Art and Design Commons^™

Shepherds And Shawls: Making Place In The Western Himalayas, Jennifer Hoover

Textile Society of America: Symposium Proceedings

Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude deserts, winding along roads lined with shops selling Kullu shawls. In these ways and more, textiles are the face of the northern Indian state of Himachal Pradesh. Yet dominant discourses position both the shepherds and weavers of the region as the last hold-outs of endangered traditions. These discourses continue colonial-era assumptions of rural artisans as “primitives” in need of either protection from encroaching industrialization or motivation to modernize. Academic writings, popular visual representations, and government policies also reinforce monolithic identities of herders …

Threads, Twist And Fibre: Looking At Coast Salish Textiles, Liz Hammond-Kaarremaa

Textile Society of America: Symposium Proceedings

Coast Salish textiles are: remarkable for their quality; unusual in the fibres used; notable in their designs; singular in the innovative processes used to manufacture them. Salish textiles were determined by geography, shaped by trade, and influenced by colonization. That the textile tradition has survived is a reflection of the prestige they hold and the importance of the textiles in the Coast Salish culture. Relatively unknown and underappreciated, the older textiles deserve to be looked at with fresh eyes and modern methods that bring to light the outstanding abilities of the Coast Salish women in the creation of these important …

Ancient, Indigenous And Iconic Textile Motifs In Contemporary Fashion Case Study: Defining Concepts Through Textile Designs: Appropriation, Collaboration, Provenance And Identity, Kristin Scheel Lunde

Textile Society of America: Symposium Proceedings

This paper investigates the material and visual characteristics of certain ancient and historical textile motifs with roots in Chinese and African culture, and their sudden appearance in new geographical and cultural context. Appropriated into western contemporary textile and fashion trends, this paper examines the new roles of these designs in context of foreigness, identity, and hybridity. Their consumption and reception both within and beyond their original cultures is a central theme, and it is evident that their reception in both locations, although different, exhibits some similarities. Exploring the transcultural consumption and reception that occurs in various cultural locations this paper …

Nd’Awakananawal Babijigwezijik Wd’Elasawawôganôl: “We Wear The Clothing Of Our Ancestors”, Vera Longtoe Sheehan

Textile Society of America: Symposium Proceedings

When thinking of Native American people, a typical image is of tanned people with long dark hair wearing leather and furs in the distant past, but that is not an accurate depiction of the Abenaki people or their textiles. As an Abenaki scholar, artist, and educator, my research into the textile traditions of the Abenaki people includes archaeological evidence, primary resources, and oral history interviews. Abenakis themselves have different ideas of what it traditional because textile and fiber arts evolved over many millennia throughout N’dakinna, the Abenaki homeland which once encompassed Vermont, New Hampshire, northern Massachusetts, and parts of New …

Manipulating The Threads Of Culture: Contemporary Shibori Artist Yvonne Wakabayashi, Eileen Wheeler

Textile Society of America: Symposium Proceedings

Deeply anchored in her practice of shaping and manipulating fibre are both the aesthetic integral to Yvonne Wakabayashi’s Japanese heritage and the inspiration of the natural environment she finds along the shores of her own birth place, Canada’s west coast. Wakabayashi’s journey to find her authentic voice in her varied textile works, engaged both historical craft practices of Japan and printmaking processes of the West. Most importantly, it led to the discovery of shibori with its ancestral links and innovative contemporary possibilities. This paper explores how an individual artist embraces her artistic cultural identity that also negotiates the upheaval wrought …

Sillage, Brooke Alexander

Electronic Theses and Dissertations

The blurry, the dark, shadoplaces hidden and dwelling amongst the certainty steal my attention. Such places can communicate a vast sense of both time and setting, can convey that which is both occurring and that which is past. I do not think those spaces can be explicitly defined. They are reflections and explorations of the figures’ minds, providing a place for both their physical bodies and their thoughts to live. The paintings that compose Sillage communicate a space that requires engagement and that is not readily understood. The painted area changes as it invites and rejects visual entry. These ambiguous …

