Public History Commons^™

The King Of Rock, Roll N' Interpretation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Last week was "Elvis Week" in Memphis. I don't know that because I follow Elvis. In fact, I really can't stand Elvis Presley's music. About as far as I can go down that road is listening to "Suspicious Minds," every so often. Nothing else really speaks to me. [excerpt]

Hilda Hagins

African American Funeral Programs

No abstract provided.

"...Our Hearts Tell Us There Is Something Else Out There.": Prowling The Halls Of The Mib, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the basement corridor of the Main Interior Building in Washington, D.C. is the most beautiful painting I've even seen. I've gotten the chance on a couple of occasions, while visiting the Department of the Interior Headquarters for meetings and whatnot for work to wander down outside of the cafeteria to see the mural. It is pure beauty, mostly forgotten and ignored by the folks who work in that building everyday. I get these weird looks while I stand in awe of the massive canvas, like I shouldn't stop and stare. I don't care. I take pictures. I gawk. My …

Sally Dukes Bailey

African American Funeral Programs

No abstract provided.

William Charles "Butch" Wallace

African American Funeral Programs

No abstract provided.

Thinking Fourth Dimensionally: How Battlefields Become Deloreans, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I have written before of my intense love for Back to the Future III. Part of the reason that film resonates with my movie-going soul is my abiding love of the 19th century. Part of me wishes I could hop into a Stainless-Steel Delorian and visit the past for a short stint. I'm pretty sure I'm too much of a pansy to last very long in the world of latrines and muddy water, but I'd love to see the past for even just one fleeting moment. [excerpt]

Verlie G. Bethea

African American Funeral Programs

No abstract provided.

Clarence Von Bostick

African American Funeral Programs

No abstract provided.

Joshua Glen Howard

African American Funeral Programs

No abstract provided.

Katie V. Pendergrass Moffett

African American Funeral Programs

No abstract provided.

"Round Eye" At The Wall: The Power Of What We Call Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I went on a battlefield tour this weekend with Garry Adelman. It was an amazing experience, as any tour with Garry is, because he delves into how we conceptualize landscapes just as much as what happened on those landscapes 150 years ago. My mind was churning the entire time. Of anyone, both those who work for those places and those who just generally love those places, Garry (and his partner in crime Tim Smith) is tops on the list of most effective living time machines. Like always, Garry got me thinking on 15 different levels, and I'd wager that the …

Hazel R. Mccollum

African American Funeral Programs

No abstract provided.

0797: The Woman's Club Of Huntington, Marshall University Special Collections

Guides to Manuscript Collections

The Woman’s Club of Huntington Collection includes materials from the early 1900s to the 2020s that document the club’s civic, cultural, and social work. The collection contains meeting minutes, club officer reports, financial records, membership lists, and correspondence. It also includes materials related to the club’s departments, events, and projects, such as newsletters, programs, and scrapbooks.

Records from the General Federation of Women’s Clubs and the West Virginia Federation of Women’s Clubs are included, along with documents about the club’s property and the sale of its clubhouse. Photographs, plaques, awards, and memorabilia show the club’s long history of community involvement. …

Berdie Mae Wiggins

African American Funeral Programs

No abstract provided.

Fifty Shades Of Blue And Grey: Civil War Torture Porn?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Over the past few days I've been thinking about violence. We are a culture of violence. We idolize blind rage and violence, we normalize it and worship it....

We, as a collective American culture, promote violence, normalize it as the proper reaction to any given problem and outright encourage it. [excerpt]

Ms. Lula Mae Canty

African American Funeral Programs

No abstract provided.

Karlyn Ellis

African American Funeral Programs

No abstract provided.

Lawrence Carson Conaway, Jr.

African American Funeral Programs

No abstract provided.

An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I love being wrong. I think every historian should love that feeling. Finding that one small piece of evidence that puts a crack in your perception of the past and makes you restructure your view of the flow of history is a joy.

I had one of those moments a few weeks ago at Adams County Historical Society, digging through the vertical files for random things. I go digging every week or so, simply immersing myself in the raw material of the past and seeing what floats to the surface. [excerpt]

Mrs. Sarah F. Golden

African American Funeral Programs

Mrs_Sarah_-F-_Golden.pdf - Funeral program for Mrs. Sarah F. Golden