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Noise Peddler: An Exploration Of The 21st Century Pedalboard, Danny Bright, Lee Westwood 2023 University of Sussex, UK

Noise Peddler: An Exploration Of The 21st Century Pedalboard, Danny Bright, Lee Westwood

The 21st Century Guitar

Noise Peddler is a practice-based research project exploring the 21st century guitar pedalboard as composition and performance interface. Recent growth in the guitar pedal industry has seen a notable increase in popularity of the pedal platform, expansion in the number of manufacturers, the scope of effects available, and solidification of the concept of the pedalboard. The widespread adoption of MIDI/CV control, alongside the packaging of increasingly experimental and complex processing into stompbox formats has expanded the pedalboardʼs potential as a flexible canvas for the creation of unconventional guitar sounds. Performers such as Sarah Lipstate, Nels Cline and Ed OʼBrien have …


Guitars With Ambisonic Spatial Performance (Gasp): An Immersive Guitar System, Duncan Werner, Emma Fitzmaurice, Bruce Wiggins, Matthew Hart 2023 University of Derby, UK

Guitars With Ambisonic Spatial Performance (Gasp): An Immersive Guitar System, Duncan Werner, Emma Fitzmaurice, Bruce Wiggins, Matthew Hart

The 21st Century Guitar

The GASP project investigates the design and realisation of an Immersive Guitar System. It brings together a range of sound processing and spatialising technologies and applies them to a specific musical instrument ‒ the Electric Guitar. GASP is an ongoing innovative audio project, fusing the musical with the technical, combining the processing of each stringʼs output (which we called timbralisation) with spatial sound. It is also an artistic musical project, where space becomes a performance parameter, providing new experimental immersive sound production techniques for the guitarist and music producer. Several ways of reimagining the electric guitar as an immersive sounding …


Marc Ribot's Exercises In Futility, Francesca Naibo 2023 University of Denver

Marc Ribot's Exercises In Futility, Francesca Naibo

The 21st Century Guitar

Marc Ribot (*1954), one of the most influential guitarists of the worldwide avant-garde scene, started his musical life taking classical guitar classes with the Haitian teacher Frantz Casseus, turning then to electric guitar. After decades spent mainly on electric instruments, Ribot composed and recorded Exercises in Futility, his own series of etudes for solo guitar. The collection of pieces presents fifteen compositions that are intended to be studies for classical guitarists.Between 2015 and 2020 Ribot and I collaborated to create the scores of this collection of studies, soon to be published. The purpose of this paper is to present the …


When Bonfá Meets Villa: Creative Processes In The Elaboration Of A Guitar Arrangement To Manhã De Carnaval By Luiz Bonfá (1922-2001), José D. T. dos Santos 2023 Doctoral Program in Music - Department of Communication and Art - University of Aveiro

When Bonfá Meets Villa: Creative Processes In The Elaboration Of A Guitar Arrangement To Manhã De Carnaval By Luiz Bonfá (1922-2001), José D. T. Dos Santos

The 21st Century Guitar

This paper presents part of an artistic research where the focus is on elaboration of guitar arrangements. In the scope of the study here, my aim was to understand the implications of an ecological approach to music making based on the identification and use of guitar affordances. In particular, the elaboration of an arrangement of the song Manhã de Carnaval, by the Brazilian composer Luiz Bonfá (1922-2001). The process was informed by existing perspectives on arrangement (Sadie & Tirell, 2001), affordances (Gibson, 1977), tacit knowledge (Polanyi, 1966) and embodied meaning (Merleau-Ponty, 1968). Throughout the arrangement, excerpts of the music of …


Proceedings Of The 21st Century Guitar Conference 2019 & 2021, 2023 University of Denver

Proceedings Of The 21st Century Guitar Conference 2019 & 2021

The 21st Century Guitar

This volumeʼs contributions grew from 20 of the 94 scheduled keynotes, lectures and lecture-recitals of the first and second editions of The 21st Guitar Conference. Five items stem from the inaugural edition (2019, 44 contributions) and 15 from the second edition (2021, 50 contributions).1 This conference is unique in that it is centered on contemporary guitar research, performance and pedagogy.2 Previously, guitar research had gained increased visibility thanks to the International Guitar Research Centre, launched in 2014 (Stephen Goss, President), which regularly (co-)organizes conferences on guitar research; and Soundboard Scholar, launched in 2015 (Jonathan Leathwood, Editor) ‒ currently the only …


Largo Teso: The Seven Studies For Guitar By Maurizio Pisati, Maurizio Pisati, Elena Càsoli 2023 Conservatorio Alta Formazione Artistica Musicale G. B. Martini, Bologna, Italy

Largo Teso: The Seven Studies For Guitar By Maurizio Pisati, Maurizio Pisati, Elena Càsoli

The 21st Century Guitar

In this contribution, composer and interpreter talk about the Seven Studies from their respective points of view. Maurizio Pisati explains how he developed a new guitar, departing from a single study and arriving at the overall formal conception through timbres, techniques and articulations; and how the soloistic studies led him to a guitarled ensemble piece. Elena Càsoli deals with issues such as the score's indications and the instrumental techniques.


