Interior Decoration To Exterior Surface: The Beleaguered Relief,
2019
Auckland University of Technology, New Zealand
Interior Decoration To Exterior Surface: The Beleaguered Relief, Susan Hedges
Interiority
Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge.
This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's failure, due to a 7.8 magnitude earthquake, the sculptural relief survived a …
Interiority In Everyday Space: A Dialogue Between Materiality And Occupation,
2019
Universitas Indonesia, Indonesia
Interiority In Everyday Space: A Dialogue Between Materiality And Occupation, Paramita Atmodiwirjo, Yandi Andri Yatmo
Interiority
Everyday space is a setting where ordinary acts, activities and events take place. It is interesting to examine closely how interiority is defined, understood and manifested in everyday space as a way to understand the inhabitation of the interior. The interiority of everyday space is defined not only by occupation but also through materiality. This issue of Interiority presents articles that address the relationships between interior materiality and different perceptual constructs and experiences of architectural space as inherent in the occupation of the everyday space.
Designing The Threshold: A Close Reading Of Olafur Eliasson’S Approach To ‘Inside’ And ‘Outside’,
2019
University of Technology Sydney, Australia and Istanbul Kultur University, Türkiye
Designing The Threshold: A Close Reading Of Olafur Eliasson’S Approach To ‘Inside’ And ‘Outside’, Demet Dincer, Thea Brejzek, Lawrence Wallen
Interiority
This article discusses Icelandic installation artist Olafur Eliasson’s approach of the threshold as a productive liminal space rather than as a static boundary between the inside and the outside. Often defined as the physical division between the interior and the exterior in architecture, the authors argue that by looking at Eliasson’s works in detail, the threshold’s inherent capacity of comprising a dynamic dialogue between inside and outside where one is determined by the other unfolds. This paper proposes that designing the relationships between inside and outside involves subtle renegotiations and redefinitions of conventionalised notions of their boundaries and a resultant …
Performative Interiors: Terminological And Theoretical Reflections On The Term 'Performative',
2019
City University, Lebanon
Performative Interiors: Terminological And Theoretical Reflections On The Term 'Performative', Ayman Kassem
Interiority
‘Performative’ is an emerging term in architectural discourse. The word ‘performative’ is able to describe spatial qualities and design approaches. The term is mostly linked to the concepts of open-form, and flexibility which are characters that give the spatial design a strategic aspect as the ability to anticipate and host predicted and unpredicted occurrences, and to adjust to future changes, which also gives architecture the character of an unfolding ‘event’ in time and in space. This paper seeks to investigate the terminological and the theoretical dimensions of the term ‘performative.’
Material Atmospheres: Theorising Recent Shifts In Interior Visualisation,
2019
University of Kentucky
Material Atmospheres: Theorising Recent Shifts In Interior Visualisation, Gregory Marinic
Interiors Faculty Publications
Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early 20th century, emerging methods of seeing interior spaces reveal a deeper gaze into the contextual, material, and phenomenological conditions that produce more nuanced visions of interiority. A collective consciousness surrounding these constructed narratives is reflected in charged associations with the most salient imperatives of our time—globalisation, resource depletion, ecological degradation, and political instability—as well as their corresponding effects on the built environment. These visual provocations have incrementally percolated up to embody an expanding field of design activism for educators, theorists, practitioners, and students. How …
Design For Living Complexities,
2019
University of Massachusetts Boston
Design For Living Complexities, Peter J. Taylor
Working Papers in Critical, Creative and Reflective Practice
Lectures from a 12-session course that addresses the intersection of design with critical thinking. Design in this course means intentionality in construction, which involves a range of materials, a sequence of steps, and principles that inform the choice of materials and the steps. Design also always involves putting people, as well as materials, into place. This happens by working with the known properties of people, as well as the known properties of material, and trying out new arrangements to work around their constraints (at least temporarily). Critical thinking, as I define it, involves understanding ideas and practices better when we …
Writing About Art,
2019
CUNY City College
Writing About Art, Ana Marjanovic
Open Educational Resources
The course focuses on practice in the styles and forms of expository writing required in the arts. It recommends the readings that acquaint students with standards of good writing about the arts.
The Ocean's Skin | A Talk By Philip Hoare,
2019
Rhode Island School of Design
The Ocean's Skin | A Talk By Philip Hoare, Liberal Arts Division, Ncss Graduate Program
Nature-Culture-Sustainability Studies (NCSS) Lectures
Lecture, January 18, 2019. 5:00 – 7:00 pm, Metcalf Auditorium, RISD Museum/Chace Center. Philip Hoare, a frequent visitor to Cape Cod, is obsessed with the sea. He swims in it every day - winter and summer. In this talk, drawing on his new book, RISINGTIDEFALLINGSTAR, he looks at the way we humans relate to the sea’s natural history - its whales, its birds, its tides, its myths. From Thoreau to Melville, from Virginia Woolf to Oscar Wilde, from Percy Shelley to Sylvia Plath, he takes up human stories to see how they intertwine with watery mysteries and …
Contemplative Interiors: Ceramics And Furniture,
2019
SUNY Geneseo
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Geneseo Authors
Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.
