Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Other Bodies: Deconstructing Visual Binaries By Subverting Visual Representations Of The Other., Amaiya L. Crawford

College of Arts & Sciences Senior Theses

The goal of creating my sculptural work, The Avian, is both to broaden the visual categorization of sentient bodies, as well as to deconstruct binary thinking regarding the way that bodies display racialized, gendered, and sexualized characteristics. The Avian does this by subverting visual and aesthetic tropes that construct labels like human, monster, and animal. Subversion acts as the main design influence that illustrates how the display how othered bodies can be used to highlight the constructed nature of how we construct humanity. This paper posits that by acknowledging an expansion in visual categorization, in addition to further pushing opportunities …

Existentialism And Creative Practice, Catherine Hudgens

School of Art Undergraduate Honors Theses

The creative process mimics the existentialist philosophy of human freedom and the responsibility to create one’s own meaning in life through an emphasis on invention, experimentation, and ceaseless becoming. Through my body of work, I examine the meaning-giving capacities of the viewer and creator as agents involved in a work of art. The sculptures, as well as found objects, have the power to illuminate the human circumstances they emerged from, while the process of making is also the process of learning, where objects can be used to understand ourselves and the world. Philosophical concepts can be accessed through art in …

Designing And Creating A Prototype Board Game, Kurtis Woodward

Undergraduate Honors Theses

Abstract

The goal of this project was to create a fantasy style board game prototype that is playable and enjoyable for people new to fantasy tabletop gaming. I assembled a group of 4-5 regular tabletop board game players to play test the game as well as a second group of 4-5 family members and friends to play test who aren't regular board game players. We began with a general base game that evolved with each playtest from feedback given by the playtesters. After about 18-20 play tests, I settled on game mechanics and moved on to creating the assets of …

Minyan, Sophia Goldberg

Art and Art History Honors Projects

Minyan is a full-scale art installation that recreates my memory of the synagogue sanctuary my family attended when I was a child. Salient furniture: a bimah, chairs, and a mechitza have been welded from wire and covered in fabric. These items are arranged in their traditional locations, inviting viewers to enter the “sanctuary” space and walk among the furniture. In place of an ark hangs a handmade tallit. The recreation of this familiar space was part of my effort to understand what Judaism means to me and how my identity as a trans and queer person resides within Jewish space. …

When I Grow Up, Maria Trinidad

Electronic Theses, Projects, and Dissertations

Ever since I was a kid, I have had this fear that still lingers today: the fear of being an adult. It’s my ongoing fear.

I look back to my childhood. I find comfort. I was happy and stress-free. In my childhood, I was unrestrained and enjoyed my innocence. It was my “happier times”. I did not have the worries of responsibilities and burdens. That mindset changed when I realized my father had two full time jobs. I stopped acting my age and became more independent. I didn't want to trouble my parents with school or personal issues. Now I …

Extended Substance, Danielle Brensinger

Electronic Theses, Projects, and Dissertations

Artist Statement:

“One of the most successful devices for easily creating uncanny effects is to leave the [viewer] in uncertainty.”

-Sigmeund Freud, “The ‘Uncanny’”

I’m interested in making people uncomfortable. Through the exploration of the uncanny, I exploit the unexpected and the psychological to embrace personal reactions. Like conversations we have with ourselves in the mirror, there’s an uncomfortable nature in looking beyond surface value. Utilizing beauty as a strategy and the laws of attraction, my work intends to entice a visual response only to be met with ambivalence. I try to establish a state of uncertain worlds, partial …

Through The Kaleidoscope, Andrea Simpson

Electronic Theses, Projects, and Dissertations

Andrea Simpson, a California-based artist with a BA and MA from the California State University of San Bernardino, draws inspiration from the transformative power of psychedelics. Her artistic style merges vibrant colors, rhythmic patterns, and abstract forms, showcased across diverse mediums including ceramics, glass, and painting. Simpson's dynamic and experimental approach to art invites viewers on a mesmerizing journey that merges music, psychedelia, and contemporary art, providing a unique and immersive encounter.

Spirits In My Studio., Katelyn Gabbard

Electronic Theses and Dissertations

The exhibition “Spirits in My Studio” unveils the inventories of elements in human relationships and connections through collecting and transforming remnants left behind—admiration of an object combined with a presentation format that creates an immersive three-dimensional field to traverse. An acknowledgment and celebration of entropy, the exchange in human experiences elevates the process to both content and medium. Moreover, it creates active entanglements with genuine physical relationships with the artist, the making, and the audience.

Inner Portraits, Bethany Salisbury

Graduate Theses

This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.

Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …

A Different Perspective On Christmas, Jessika Hughes

Forces

No abstract provided.

