Review Of Chris Ware: Conversations,
2018
Emily Carr University of Art + Design
Review Of Chris Ware: Conversations, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Review Of Pioneering Cartoonists Of Color,
2018
Emily Carr University of Art + Design
Review Of Pioneering Cartoonists Of Color, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers,
2018
Georgia State University
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge
SANE journal: Sequential Art Narrative in Education
The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …
Castles In The Sky,
2018
Rhode Island School of Design
Castles In The Sky, Iva Milovanović
Masters Theses
I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.
However, when I was born a new …
Ouroboros,
2018
Rhode Island School of Design
Ouroboros, Christopher Dove Drury
Masters Theses
Art is communication.
Objects are for making and giving.
Life is to be loved with others.
I work directly and swiftly with material to mark time and labor.
This is a pathway to resolve suffering, to be present.
On The Edge Of Being,
2018
Rhode Island School of Design
On The Edge Of Being, Zoe Gross
Masters Theses
On the Edge of Being represents a focused exploration of clay, craft, femininity, fragility, and self-care. The title is hopeful. It represents a certain radical gentleness with myself and with my work. It reminds me that as hard as I try, there is always room to grow and improve. It is also a bit of a joke with myself; I am rarely satisfied.
I began this body of work as a way of rejoicing in the tamped down impulses of my early artistic career. I wanted to infuse my work with magic: color, texture, pattern, flowers, frills, lace, kitsch and …
Very-Asian Variation,
2018
Rhode Island School of Design
Very-Asian Variation, Nicholas Oh
Masters Theses
Nicholas Oh is a Korean American Artist currently working in Providence.
Oh graduated from San Francisco State University and he is currently a graduate student at Rhode Island School of Design.
He focuses on creating clay sculpture and mixed media installation that deals with race and identity as a Korean American in America.
Oh has done residencies at Shigaraki Ceramic Cultural Park, Japan and Anderson Ranch Arts Center, Colorado and has shown at Mills College Art Museum in California, Milwaukee Art Institute in Wisconsin, American Museum of Ceramic Art and Pence Gallery in California.
Memory.Zip,
2018
Rhode Island School of Design
Memory.Zip, Yu-Hsing Wu
Masters Theses
I want to turn the unintentional “digital traces” we leave on the Internet into a tangible format so that we can be more aware of the traces we are making. To do this, I have created a series of physical objects that capture those digital traces. My hope is that this series will eventually reflect our relationship with these traces and how we feel connected to the people we care for today.
Wood, Diane (Fa 1155),
2018
Western Kentucky University
Wood, Diane (Fa 1155), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1155. Student folk studies project titled “Folk Art and the Pennsylvania German” which includes survey sheets with a brief description of Pennsylvania German and other folk art collected in Burton, Ohio and Warren County, Kentucky. Sheets may include an item or representation of folk art, brief description, photograph, and origin.
A Place For Plastics : Bioplastics, Bacteria And Our Thoughtless Acts,
2018
Rhode Island School of Design
A Place For Plastics : Bioplastics, Bacteria And Our Thoughtless Acts, Megan Valanidas
Masters Theses
One third of all plastics end up in the ecosystem. It is time we start designing for this outcome. 311 million tons of plastics were produced in 2014 and that number is projected to more than double by 2050. Just 5% of plastics are recycled. Recycling alone is not mitigating the problem. The carbon footprint alone is massive. China’s recent announcement to no longer recycle the West’s waste promises even more challenges. We need to design for plastics to end up in the ecosystem and in the waste stream. This is where plastics go and this is where they should …
Space, Junk,
2018
Rhode Island School of Design
Space, Junk, Brandon Olsen
Masters Theses
Space, Junk acknowledges and embraces the world as a chaotic and uncertain place. Graphic design often directly contrasts the messiness of humanity. Clean and ordered composition can conceal the muddled nature of a subject. The designer's role isn't to force perfection, but to create an aesthetic that accurately represents content. I place value on rips, smears, blurriness, and distortion as well as feelings provoked by variability. Through works created in multiple spaces (book space, architectural space, web space, etc.) this thesis focuses on finding worth in undervalued junk, using mess as a means to represent convoluted issues, and utilizing fun …
The Bird's Eye View,
2018
Rhode Island School of Design
The Bird's Eye View, Ipek Kosova
Masters Theses
How can we make sense of the borders between destruction and construction, between matter and ourselves, at the same time? How habitable is a border? How does sound echo and vibrate on the border? Are borders a space of segregation or dialogue? Where is the border between our brain and our own voice? Between the transparent and opaque? Between the paint and the floor? Between the receiver and transmitter? Between the eye and the tear? Are borders monuments of extinctions of human contact?
