Subject To Change,
2018
University of Arkansas, Fayetteville
Subject To Change, Alexis Kurtzman
Graduate Theses and Dissertations
Subject to Change is comprised of a series of self-devised, ritually practiced free-associative action-mark-making strategies. Each procedure explores various degrees of chance operations and seeks to question and explore the roles of intuition, intention, interpretation and human participation. A hybrid of fixed method with variables of the unknown explores and investigates performative mark-making methodologies, in-person and internet collaboration, control and working under pre-fixed intervals. Alongside chance, time-based procedures are concurrently determined to achieve work on paper whose marks are not initially foreseen. This practice of working addresses the disconnect between the maker engaged in active activity of doing versus the …
Ice Cream,
2018
University of Arkansas, Fayetteville
Ice Cream, Richard Frank Peterson
Graduate Theses and Dissertations
Ice Cream is a series of 2D and 3D depictions of lawn ornaments, Charlie Brown, and novelty ice cream bars, which question how White America is indoctrinated through seemingly innocuous images and objects. The exhibition unveils the white supremacy fostered within the American way of life and articulates an environment where Americans act in racist ways when they believe they are acting morally. The research found within Ice Cream attempts to dismantle the foundation these justifications are built upon. This honesty, coupled with acknowledging that these historic traditions are rooted in racial constructs, will result in a double consciousness and …
Real Goner,
2018
University of Arkansas, Fayetteville
Real Goner, Nicholas Cox
Graduate Theses and Dissertations
The purpose of this thesis paper is to tell the story behind, and outline the theoretical and conceptual framework underlying the exhibition, Real Goner. The exhibition combines a number of elements drawn from music and art history, as well as the theoretical writings of Albert Camus, Guy Debord, and Joseph Kosuth. Together, these elements produce a cryptic exhibition that attempts to address the inherent chaos, and apparent meaninglessness of existence; and to see art as a proposition, a performance, and a practice. The exhibition addresses issues of celebrity, the production and consumption of culture, and where that cycle leaves us …
Milk,
2018
University of Arkansas, Fayetteville
Milk, Lindsey Heiden
Graduate Theses and Dissertations
My work is a composition of contemporary fairy tales of visual, written and oral forms. I examined the historical evolution of formula, from animal milk, to powder formula and now to a combination of animal milk, human milk and powder. The current scientific research being done with formula and animals, coupled with a fairy tale is the inspiration behind my current tale. The importance of women both in regards to the historical development of keeping a cultural tradition alive through oral tale-telling and the much larger role of keeping humankind alive through reproduction and birth, further build the base that …
For Wintonbury: An Expansion Of Narrative And Painting,
2018
University of Arkansas, Fayetteville
For Wintonbury: An Expansion Of Narrative And Painting, Cassaundra Kayla Sanderson
Graduate Theses and Dissertations
In March 2017, I began planning the narratives of what would become my Thesis Exhibition. One year later marked my installation of the exhibit: For Wintonbury, located at the Fine Art Center Gallery at the University of Arkansas.
A merging of the visual arts and literary fiction, For Wintonbury offers a more immersive experience in storytelling. The painted scenes, drawings, three-dimensional compositions, and short stories each serve their own purposes in presenting partial glimpses into the longer narratives of Wintonbury. Through multiple media and entry points, the viewer is given the choice in which sequence and manner to take in …
Representations Of Mainstream And Marginalized Subjects In The Work Of Diane Arbus,
2018
University of Nebraska-Lincoln
Representations Of Mainstream And Marginalized Subjects In The Work Of Diane Arbus, Grace Short
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis considers the photographs of the twentieth-century photographer, Diane Arbus. In America during the 1950s and 60s, Arbus photographed both marginalized and mainstream subjects including dwarfs, giants, transvestites, nudists, debutants, socialites, and celebrities. At one point in her career, she expressed an interest in family portraiture and, indeed, a number of her images depict families.
Scholars who have written about Arbus, such as Susan Sontag, Carol Armstrong, Anthony W. Lee, and John Pultz, have formulated theories about Arbus’s motivations, although their findings focus on individual features of her work. Sontag argued that Arbus exploited her unorthodox sitters whereas Armstrong …
Where Are You Going, Where Have You Been?,
2018
Bowling Green State University
Where Are You Going, Where Have You Been?, Alyson Krajewski
Honors Projects
I have great pride for the neighborhood in which I was raised – a community that, while founded in strong Polish roots, has developed into an amalgamation of culture. Growing up with a deep connection to my Polish heritage as well as my Toledo pride has compelled me to introspectively question my identity, both as an individual and within my local community. These questions of self-identity vs. “identities within communities” have roots within topics of upbringing, social clubs, education, race, gender, and inclusivity.
