Pattern Exercise,
2017
Watkins College of Art and Design
Pattern Exercise, Renee Johnson
Interior Design
My pattern is an interpretation of an ecosystem. I wanted to play with shape, size, and movement to represent different organisms interacting to create one ecosystem.
Concrete Jungle,
2017
Watkins College of Art and Design
Concrete Jungle, Meredith Luton
Interior Design
Appropriate Selection Assignment for HG Hills Elevator Lobby
Concept From The Deep Tropics,
2017
Watkins College of Art and Design
Concept From The Deep Tropics, Miranda Garza
Interior Design
Appropriate Selection Assignment for Elevator Lobby
Romantic. Eccentric. Charismatic.,
2017
Watkins College of Art and Design
Romantic. Eccentric. Charismatic., Miranda Garza
Interior Design
No abstract provided.
Concept From The Deep Tropics,
2017
Watkins College of Art and Design
Concept From The Deep Tropics, Miranda Garza
Interior Design
Appropriate Selection Assignment for Elevator Lobby
Brand Nou Day Materials Legend,
2017
Watkins College of Art and Design
Brand Nou Day Materials Legend, Elycia Martinez-Davis
Interior Design
Appropriate Selection Assignment for Elevator Lobby
Pattern Exercise,
2017
Watkins College of Art and Design
Pattern Exercise, Miranda Garza
Interior Design
This is where cozy meets cultural warmth using warm and cool colors, earthy patterns, and interesting textures.
Brand Nou Day,
2017
Watkins College of Art and Design
Brand Nou Day, Elycia Martinez-Davis
Interior Design
Appropriate Selection Assignment for Elevator Lobby
“This design will leave you feeling magical for the rest of your day, waiting to come back for more whimsy.”
Inspiration Collage,
2017
Watkins College of Art and Design
Palm Springs Pick Me Up,
2017
Watkins College of Art and Design
Pattern Exercise,
2017
Watkins College of Art and Design
Pattern Exercise, Aderrika Cummings
Interior Design
The meeting of natural and man-made elements - wood & roses meet metal
Prague,
2017
Watkins College of Art and Design
Elevator Lobby Design,
2017
Watkins College of Art and Design
Elevator Lobby Design, Aderrika Cummings
Interior Design
Elevator lobby for a residential/commercial use building
Manual / Issue 9 / Out Of Line,
2017
Rhode Island School of Design
Manual / Issue 9 / Out Of Line, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Fida Adely, Reginald Dwayne Betts, Stefano Bloch, Mimi Cabell, Namita Vijay Dharia, Douglas W. Doe, Jared A. Goldstein, Lucinda Hitchcock, Jan Howard, Kate Irvin, Douglas Kearney, Amber Lopez, Jeffery Moser, Sheida Soleimani, Craig Taylor
Journals
Manual, a journal about art and its making. Out of Line. The nineth issue. This issue of *Manual*—themed Out of Line—is a collection about the way that lines disrupt, point outward. In poetry, the attention to detail one takes in crafting a line is all about making the line disappear, making something it holds to take front stage. . . . The space between the lines creating the image . . . the space around that argues for the importance of all that the lines hold. Manual 9 (Out of Line) complemented Lines of Thought: Drawing from Michelangelo to Now, …
Installation,
2017
Watkins College of Art and Design
Weaving Identity: Stories And Manifestations Of Amazigh Carpet Weavers In The Moroccan Village Of Tarmilat,
2017
SIT Graduate Institute
Weaving Identity: Stories And Manifestations Of Amazigh Carpet Weavers In The Moroccan Village Of Tarmilat, Alessandra Roggero
Independent Study Project (ISP) Collection
It is in the small villages of Morocco, scattered across the North in the Rif, to the South in the Anti-Atlas Mountains, and in between, where the majority of Morocco’s celebrated and beloved Amazigh carpets are made. Their power and popularity can be attributed to the indigenous female artists who have been crafting these physical tokens of memory, protection, and Amazigh identity, for millenniums. In an attempt to connect the trade of carpet weaving in Morocco back to these women and their families, this research project will explore their narratives, and the social and spatial implications of their craft, a …
Gothic Tea Cabinet,
2017
Watkins College of Art and Design
Gothic Tea Cabinet, Aimee Lee Kinssies
Interior Design
The cabinet is made to house fine china tea cup and saucer collections, as well as provide storage underneath for matching silver spoons or other fine collectables.
22 & Alone,
2017
Watkins College of Art and Design
Review Of The Cultural Legacy Of Uzbekistan In World Collections Conference,
2017
University of Calgary
Review Of The Cultural Legacy Of Uzbekistan In World Collections Conference, Michele Hardy, Carol Bier
Textile Research Works
In May 2017, over 370 scholars convened in Tashkent and Samarkand, Uzbekistan, to share their research and mark the publication of an important new series of handsomely produced volumes. Among the participants were former TSA President, Carol Bier, and past TSA Board Member, Michele Hardy. The Cultural Legacy of Uzbekistan in World Collections is a ten-volume series that documents the richness and diversity of Uzbek tangible and intangible heritage, particularly in the collections of international museums. The volumes-each lavishly illustrated, trilingual (Uzbek, Russian, and English), and beautifully bound-examine some of the richest collections of Uzbek art and culture: the Tretyakov …
Understanding Post-Traumatic Stress Disorder Through Body Adornment,
2017
Bowling Green State University
Understanding Post-Traumatic Stress Disorder Through Body Adornment, Linore Huss
Honors Projects
I conducted a series of interviews with Post-Traumatic Stress Disorder survivors or their family members and completed an interactive body of work in body adornment and jewelry that reflects their stories. Last year I decided to focus on the people behind the trauma rather than the trauma itself, which I feel connects the survivor and the viewer more deeply than presenting a general image. Each piece draws from a survivor's personal story, the titles pulling from interview quotes, and the interaction with the viewer representative of each personal struggle.