Un/Veiling, Marisa Andropolis

Electronic Theses and Dissertations

David Freedberg wrote in The Power of Images that the purpose of painting portraits was to show the living reality of the sitter by representing subjects in a way they wanted to be seen or remembered. The body of work Un/Veiling challenges that idea by representing both the subject’s staged persona (their “ideal”) alongside their hidden, inner realities. To begin, I referenced photographs of myself as a vehicle to create personas that convey ideas about the fluidity of identity that I then painted using traditional processes (layered oil painting technique to imitate a studied naturalism) on less-traditional, multi-faceted canvases. Un/Veiling …

Onlone 00:00, Junyun Chen

Theses and Dissertations

Being alone is not the only definition of loneliness. Loneliness can be felt even when surrounded by a lot of people, especially in the virtual online world. Our digital devices play an important role in connecting everyone together without the restriction of time and space. Communication became more and more convenient in this era. Mostly we are digitally connected, but sometimes, we are mentally disconnected. We are online and together in this virtual world, but loneliness is always a never ended situation that we are suffering from. As a visual communicator, My works focus on using performance as an approach …

The Digital Puppetmaster, Ryan Sung

CMC Senior Theses

The purpose of “The Digital Puppetmaster” is to provide a means of awareness and a suggestion of mindset for members of the digital age. The digital medium has come to define society and establish its existence as an increasingly omnipresent one. Fundamentally, the digital medium is a sandbox for creating worlds that transcend the limitations of real life. Given the unlimited potential of the digital medium, it becomes apparent that it is easy to show what people want to see and hide what they do not. I aim to bring to light and uncover the realities of the digital medium …

Misfits, Hanna Newman

All Graduate Theses, Dissertations, and Other Capstone Projects

My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.

I am inspired by the relationship between interiority and exteriority, between the mind and …

Fruitcake, Joshua Schutz

All Graduate Theses, Dissertations, and Other Capstone Projects

I explore figurative ceramics in relationship to gesture and sexual identity. The surfaces reference art history, decorative arts, and popular culture. The quasi-functional components of the work are inspired by my personal relationship with domestic objects and space. But also from the results of capitalism, which has created a materialistic, consumer-based society with heteronormative ideals. I respond to this heteronormativity by utilizing humor as a strategy to discuss subversive topics while simultaneously drawing in the viewer. I intend for the viewer to reflect on the purpose and narrative behind such flamboyant objects.

In Media Res, Christopher Andrew Sisk

Theses and Dissertations

We are inundated by a constant feed of media that responds and adapts in real time to the impulses of our psyches and the dimensions of our devices. Beneath the surface, this stream of information is directed by hidden, automated controls and steered by political agendas. The transmission of information has evolved into a spiral of entropy, and the boundaries between author, content, platform, and receiver have blurred. This reductive space of responsive media is a catalyst for immense political and cultural change, causing us to question our notions of authority, truth, and reality.

Blanket Statements, Issue 137, Winter 2018–2019

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 137, Winter 2018–2019

0847: John Hawes Miller, Jr. West Virginia Postcard Collection, 1910s-2000s, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of 1,346 postcards arranged in five binders. Binder 1 contains 237 postcards of various locations in West Virginia. Binder 2 contains 294 postcards of various locations in West Virginia. Binder 3 contains 241 postcards of various locations in West Virginia. Binder 4 contains 308 postcards of various locations in West Virginia. Binder 5 contains 266 postcards various locations in Huntington, West Virginia. Postcard subjects include buildings, sights, nature scenes, and people from all areas of the state.

To view materials from this collection that are digitized and available online, search the John Hawes Miller, Jr. West Virginia …

Normal Editions Workshop Newsletter, 2018, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

1 - 2 - 3, Austin Shutov

Digressions: Literary & Art Journal

No abstract provided.

Owlet, Amanda Marie Barrera

Digressions: Literary & Art Journal

No abstract provided.

It's Not Agoraphobia, Sarah I. Goltsman

Digressions: Literary & Art Journal

No abstract provided.

"We Moved All Men Underground", Logan N. Stewart

Digressions: Literary & Art Journal

No abstract provided.

The Driveway, Emalee M. Shrewsbury

Digressions: Literary & Art Journal

No abstract provided.