Break,
2020
Elaina Erola
Rhythms Of Light,
2020
Claremont Graduate University
Rhythms Of Light, Jessica R. Csanky
CGU MFA Theses
My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.
Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.
My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …
I Hear You Now, I See You Then,
2020
Ohio University
I Hear You Now, I See You Then, Quinn Hunter
Art + Design Masters Theses
In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …
Baby Loved,
2020
Collin College
2020 Forces,
2020
Collin College
Me And Shadow,
2020
Collin College
Paper Making: Finding The Scaffold,
2020
Southern Methodist University
Paper Making: Finding The Scaffold, Tino Ward
Art Theses and Dissertations
Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …
Baby Loved,
2020
Collin College
Complex Conversations: A Creative Exploration Into Language Used Over Direct Messages On Social Media Platforms,
2020
University of Tennessee at Chattanooga
Complex Conversations: A Creative Exploration Into Language Used Over Direct Messages On Social Media Platforms, Arden Craft
Honors Theses
This paper details a series of paintings that explore how the language used virtually over direct messages (DMs) on social media platforms can allude to how complex notions of gender, violence, and behavior function in reality. This research questions how forms of communication or interaction exist within different spaces and contexts, as well as how the recontextualization of language can disrupt power and produce new forms of interpretation. This paper acts as a secondary source of knowledge in relation to the paintings under review and provides further explanation of their conceptual motivations. In particular, the paintings engage with Sara Ahmed’s …
Nancy Friedemann-Sánchez: The Casta Paintings,
2020
University of Nebraska at Omaha
Nancy Friedemann-Sánchez: The Casta Paintings, Jonathan Orozco
Student Work
Colombian-born Lincoln-based artist Nancy Friedemann-Sánchez has grounded her recent art production within a wide art historical and Pan-American discourse. This interdisciplinary and interethnic practice is particularly exemplified in Chapter 6: Casta Paintings, a series of work within her “visual novel”, started after a significant move from New York City to Lincoln. This paper intends to describe and analyze her casta painting works in detail, from their intellectual inception to the minutiae of the work’s creation, providing a context in which a reader can understand the historical and artistic significance of her works within two methodological approaches; critical-race theory and postcolonialism. …
Requisitioned: American War Art Of The Second World War,
2020
Chapman University
Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson
War, Diplomacy, and Society (MA) Theses
The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …
Dunidedcudigunadie,
2020
East Tennessee State University
Dunidedcudigunadie, Lawrence Reid
Electronic Theses and Dissertations
The artist discusses his Master of Fine Arts exhibit, titled DUNIDEDCUDIGUNADIE. The exhibit is to be held at the Tipton Gallery in downtown Johnson City, TN, from April 2nd to April 10th, 2020. A live reception will be held the evening of April 3rd, featuring a performance with the work, titled Look at You!
The following thesis explores the artist’s formative years – investigating how childhood experiences combine with artistic and theoretical influences to inform his art-making process.
The Complexities Of Intimacy,
2020
Washington University in St. Louis
The Complexities Of Intimacy, Brie Henderson
Graduate School of Art Theses
Through my research I have discovered there are many complexities that exist within the topic of intimacy. Of these complexities, I chose to explore the topics attachment and codependency in my final series. Attachment and codependency are deeply rooted in psychology, poetry, and many artist’s practices. The relationship between poetry and my work has become deeply intertwined. I combine poetry with my work as a way to document my feelings and to inspire the titles for my paintings. Through a series of intimate watercolor paintings, I reference bodies, intimate interactions and the ambiguity within the two. This ambiguity asks viewers …
Nicaraguan Homeowner Showing Gratitude For Concrete Flooring As Part Of A Public Health Mission Trip,
2020
Edward Via Virginia College of Osteopathic Medicine
Nicaraguan Homeowner Showing Gratitude For Concrete Flooring As Part Of A Public Health Mission Trip, Breonna Kinnison
HCA Healthcare Journal of Medicine
I’m Bree Kinnison, a fourth-year medical student and aspiring psychiatrist. When I’m not studying, I enjoy painting using acrylics. This painting depicts a very fond memory of mine. After completing the medical portion of our mission trip in Nicaragua, we began our public health portion. Along with fellow students, I laid concrete flooring in this woman’s house. For all 76 years of her life, she had never experienced anything other than a dirt floor in her home. Traditional dirt flooring in Nicaraguan homes is responsible for many preventable illnesses. When shown the final product, she reached out and hugged the …
Self Portrait 4.28.20,
2020
Eastern Washington University
Self Portrait 4.28.20, Aunika Capps
2020 Symposium Creative Works
This piece is an 11” by 14” self portrait on mixed media paper. Almost entirely monochromatic besides the focal point of the eyes. This piece tested my abilities as a novice painter and helped build foundation skills for my hobby as an artist. The materials used in this painting are acrylic paint and sharpie.
Charting A New Course Through Meaningful Occupation,
2020
Grand Valley State University - USA
Charting A New Course Through Meaningful Occupation, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Rory Odom, an artist and United States Marine Corps Veteran based in Florida, provided the cover art for the Spring 2020 issue of The Open Journal of Occupational Therapy (OJOT). “Turtles All the Way Down” is an 8”x10” oil painting on canvas. After a tragic accident changed the course of Rory’s life, painting gave him hope. During rehabilitation, Rory sought opportunities to challenge himself and build technical skill as a painter. His bold use of color and signature impressionist style convey emotion and movement. In the face of adversity, meaningful occupation helped Rory chart a new course in life.
Study Of Native Colombian Tribes' Art As A Mean Of Inspiration,
2020
University of Nebraska-Lincoln
Study Of Native Colombian Tribes' Art As A Mean Of Inspiration, Sofia Fernandez
UCARE: Research Products
Culture is one of the most important aspects of a human being, it shapes our behavior and identity since we are born. It is our lifestyle and it refers to many aspects such as the language we use, our values, traditions, beliefs, etc. Cultural diversity is one of the aspects communities nowadays emphasize the most, they want people to be mindful and respectful of the different cultures represented within the community itself. This creative project examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project aims to …
Karli Steinbruegge,
2020
Murray State University
Integrated Visionaries,
2020
California Polytechnic State University, San Luis Obispo
Integrated Visionaries, David Ocelotl Garcia, Eden Knapp, Catherine Trujillo
Creative Works
Integrated Visionaries, David Ocelotl Garcia, University Art Collection, College of Science and Mathematics. Acrylic on board.
Cal Poly’s College of Science and Mathematics unveiled a 22’ by 6’foot diversity-themed mural on May 26, 2017 in the main lobby of the Warren J. Baker Center for Science and Mathematics (No. 180). The mural—“Integrated Visionaries”—represents the study and research of science and mathematics while considering themes of inclusivity, diversity and community. It integrates a stylized approach that allows viewers to see themselves in the mural. This catalog is based on the onsite installation and opening reception for the mural in May 2017.
Aesthetic Labor,
2020
Boise State University
