Pso J318.5-22,
2020
Morehead State University
Pso J318.5-22, Nasa Jpl, Dan Goods, David Delgado
Morehead State University Art Collection
An undated print of planet PSO J318.5-22 by the NASA JPL team in a series titled "Visions of the Future."
Wooden Ducks,
2020
Morehead State University
Wooden Ducks, Unknown
Morehead State University Art Collection
An undated ink drawing of two wooden ducks wearing ropes by an unknown artist.
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated painting by an unknown artist.
Ruby Red Vase,
2020
Morehead State University
Ruby Red Vase, Unknown
Morehead State University Art Collection
An undated "Ruby Red Vase" that is a reproduction of a Ching Dynasty Vase (1644-1911)..
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated pen drawing by an unknown artist.
Warren C. Lappin,
2020
Morehead State University
Warren C. Lappin, Walton Jones
Morehead State University Art Collection
An undated portrait of Warren C. Lappin done by artist Walton Jones.
Plate,
2020
Morehead State University
Plate, Unknown
Morehead State University Art Collection
A plate used for dinner parties at Morehead State University.
Hd 40307g,
2020
Morehead State University
Hd 40307g, Nasa Jpl
Morehead State University Art Collection
An undated print of planet HD 4307g by the NASA JPL team in a series titled "Visions of the Future."
Henry Watterson,
2020
Morehead State University
Henry Watterson, Unknown
Morehead State University Art Collection
An undated piece of Henry Watterson by an unknown artist.
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated oil painting created by an unknown artist.
Tea Cup,
2020
Morehead State University
Tea Cup, Unknown
Morehead State University Art Collection
A tea cup used for dinner parties at Morehead State University.
White Hall,
2020
Morehead State University
White Hall, Unknown
Morehead State University Art Collection
An undated print of a large building titled "White Hall". The artist is unknown.
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated lithograph by an unknown artist.
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated oil painting created by an unknown artist.
Resilience, Resistance And Revival In 20th-Century Yoruba Art,
2020
Hope College
Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near
Kruizenga Art Museum Exhibition Catalogs
Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.
Untitled,
2020
Morehead State University
Untitled, Unknown
Morehead State University Art Collection
An untitled, undated collage created by an unknown artist.
Kepler-16b,
2020
Morehead State University
Kepler-16b, Nasa Jpl, Dan Goods, David Delgado
Morehead State University Art Collection
An undated print of planet Kepler-16b by the NASA JPL team in a series titled "Visions of the Future."
Visual Feast,
2020
Georgia Southern University
Visual Feast, Makaili J. Taylor
College of Graduate Studies: Theses & Dissertations
This body of work, Visual Feast, explores the infatuation we have with sweets. Throughout my thesis, I discuss how this universal shared experience contributes to the art world, explaining how our culture today has turned a simple requirement to survive into a source of entertainment. I use my work to show the absurdity of our desires to overindulge, and the ways we fetishize food. By creating a visual feast for the viewers, my goal is to challenge perceptions of what is acceptable and what is absurd.
I Hope My Black Skin Don't Dirt This White Tuxedo,
2020
Virginia Commonwealth University
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
Theses and Dissertations
I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.
Moving Parts,
2020
Virginia Commonwealth University
Moving Parts, Andrew Lowrie
Theses and Dissertations
Material bodies, human and non-human, exist in a constant state of doing and undoing. As bodies change over time, so too do the objects they wear. In this way, a jewelry object is never finished and is constantly being made. In contemporary art practice, this is described as relational ontology by Amelia Jones, who reaches this terminology through the eco-political writings of Jane Bennett and Karen Barad. Through this framework we are able to understand the way artists like Gabriel Orozco and Helen Carnac resist the notion of a finished object or artwork. By engaging with the ways that process …