The Morphological And Audiative Interconnectedness Of Sound: Equivalence In A Multidimensional Soundscape, Martin Vishnick 2023 University of Denver

The Morphological And Audiative Interconnectedness Of Sound: Equivalence In A Multidimensional Soundscape, Martin Vishnick

The 21st Century Guitar

This paper draws on the authorʼs recent theoretical and practical research into the morphology of sound and audiation. In particular, it explores the notion of equivalence in a multidimensional soundscape. Correlations between the interconnectedness of sound-based morphologies emanating from extended guitar techniques and comprehending internal auditory imagination when sound is not physically present will be assessed. To express an all-encompassing mental and visual image of apprehending the value of sound from a morphological and audiative perspective, three-dimensional topological diagrams will be evaluated ‒ a development of previous two-dimensional visualisations. In regard to morphologies, topics of interest are spectromorphology, spatiomorphology, spectral …


Scordator: A Digital Map Of All Scordature, Paulo Vaz de Carvalho, Rui Penha 2023 INET-md, Universidade de Aveiro, Portugal

Scordator: A Digital Map Of All Scordature, Paulo Vaz De Carvalho, Rui Penha

The 21st Century Guitar

Scordatura is often used in stringed instruments to overcome constraints posed by their tuning. Finding the right scordatura for a particular situation may be a time-consuming task, especially for non-guitarist composers. In this contribution, we present a web application designed to show a tuning chart for any chordophone equipped with a maximum of eight strings, each tunable to a pitch in the range of a full keyboard. The application also provides visualization of the available positions for live MIDI notes within a given scordatura.


Composing Idiomatic Music For Guitar Using Distant Reading Strategies, Giovanni Albini, Matilde Oppizzi 2023 Conservatorio “Antonio Vivaldi”, Alessandria, Italy

Composing Idiomatic Music For Guitar Using Distant Reading Strategies, Giovanni Albini, Matilde Oppizzi

The 21st Century Guitar

The composition of new music for guitar can involve two issues: 1) composers that have no experience with the instrument might not be able to compose a score that is idiomatic, accommodating and highlighting the unique characteristics and features of the conventional guitar techniques; and 2) composer-guitarists might repeat clichés that can origin from their performance habits. In this respect, the aim of this paper is to answer the following questions: can distant reading methods help in defining strategies for composing new idiomatic music for guitar? If so, how they can be defined and implemented? Distant reading methods allow to …


Chapman Guitar Ensemble, Chapman Guitar Ensemble 2023 Chapman University

Chapman Guitar Ensemble, Chapman Guitar Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.


Recital: Community School For The Arts Spring Solo, May 7, 2023, Illinois State University School of Music 2023 Illinois State University

Recital: Community School For The Arts Spring Solo, May 7, 2023, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
May 7, 2023
Sunday Afternoon
2:00 p.m.


Chapman University Student Pianists In Recital, 2023 Chapman University

Chapman University Student Pianists In Recital

Printed Performance Programs (PDF Format)

No abstract provided.


Chapman University Early Music Ensemble, Chapman Early Music Ensemble 2023 Chapman University

Chapman University Early Music Ensemble, Chapman Early Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.


Uni Suzuki School Presents Northern Iowa Youth Orchestra, May 7, 2023 [Program], University of Northern Iowa. School of Music. 2023 University of Northern Iowa. School of Music.

Uni Suzuki School Presents Northern Iowa Youth Orchestra, May 7, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Chapman University Instrumental Chamber Music: Woodwinds & Brass, 2023 Chapman University

Chapman University Instrumental Chamber Music: Woodwinds & Brass

Printed Performance Programs (PDF Format)

No abstract provided.


Making Malice Musical: Verdi’S Compositional Journey Through The Eyes Of Six Villains, Michael Chadwick 2023 Stephen F. Austin State University

Making Malice Musical: Verdi’S Compositional Journey Through The Eyes Of Six Villains, Michael Chadwick

Electronic Theses and Dissertations

Giuseppe Verdi is a pillar of the operatic world and had a profound impact on the evolution of the art form. From a rudimentary beginning, he developed over time from a popular creator of operas in the solita forma style of 19th century Italy into a master craftsman of combining music, text, and theatrical drama. Verdi utilized the popular compositional formal convention of solita forma to begin his career. Over time he evolved beyond its boundaries and shifted his focus to the holistic theatrical presentation of the drama. Much has been written about this evolution through analysis of Verdi’s …


Ensemble Concerts: Isu String Project, May 6, 2023, Benjamin de Kock, Aaron Jacobs, Cora Swenson Lee, Katherine Lewis 2023 Illinois State University

Ensemble Concerts: Isu String Project, May 6, 2023, Benjamin De Kock, Aaron Jacobs, Cora Swenson Lee, Katherine Lewis

School of Music Programs

Center for the Performing Arts
May 6, 2023
Saturday Morning
11:00 a.m.


Chapman University Instrumental Chamber Music: Strings, 2023 Chapman University

Chapman University Instrumental Chamber Music: Strings

Printed Performance Programs (PDF Format)

No abstract provided.


University Treble Choir Presents: Songs From Home: A Celebration Of Music From Around The World, Chapman University Treble Choir, Esther Kim 2023 Chapman University

University Treble Choir Presents: Songs From Home: A Celebration Of Music From Around The World, Chapman University Treble Choir, Esther Kim

Printed Performance Programs (PDF Format)

No abstract provided.


2022-2023 Senior Recital - Benjamin Shaposhnikov (Trumpet), Benjamin Shaposhnikov, Sheng Yuan Kuan 2023 Lynn University

2022-2023 Senior Recital - Benjamin Shaposhnikov (Trumpet), Benjamin Shaposhnikov, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.


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