Music Performance Commons^™

Uni Percussion Ensembles, April 13, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Eileen Gavin, Soprano, Junior Recital [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Daniel Sanchez, Tuba, With Natia Shioshvili, Piano, March 6, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Faculty Chamber Music Concert, Sang Koh, Coordinator, February 22, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Randy Grabowski, Trumpet, With Sean Botkin, Piano, January 24, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Low Brass Workshop Recital, [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Opera/Musical Theatre Scenes Workshop Class Performance, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Paris Roake, Cello; Lu Witzig, Piano; April 1, 2023, Paris Roake, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday Afternoon
1:30 p.m.

Graduate Recital: Anna Woods, Violin; Somlee Lee, Piano; April 1, 2023, Anna Woods, Somlee Lee

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday Afternoon
3:30 p.m.

Junior Recital: Brian Hershey, Cello; Lu Witzig, Piano; April 1, 2023, Brian Hershey, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday Afternoon
2:30 p.m.

Senior Recital: London Duszynski, Saxophone; Kendall Carter, Guitar; Jameel Stephens, Drums; John St. Cyr, Bass; Trevor Gould, Trumpet; April 1, 2023, London Duszynski, Kendall Carter, Jameel Stephens, John St. Cyr, Trevor Gould

School of Music Programs

Kemp Recital Hall
April 1st, 2023
Saturday Evening
8:00 p.m.

Senior Recital: Satomi Radostits, Violin; Antonia Tapias, Violin; Lu Witzig, Piano; April 1, 2023, Satomi Radostits, Antonia Tapias, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday Afternoon
5:00 p.m.

Senior Recital: Peyton Miles, Cello; Lu Witzig, Piano; April 1, 2023, Peyton Miles, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday Evening
6:30 p.m.

Senior Recital: Katherine Freimuth, Trumpet; Lu Witzig, Piano, Katherine Freimuth, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 1, 2023
Saturday
Noon

Morriah Hernandez Violin Junior Recital, Andrews University

Student Degree Recitals 2022-2023

Morriah Hernandez, violin

Rose Eide-Altman, piano

The Headbangers Of The Himalaya: An Investigation Of Nepal’S Rock And Metal Scene, Samuel White

Independent Study Project (ISP) Collection

The goal of this research endeavor was to generate findings which unveil information about the culture, the bands, and the lives of the musicians and fans who make up the Nepali rock and metal scene. The community is rather esoteric and information regarding certain bands and their musicians’ background is limited to broad, outdated articles published online. Thus, most of the information regarding the scene can only be obtained if one truly immerses themselves within it. I was fortunate enough to make friends which granted me a firsthand look into the Nepali rock and metal scene. The general questions which …

How Do They Do It: A Narrative Of Disabled Public School Instrumental Ensemble Conductors And Their Positive Working Relationships With Their Administrators, Lia Alexandria Patterson Snead

Theses and Dissertations

As the leader of the instrumental ensemble, the conductor’s role is important on and off the stage. Public school conductors have especially demanding jobs because they must act as a conduit between composer and ensemble as well as handle all administrative duties pertaining to running a music program. Subsequently, this results in a heavier workload than the average teacher. The demanding workload can add to any preexisting issues for disabled ensemble conductors who struggle at work due to insufficient support from their administrators. The lack of strong administrative support for disabled or impaired faculty and staff may be due to …

A Conductor’S Guide To Lucrecia Roces Kasilag’S Misang Pilipino (1965), Denise Ysabel Ellis

Theses and Dissertations

Composer Lucrecia Roces Kasilag (1918-2008) is a National Artist for the Philippines and a UNESCO International Artist of the World. Though she has many more accolades and triumphs to note, both national and international, Kasilag is not well known outside of her native Philippines. One factor that obscures this composer from the world is that much of her work is unpublished, as are other historical Filipino composers’ works.

Kasilag composed her first Misang Pilipino in 1965 to commemorate the 400^th year of Christianization in the Philippines, but multiple editions of the work were written and used for different occasions. …

A Comparative Analysis Of Samuel Barber’S Third Essay For Orchestra, Op. 47, David Abrams Gordon

Theses and Dissertations

Samuel Barber (1910–1981) was an American composer who lived and worked during the twentieth-century. His list of works includes forty-eight published pieces that span virtually every major genre of western art music. One of Barber’s most unique contributions is the invention of a new orchestral genre: the essay for orchestra. Borrowing the term from literature, Barber is credited with composing the first musical essays. Today, musical essays are understood to be single-movement instrumental works that are non-programmatic in nature.

Barber composed three essays for orchestra during his lifetime. His First Essay, Op. 12, was composed in 1937; his Second …

A Pedagogical And Analytical Study Of The Carnatic Saxophone Performance Tradition Of Kadri Gopalnath, Caleb James Carpenter

Theses and Dissertations

Kadri Gopalnath is a musician who achieved an exceptional level of mastery in the Carnatic musical tradition of South India, and he accomplished this playing the saxophone, a uniquely Western instrument. He was the first person to fully integrate the saxophone to the Carnatic style and was held in high esteem as a classical Indian musician. This document examines the Carnatic tradition, Kadri Gopalnath’s life and work, and the modifications he made to the saxophone. Selected analyses of his performances are reviewed in the context of Carnatic pedagogy, and the significance of learning this tradition for the musicianship of a …