Within my own neighborhood, one of the few remaining places where large bodies of citizens still gather …
Juan's Whispers,
2018
University of the Pacific
Night Surfing,
2018
University of the Pacific
Narratives Of Loss,
2018
Missouri State University
Narratives Of Loss, Carla R. Stine
Graduate Theses/Dissertations
My research revolves around impermanence, loss, and the grief that accompanies loss. My thesis work consists of digital collages interlaced with short stories, an interactive digital media piece, traditionally-made collages, a picture book, art objects, and an assortment of other supporting work. My ultimate aim is to employ both traditional techniques and digital skills to create visual narratives that supply glimpses into my personal history of loss and that speak to life’s brevity.
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century,
2018
University of Arkansas, Fayetteville
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
Architecture Undergraduate Honors Theses
Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …
Making Process: The Search For A Personal Language Through A Shared Vocabulary Of Painting And Design,
2018
University of Arkansas, Fayetteville
Making Process: The Search For A Personal Language Through A Shared Vocabulary Of Painting And Design, Callie Fleetwood
Architecture Undergraduate Honors Theses
As designers, everything we make is personal. The act of making is a learning experience, as well as a personal act. We learn through this act of making. Making spans many mediums, including painting and architecture. Every designer has a language that is unique and personal to them. There is however, a shared and fundamental basis, or vocabulary, for these languages that span mediums and designers. To better understand the making process, a careful study of the architectural work and personal paintings of two architects has been done. Le Corbusier and Alvar Aalto are two architects who practiced in the …
Art For All: The Artistic Journey Of Julia Elizabeth Tolbert,
2018
Wofford College
Art For All: The Artistic Journey Of Julia Elizabeth Tolbert, Julie L. Woodson
Student Scholarship
Progressing from a student, concentrating on absorbing foundational skills and techniques to an intentional, expressionistic painter, Julia Elizabeth Tolbert spent twenty years of her life creating art. Using formal educational opportunities as a way to escape the life intended for her, she found art to be a freeing and meaningful endeavor. She experimented greatly in both style and medium, working with movements such as the Ashcan school, Regionalism, and Cubism and creating works in watercolor, oil, encaustic, pencil, clay, and more, all in pursuit of a professional artistic career. Though physical and visual limitations ultimately prevented her longterm success, Tolbert …
Hortus Conclusus 囚,
2018
Lingnan University
Hortus Conclusus 囚, Lantian D.
Artists-in-Residence Programme : Exhibition Catalogues
The Work of Lantian D.
One of the most basic things to understand about Lantian D.’s work is that it is born out of an acute awareness of the weaknesses inherent in contemporary art. The sorry state of the contemporary artworld is even the theme of one her earliest paintings, Crime and Punishment, which contains some suggestive depictions of artists and intellectuals who may bear some responsibility for the present situation: Jacques Derrida, Marcel Duchamp, Tracy Emin, Michel Foucault, Clement Greenberg, Damien Hirst, Jeff Koons, Charles Saatchi, and Andy Warhol are all depicted as witch-like creatures from one of …
Cover Art: Christian Lenape (Delaware) Interpreter,
2018
College of the Holy Cross
Cover Art: Christian Lenape (Delaware) Interpreter, Ada Liu
Of Life and History
No abstract provided.
Art Infested Water, May 2018,
2018
Nova Southeastern University
Art Infested Water, May 2018, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
Theatrical Scenic Design: Creating And Presenting A Professional Portfolio,
2018
University of Rhode Island
Theatrical Scenic Design: Creating And Presenting A Professional Portfolio, Isabella Pellino
Senior Honors Projects
The Kennedy Center for the American College Theatre Festival is a regional and national conference where students can compete against other students with their Acting, Directing, Stage Management, and Design skills. Students present scenes, participate in workshops, and present their designs from shows their universities produced in that year. I attended this year’s “KCACTF Region 1:New England” festival from January 30th to February 4th (having been selected to present in the Design Technology Exhibition) and presented a scenic design I created for the URI Theatre production of Body Awareness in April of 2017.
Theatre is a fast-paced industry, and artists …
To Know The Truth Might Cast My World Away,
2018
University of the Pacific
To Know The Truth Might Cast My World Away, Mia Arostigui
Calliope
No abstract provided.
Pigs 4,
2018
University of the Pacific
Complementary Still Life,
2018
University of the Pacific
