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Limeston And Rivers, Andrew Barba 2017 Collin College

Limeston And Rivers, Andrew Barba

Forces

No abstract provided.


Retrieval, Jiaan Powers 2017 Collin College

Retrieval, Jiaan Powers

Forces

No abstract provided.


Seventh, Anaiyah Delight Walker 2017 Collin College

Seventh, Anaiyah Delight Walker

Forces

No abstract provided.


Window To The World Below, Nirisha Garimella 2017 Collin College

Window To The World Below, Nirisha Garimella

Forces

No abstract provided.


Watchful Eye, Alex Giovinazzo 2017 Collin College

Watchful Eye, Alex Giovinazzo

Forces

No abstract provided.


She Shall Have Culture, Linda Ann Suddarth 2017 Collin College

She Shall Have Culture, Linda Ann Suddarth

Forces

No abstract provided.


Bad Girl: Feminism, Contradiction, And Transformation, Laura Goodwin 2017 Boise State University

Bad Girl: Feminism, Contradiction, And Transformation, Laura Goodwin

Boise State University Theses and Dissertations

My thesis work developed out of a personal tension and insecurity surrounding the complexity and the seemingly contradictory nature of my identity. For an example, as a feminist, artist, and scholar, is it acceptable to also be a lover of popular culture tropes, makeup, and fashion? I have learned that female empowerment comes in many different forms. This paper will discuss the ways I have been visually exploring the female identity through multiplicity, contradiction, and most importantly: acceptance. I want my work to operate in a way that communicates the complexity of identity, transcends binary thinking, and promotes introspection. Third …


We're Through, Skip Brea 2017 DePauw University

We're Through, Skip Brea

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Man/Boy., Nick Hartman 2017 University of Louisville

Man/Boy., Nick Hartman

Electronic Theses and Dissertations

Verisimilitude, or the appearance of being true, is a concept I turn upside down; relating it to a guise I wear as a contemporary male in a society dictated by learned social behavior and gender norms. Cultural iconography and expected gender norms are tropes I confront within my artwork. Drawings of seemingly everyday objects act as meditations or a fetishized repetition of supposed unobtainable objects and ideals that deal with masculine societal norms. Manliness, machismo, masculinity… it is all a culturally learned and expected pose placed on all men. Coming to the realization that I do not necessarily fit …


Girl With The Hoop Earring, Skip Brea 2017 DePauw University

Girl With The Hoop Earring, Skip Brea

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Safe Death, Adam Rathbun 2017 DePauw University

Safe Death, Adam Rathbun

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Old World, Madeline Rupard 2017 Brigham Young University

Old World, Madeline Rupard

AWE (A Woman’s Experience)

No abstract provided.


Displays Of Power In English Tudor Painting (1485-1603), Laura Meisner 2017 Lynchburg College

Displays Of Power In English Tudor Painting (1485-1603), Laura Meisner

Student Scholar Showcase

English painting between 1485 and 1603 shaped and was shaped by a myriad of cultural influences. Art historians generally agree that because England did not produce much of its own art until the 18th century, it had a relatively slight impact on the development of Western art. A cursory history lesson of this time frame likely omits English art apart from the appearance of Hans Holbein the Younger as court painter under Henry VIII and Nicholas Hilliard during Elizabeth I’s reign. However, a study of English paintings throughout the entire Tudor period reflects its importance not only to England’s …


Panji's Present Predicament: The Artistic Prominence And Tension Of The Malat In Painting And Contemporary Balinese Performance, Emily Austin 2017 SIT Study Abroad

Panji's Present Predicament: The Artistic Prominence And Tension Of The Malat In Painting And Contemporary Balinese Performance, Emily Austin

Independent Study Project (ISP) Collection

The Malat is a Balinese oral tradition and text composed of numerous episodic stories based on Javanese and Balinese courtly life of the pre-Dutch intervention era, when kings and princes dominated the political sphere and the court system governed aspects of social life. Many art forms blossomed out of this epic, notably in painting and in performance, known as gambuh. Through an exploration of the Balinese epic, the Malat, as a Balinese text, history, fine art, and performance, this study analyzes the modern cultural importance of this ancient pre-Indonesian courtly epic. Gambuh is an ancient dance-drama that serves as the …


Whitetail, Michael Steven Villarreal 2017 University of Nebraska-Lincoln

Whitetail, Michael Steven Villarreal

School of Art, Art History, and Design: Theses and Student Creative Work

When I was growing up, both my parents worked at a U-Haul from which they brought home discarded objects to the house my dad built with his own hands. This home, interior and exterior, was not designed to fit an explicit aesthetic, but all aspects of the house were in harmony and completed by the objects brought into each space. The house became a repository for abandoned domestic American culture— beds, window blinds, couches, appliances, and other products made it into the home in irregular but frequent intervals. For me, each item was an opportunity to have something new to …


Kaveri Raina Interview, Eva Swiecki 2017 DePaul University

Kaveri Raina Interview, Eva Swiecki

Asian American Art Oral History Project

Kaveri Raina is an artist working in Chicago, IL. She was born and raised in New Delhi, India and moved to the States at the age of eleven. In 2011 she received her BFA in Painting and Photography from the Maryland Institute College of Art, and in 2016 her MFA in Painting and Drawing from The School of the Art Institute of Chicago. Raina was a 2016 recipient of the James Nelson Raymond Fellowship, Fred and Joanna Lazarus Scholarship, amongst others. In fall 2016 she completed a five-week residency at Ox-Bow, in Saugatuck, MI. Raina has exhibited in Chicago, New …


Jun-Jun Sta.Ana Interview, Jackson Hughlett 2017 DePaul University

Jun-Jun Sta.Ana Interview, Jackson Hughlett

Asian American Art Oral History Project

Bio: Jun-Jun Sta.Ana is a self-taught multi-disciplinary artist born on September 19, 1963 to Remigio Benavidez Sta.Ana and Emma Cecilio Catral in Manila, Philippines. He moved to the United States at the age of 24, shortly after finishing a degree in Dentistry. He started his art career late just before he was turning 40- having a solo show of digital works using appropriated images from free porn sites which he deconstructed and embellished with images and symbols culled from Filipino talismans. His practice has become multi-disciplinary, and while still utilizing found images and materials, he also employs the technique of …


Frankenstein's Onion, Chien Tai 2017 Claremont Graduate University

Frankenstein's Onion, Chien Tai

CGU MFA Theses


Mónica Mayer: Translocality And The Development Of Feminist Art In Contemporary Mexico, Alberto McKelligan Hernandez 2017 CUNY Graduate Center

Mónica Mayer: Translocality And The Development Of Feminist Art In Contemporary Mexico, Alberto Mckelligan Hernandez

Dissertations, Theses, and Capstone Projects

This dissertation focuses on Mónica Mayer (b. Mexico City, 1954), analyzing her work to understand the role played by the artistic and activist exchanges between feminists from Mexico City and Los Angeles in the development of feminist art in Mexico from the 1970s to the present. While scholars and curators are increasingly drawing attention to Mayer’s large body of work, which includes prints, drawings, installations, and public art interventions, the available literature emphasizes her connections to other artists working in her home country, positioning her artistic production within narratives of contemporary Mexican art.[1] In contrast, this dissertation foregrounds Mayer’s …


I Like America: Painting In The Expanded Field, Isaac Aden 2017 City University of New York (CUNY)

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.


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