Interactive Sculpture/Audio Installation - World Tree Melody - World Science Festival (Queensland Museum), Guy A. Cooper

Staff Scholarship - Australia & Dubai

World Tree Melody is an interactive sculptural and sonic installation by Guy Cooper, exhibited at the World Science Festival Brisbane (Queensland Museum) in 2023. This work explores the fusion of creative technologies and public art through motion-activated sound, custom Arduino programming, multi-channel audio sampling, and evolving music composition. Visitors become active participants in the work, triggering a generative soundscape through physical interaction with the sculpture.

Constructed from copper pipe, hand-crafted leaves, and an organic tree core, the piece is powered by two Arduino microcontrollers, four motion sensors, and seven-channel 24-bit/48kHz audio samplers. Over 400 lines of custom code manage a …

Tiny Details, Jessika Hughes

Forces

No abstract provided.

Ideation And Iteration For Creatives, Sandee M. Chamberlain

KSU Distinguished Course Repository

This course addresses the development of visual literacy including concepting, initial approaches of creating an encompassing aesthetic, creating timelines for production, and exploring the refining aspects of creative production. Students will devise an advanced creative problem and provide a documented account of their creative journey to present as a process journal at the end of the course.

Origami Club - A Gateway Into The Art Of Self Expression, Minjae Song, Noah Vincent Rachwitz

Honors Program: Expanded Learning Clubs

The Nebraska Honors Program's Origami Club is an engaging platform for 3rd-5th graders that uses the fascinating Japanese art of origami to create a rich, interactive learning environment. Under the guidance of experienced instructors Minjae Song and Noah Rachwitz, and supplemented with YouTube tutorials, the club facilitates a captivating journey from simple projects to complex designs, skillfully developing each student's creativity, teamwork, and problem-solving capabilities. Each session is planned meticulously to ensure an immersive experience, starting with anticipation-building project reveals and culminating in the production of personal origami masterpieces. As a hands-on club, students are encouraged to question, explore, assist …

Bound By Matter, Carlie Antes

School of Art, Art History, and Design: Theses and Student Creative Work

I view most aspects of life as being made up of tiny particles of matter that come together and synthesize to shape both our individual and collective human existence. Delicate threads are intricately woven together forming textiles and fabric. Tiny cellular particles shape all living species. Devices of human invention are mapped and constructed to aid in making sense of situations and surroundings. An accumulation of day-to-day moments coalesce to form complex memories and emotions. Each of these compositions are comprised of physical and/or emotional matter. This body of work utilizes the physical matter of my own lived experiences to …

Dissociation, Chaimae Oualid

be Still

"Dissociation," is a reflection of the world's struggle against the COVID-19 pandemic, and how it has affected us all in ways we never could have imagined.

Through this painting, I wanted to capture the gradual, yet drastic change in emotions, lifestyles, and perception of reality that we experienced during this time. The crowd of people depicted in the painting represents the collective struggle we faced, all facing towards the unknown and moving towards it. The different facial expressions convey the range of emotions we felt during this time, from fear and worry to resilience and hope.

For me, the pandemic …

Qualia, Maxwell Henderson

School of Art, Art History, and Design: Theses and Student Creative Work

As an artist, my work is a conduit for the exploration of "qualia" – the personal, deeply subjective experiences, emotions, and perceptions that shape our conscious lives. My artistic journey, born from a childhood in Arizona poverty and my biracial identity, has ignited a passion for inclusivity and diversity in art and society, guiding me to challenge traditional material hierarchies and conventional artistic norms.

My art interweaves the vivid aesthetics of Japanese Kutani porcelain and the natural, raw beauty of Icelandic landscapes with the fluidity and balance found in ceramic vessels. Through this fusion, I strive to redefine the role …

Remembering Wenonah: Colonialism And The Power Of Representation, Adam Gaffey, Monica De Grazia, Iyekiyapiwiƞ Darlene St. Clair, Jill Ahlberg Yohe

CLASP Lecture Series

This panel explores how the lover’s leap narrative and its representation of Native American figures has been used to forge distinctive visions of public memory both in and beyond Winona, Minnesota. For most, details of the lover’s leap are reduced to Wenonah’s fatal action, specifically how she protested her family’s rigid customs of arranged marriage by jumping to her death from a bluff atop the Mississippi River. The goal of this panel is to offer a fuller account of the purposes this story has served in popular memory and the implications of its persistence for different audiences, past and present. …

Why Sweep The Cinders…, Gretchen Larsen

School of Art, Art History, and Design: Theses and Student Creative Work

In my creative practice I climb down the ladder, put the glass slipper on my own foot, and build the ball for myself (and everyone I know, of course). What I mean is, instead of waiting for the prince and his kingdom to come, I have learned to pursue my own dreams. I do this by dreaming up and building objects using a mixture of traditional and new media. I work with wood, acrylic, LEDs, microcontrollers, lamp parts, and other materials including fabric and projectors. I create, live with, and create again, objects of my own design. The objects I …