The self defines itself as bordered and limited. The moments where destructive events seem like a ruin …
For A Better Normal : Fostering The Informal Sector In Post-Hurricane Puerto Rico, As A Pathway For Economic Stabilization,
2018
Rhode Island School of Design
For A Better Normal : Fostering The Informal Sector In Post-Hurricane Puerto Rico, As A Pathway For Economic Stabilization, Jonathan W. Melendez Davidson
Masters Theses
For a Better Normal is a proposal to aid informal produce vendors in post-hurricane Puerto Rico. The project takes the shape of a toolkit that facilitates the creation of a cooperative buyer’s club. This cooperative not only provides vendors with the opportunity to create sustainable businesses, but also acts as a pathway to formalization. The outcome of this thesis becomes a case study for how to re-think the potential of the informal economy in relation to the Island’s economic crisis.
The Dream Alchemy,
2018
Rhode Island School of Design
The Dream Alchemy, Yue Tan
Masters Theses
I strive to record and express moments from within my dreams, in order to obviate their elusiveness. I am a spectator in my dreams and sometimes find myself seized by violent and terrific events. These dreams from my subconscious guide me to the part of myself which I do not always recognize in my consciousness. I wish to know where these contents come from, why I have these dreams, or if these dreams are referencing narratives from my personal experience. The contents of these dreams, as well as the act of reflecting on them, call out my shadow––the unconscious aspect …
Talking To Computers,
2018
Rhode Island School of Design
Talking To Computers, Jen Spatz
Masters Theses
A popular belief amongst UX designers is that the more voice user interfaces (i.e. Alexa, Siri, Google Assistant) speak and behave like people, the more functional they will be. But, conversational mimicry is not the only way a screenless computer can communicate information. The scope of sounds humans can interpret, manipulate, and make is broad. This project seeks to identify ways designers can mine this domain for interaction cues that promote a deeper understanding of digital content and the systems that deliver it.
From Armor To Augmentation : Reclaiming My Everyday Body,
2018
Rhode Island School of Design
From Armor To Augmentation : Reclaiming My Everyday Body, Molly Palecek
Masters Theses
My work explores the silhouette of the body and how we can be empowered to augment it. First impressions are formed instantly and inform much of our social interactions, but these impressions are often made with the limited information of a quick glance and the simple outline of a body shape. There is a negative stigma about some body types and this can make social interaction daunting. This is especially true for women in general, for whom physical appearance is closely tied to perceived value by society. It is even more of an issue for women like myself, whose body …
Foodways For Earthlings : Recipes And Tools For Eating In Extreme Environments,
2018
Rhode Island School of Design
Foodways For Earthlings : Recipes And Tools For Eating In Extreme Environments, Maggie Coblentz
Masters Theses
Studying how food is made, consumed, and appreciated in extreme environments can help shed light on how our experiences of food extend far beyond that of mere nourishment. The social and preparatory food-based rituals found in even the most challenging conditions can lead to a deeper awareness of the role of food on earth today, and can illuminate how humans might eat in the future. This thesis examines the roles of food in war zones, in prisons, and in space to inform speculative recipes and food-based experiences.
Journey Through The Wasteland,
2018
Rhode Island School of Design
Journey Through The Wasteland, Songlin Li
Masters Theses
I started planning this book at the end of last year, because I had to write it for my thesis, and also because I saw this as an opportunity to create, like making artwork. But the difference is that this does not look like my usual art, being only a book comprised of words and images.
From the end of last year to the beginning of this year, I experienced a terrible spiritual disillusionment and was caught in a cycle of depression and anxiety. Even though I was prepared to write this book last fall, I only really started in …
Lingua Franca,
2018
Rhode Island School of Design
Lingua Franca, Tatiana Gomez Gaggero
Masters Theses
Lingua Franca examines how graphic design and art are used as a common language between people who speak the same language, speak different languages or have distinct cultural backgrounds.1 Understanding languages as living systems that are in constant movement and in direct relation with cultures, this thesis looks at graphic design as a platform for coding and decoding language, shaping and reshaping it.
My fascination with the relationship between culture, language and linguistics led me to investigate topics such as context collapse, the evolution of Spanish in Latin America, and notions of identity, gender and translation. In a moment of …
Harmless Studio,
2018
Rhode Island School of Design
Harmless Studio, David Thomas Pittman
Masters Theses
This thesis project is oriented around a vegan concept brand called “Harmless Studio.” The project recognizes that industrial design causes and supports the harm of animals through the use of animal materials. This book presents the historical, social, and scientific background of the human-animal relationship as it exists today, and it challenges the common acceptance of that relationship as it is— ultimately suggesting that industrial design need not harm animals to serve human needs. This vegan approach to design is presented through a selection of sustainable, non-animal materials and objects made from those materials. The objects are presented as part …
