providing information necessary to perform the …

American Art Songs In The 21st Century: A Catalogue Of Selected Works, Islei Mariano Correa Hammer

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research explores American art songs of the 21st century. The paper provides a listing of 54 composers based in the United States and the art songs they composed from 2000 to 2023 which are available either through publishers or the composers’ websites. The research is divided into three categories: art songs with piano, chamber works with voice, and works for solo voice and large ensemble. The paper also includes biographies of each composer. This research provides singers, voice teachers, and collaborative pianists a useful resource to gain familiarity with the American art-song repertoire of the current century.

Developing Collaborative Skills In Piano Students, Linxi Yang

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research paper explores how to develop collaborative skills in piano students at the college level. It offers a brief history of collaborative study and performance, describes the specifics of working with singers and instrumentalists in duo, chamber and large ensemble repertoire, and includes musical examples and selected resources. This paper is intended to enrich the activities of teachers and collaborative pianists through the description and application of specific skills and to provide pathways for effective professional collaborations.

Concert Recording 2023-03-30, Pavel Polanco-Safadit

Concert Recordings & Programs

[00:00]. And Sammy walked in / Michel Camilo --[08:18]. Caravan / Juan Tizol and Duke Ellington, arramged by Pavel Polanco-Safadit -- Rumbon / Pavel Polanco-Safadit -- [15:35]. Aranjuez Groove / Joaquin Rodrigo, arranged by Pavel Polanco-Safadit ; -- [23:35]. Chan-Chan / Compay-Segundo, arranged by Pavel Polanco-Safadit -- [27:47]. D.C. intro / Pavel Polanco-Safadit -- [34:35]. Bromley mambo / Pavel Polanco-Safadit -- [45:07]. I will survive / Freddy Perren and Dino Fekaris, arranged by Pavel Polanco-Safadit -- Rush hour / Pavel Polanco-Safadit.

Musical Portraiture In Acht Korte Karakterschetsen Voor Piano Vierhandig By Hans Osieck, Yuri Kim

Theses and Dissertations--Music

Hans Osieck (1910-2000) was a Dutch composer, pianist, and teacher. His musical portraits, Acht Korte Karakterschetsen voor piano vierhandig (Eight Short Character Sketches for Four Hands), are a valuable addition to the piano duo repertoires for intermediate and advanced students. In Eight Sketches, Osieck musically portrays eight of his students using simple compositional techniques, much like the brushstrokes and color palette of an artistic portrait. As a result of their programmatic nature and relatable subjects, Osieck’s Eight Sketches can be particularly useful for students developing their imaginations and learning to perform expressively. As a piano duo, Eight Sketches also serves …

From A Humble Cry To A Holy Chaconne: The Background, Analysis, And Performance Guide To Chaconne For Tokkae, Op. 96 By M. W. Johann Kim, Jurang Kim

Theses and Dissertations--Music

The cries of animals have been used as motivic material in classical music literature throughout history. This project considers the Cambodian tocay gecko’s cry as the motif which embodies the harmonic structure in Chaconne for Tokkae for Violin and Piano, Op. 96 by Dr. Myung Whan Johann Kim. It reveals how Dr. Kim adapts unique compositional style and technique such as the bell harmony of Dr. Kurt Anton Hueber, to develop the theme into 39 colorful variations. The essential elements of the chaconne and the composer’s intentions are examined through personal interviews and correspondence with the composer. These elements are …

Julie Giroux’S Symphony No. 6: The Blue Marble Background, Analysis, And Conductor’S Guide, Josh Gillen

Theses and Dissertations--Music

Julie Giroux’s Symphony No. 6: The Blue Marble (2022) is an original work for wind band that is quickly rising in popularity among instrumental conductors and ensembles throughout the world. The purposes of this document are to

1) provide biographical details regarding Julie Giroux and her musical career;

2) provide a background of the work’s conception from a musical and multi-media perspective through interviews with Giroux and the first conductors of the work;

3) provide a multi-parametric structural analysis of the work and its companion film;

4) provide conductors with useful information for programming and rehearsing the work.

Chapter one …