Waste Size: The Skinny On The Environmental Costs Of The Fashion Industry,
2019
William & Mary Law School
Waste Size: The Skinny On The Environmental Costs Of The Fashion Industry, Elisha Teibel
William & Mary Environmental Law and Policy Review
The fashion industry is a web of complex global markets currently valued at $3 trillion that employs somewhere around sixty million people worldwide and is estimated to be one of the most labor-intensive industries on the planet. Over the past couple of decades, the industry has evolved into a highly fragmented sector with complicated supply chains and completely unstandardized production practices, which vary by factory and by country. The most significant facet of the fashion trade is the clothing and textile industry. The current total value of the clothing and textiles trade is estimated at $726 billion and a staggering …
Consumers’ Preference Leading Purchase Intention Toward Manipulation Of Form And Transparency For Juice Packaging Design,
2019
Indian Institute of Technology - Guwahati
Consumers’ Preference Leading Purchase Intention Toward Manipulation Of Form And Transparency For Juice Packaging Design, Swati Pal, Abhishek Yevalkar, Amrita Bhattacharjee, Shivani Holkar
Journal of Applied Packaging Research
Packaging plays a fundamental role on consumer’s intention to purchase, as it may be the first contact between the consumer and the product. The product packaging has a crucial role to attract consumer, force them to choose the product and act as a brand communication vehicle. The point of focus is how the elements of the package design affect consumer’s perceptions about products and brand. In this study, to understand the effect of package form and transparency on consumers’ pre-purchase preference of juice packaging, the participants (N=60) are asked to assess six designs against a 5-point Likert scale. The findings …
Creativity-Integrated Art History: A Pedagogical Framework,
2019
Drexel University
Creativity-Integrated Art History: A Pedagogical Framework, Alysha Meloche, Jen Katz-Buonincontro
Art History Pedagogy & Practice
Art history offers a unique opportunity for students to encounter real, historical examples of the creative process in action. By showing examples of the complex process through which artwork is created, art history classes can provide emulative examples for the next generation of innovative designers, artists, historians, educators, and creative thinkers. Art history has a tradition of teaching Big-C creativity principles by highlighting creative products and individuals. Therefore, the art object is emphasized at the expense of unpacking the process and everyday, or mini-c, creativity of the work. At a time when the field of Art History is beginning to …
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art,
2019
Binghamton University--SUNY
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Translation of 「陶芸家を志す者のために:芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html
Claycomb, Marilou (Irwin), B. 1936 (Sc 3314),
2019
Western Kentucky University
Claycomb, Marilou (Irwin), B. 1936 (Sc 3314), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 3314. Collection of four Home Worker Handbooks detailing work done by Marilou (Irwin) Claycomb for Eleanor Beard, Inc. of Hardinsburg, Breckinridge County, Kentucky. Irwin did contract quilting from June 1959 until August 1966. Each of the four U.S. Department of Labor #FO-75 booklets list the date issued, number, style, article, rate, date returned, number completed, hours worked, wages and date of payment of her public contract work.
Dress Up,
2019
CUNY Hunter College
Dress Up, Ye'ela B. Wilschanski
Theses and Dissertations
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
Archaeology Of Social Patterning,
2019
CUNY Hunter College
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.
The Social Role Of The Artist,
2019
CUNY Hunter College
The Social Role Of The Artist, Gabino A. Castelan
Theses and Dissertations
Gabino A. Castelán, tells a personal story of loss that influenced his artistic practice. He embraced this narrative to create two projects “Practice of Everyday Life-205 (PoEL-205) and the formation of a temporary collective called, Cultural Workers. He presents two case studies of twenty-first century artists, whose projects have business models that allow them to function in social roles during political and social turmoil. "Conflict Kitchen" and "Rebuild Foundation" provide context about running for-profit and not-for-profit artistic practices. Castelan writes about these projects' influencing his artistic practice in general.
Systems In Play: Simon Nicholson's Design 12 Course, University Of California, Berkeley, 1966,
2019
Technological University Dublin
Systems In Play: Simon Nicholson's Design 12 Course, University Of California, Berkeley, 1966, Tim Stott
Articles
In 1966, British artist, designer and educator Simon Nicholson (1934–1990) offered a lower division course, Design 12, at the College of Environmental Design, UC Berkeley. Controversially, Nicholson promoted play as the principal method of design and invited children to assess students’ projects on the Berkeley campus and in local schools, parks, playgrounds and hospitals. This article presents Design 12 as an important example of environmental design pedagogy in the USA, which uniquely attempted to synthesize British post-war constructivism with ‘design science’ and adventure play. The result was a course that placed play at the centre of design pedagogy, where it …
Albino Hinojosa Collection,
2019
Louisiana Tech University
Albino Hinojosa Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University
Manuscript Finding Aids
Drawings, sketches, paintings and graphic works by Albino Hinojosa during his time at Louisiana Tech University.
C. V. Ramachandra Rao Papers,
2019
Louisiana Tech University
C. V. Ramachandra Rao Papers, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University
Manuscript Finding Aids
Vita of C.V. Ramachandra.; "A.K. Coomaraswamy, an Inspirer of Indian Renaissance & Other Cultural Causerie", by Ramachandra Rao; lists of publications; and memo regarding Ramachandra Rao's visit to Tech.
