News - Augusta-Richmond County Public Library System, Wallace Branch Library,
2020
Augusta-Richmond County Public Library
News - Augusta-Richmond County Public Library System, Wallace Branch Library, Leah E. Holloway
Georgia Library Quarterly
No abstract provided.
Challenges In Design And Fabrication Of Flexible/Stretchable Carbon- And Textile-Based Wearable Sensors For Health Monitoring: A Critical Review,
2020
Old Dominion University
Challenges In Design And Fabrication Of Flexible/Stretchable Carbon- And Textile-Based Wearable Sensors For Health Monitoring: A Critical Review, Jae Seng Heo, Md Faruk Hossain, Insoo Kim
Bioelectrics Publications
To demonstrate the wearable flexible/stretchable health-monitoring sensor, it is necessary to develop advanced functional materials and fabrication technologies. Among the various developed materials and fabrication processes for wearable sensors, carbon-based materials and textile-based configurations are considered as promising approaches due to their outstanding characteristics such as high conductivity, lightweight, high mechanical properties, wearability, and biocompatibility. Despite these advantages, in order to realize practical wearable applications, electrical and mechanical performances such as sensitivity, stability, and long-term use are still not satisfied. Accordingly, in this review, we describe recent advances in process technologies to fabricate advanced carbon-based materials and textile-based sensors, followed …
Zulkifli Yusoff’S “Don’T Play During Maghrib” Installation Art: A Visual Interpretation Based On Social Interactionism,
2020
Universiti Malaya
Zulkifli Yusoff’S “Don’T Play During Maghrib” Installation Art: A Visual Interpretation Based On Social Interactionism, Zolkiflee Nursyakirin
Student Works (2020-2029)
Zulkifli is a world class artist who can create social criticism art based on culture, education and economical stagnancy. “Don’t Play During Maghrib, Dialogue Series 2” (DPDM) is an exceptional artwork which represented him at the Venice Biennale in 1997. There is no written research about this artwork and also there are very limited references and materials on Malaysian installation art. This led the researcher to embark on this topic as a dissertation. Since, this research focuses on the installation artwork, it is appropriate to explore and study Zulkifli Yusoff’s artwork. It is qualitative research which aims at exploring the …
Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s,
2020
Claremont Colleges
Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur
Scripps Senior Theses
In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …
Big Sean,
2020
University of Richmond
Tu Amoris Ignem,
2020
University of Richmond
The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape,
2020
Yale University
The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape, Soledad O. Tejada
Library Map Prize
No abstract provided.
Coalescent: A Collection Of Defining Life Experiences,
2020
University of Montana, Missoula
Coalescent: A Collection Of Defining Life Experiences, Stephanie A. Dishno
Graduate Student Theses, Dissertations, & Professional Papers
Coalescent: A Collection of Defining Life Experiences, reflects on my experiences and curiosities of important life events that a person may use to construct their narrative identity. In this paper, I discuss my reflections, influences, and materials used to create my thesis exhibition, Coalescent. I describe my work as a collection of life experiences that are used to construct a narrative identity.
I Walk To See, I Walk To Know: Walking To Wongawol. An Exhibition And I Walk To See, I Walk To Know: Walking To Wongawol. An Exegesis,
2020
Edith Cowan University
I Walk To See, I Walk To Know: Walking To Wongawol. An Exhibition And I Walk To See, I Walk To Know: Walking To Wongawol. An Exegesis, Cim Sears
Theses: Doctorates and Masters
The context of my embodied project, I Walk to See, I Walk to Know: Walking to Wongawol, is an exploration into 1) the absence of Western Desert Aboriginal narratives via the act of walking as knowing and 2) my recently discovered ancestral connections, which were historically erased by the state. The location of my project is Wongawol Station in the Western Desert, Western Australia, where my Indigenous ancestors lived, and whose lives I draw upon to make connections with the narratives and sensations of the desert landscape. I use the methodology of walking to investigate the interconnectivity between body and …
Calliope,
2020
Georgia Southern University
The Return,
2020
Edith Cowan University
The Return, Bruce Roberts Mutard
Research outputs 2014 to 2021
1943: Robert Wells has returned home from the war, having spent months in hospitals recovering from combat wounds. While being rehabilitated at Heidelberg Military Hospital, a series of visitors come to see him and, in the process, old wounds open, some close. What does seeing and doing the worst acts a human being can do to one another, do to a person?
Thirteen years after The Sacrifice, the follow-up story of Robert Wells concludes in this elegiac story of how the impact of war is felt, even far from the front lines.
The Presentation Of Gender In The Book Of Mormon: A Review Of Literature,
2020
Brigham Young University
The Presentation Of Gender In The Book Of Mormon: A Review Of Literature, Joseph M. Spencer
Faculty Publications
To date, the two most important—Certainly the most influential—visual illustrators of the Book of Mormon have been Arnold Friberg and Minerva Teichert. The distance between the ways they render the text into art is real and telling. As Paul Gutjahr notes, "Friberg's most dominant figures are unfailingly men, and almost all of them could have stepped out of the pages of a superhero comic book. By contrast, Teichert "stands out among Mormon artists because of her firm commitment to bringing forward the female elements of the book, carefully evoking the story's feminine side." Although Teichert and Friberg created their paintings …
Visual Feast,
2020
Georgia Southern University
Visual Feast, Makaili J. Taylor
College of Graduate Studies: Theses & Dissertations
This body of work, Visual Feast, explores the infatuation we have with sweets. Throughout my thesis, I discuss how this universal shared experience contributes to the art world, explaining how our culture today has turned a simple requirement to survive into a source of entertainment. I use my work to show the absurdity of our desires to overindulge, and the ways we fetishize food. By creating a visual feast for the viewers, my goal is to challenge perceptions of what is acceptable and what is absurd.
Lost In Time And Space,
2020
University of Richmond
The Messenger - Spring 2020,
2020
University of Richmond
The Messenger - Spring 2020
The Messenger
The objective of The Messenger is to encourage the appreciation and exploration of the creative arts on the University of Richmond campus. Since 1876, The Messenger has celebrated student work by publishing submissions in a literary and visual arts magazine. More information on the magazine, as well as past publications since 1987, can be found on messengerur.wordpress.com.
MEMORY
the act or fact of retaining and recalling impressions, facts, etc.
to draw from memory.
- -
“I think it is all a matter of love:
the more you love a memory,
the stronger and stranger it is.”
Vladimir Nabokov
Lost In A Dream,
2020
University of Richmond
Weaving Of Our Stories,
2020
University of Richmond
Vince Staples,
2020
University of Richmond
Compulsory: Art, Memory, And The Stigma Of Mass Incarceration,
2020
University of Central Florida
Compulsory: Art, Memory, And The Stigma Of Mass Incarceration, Jason Fronczek
Electronic Theses and Dissertations, 2020-2023
This thesis combines photography, mixed media, and installation to explore the interrelation between art, memory, and culture; specifically, as they relate to (in)visibility and the stigma surrounding mass incarceration. Things that are compulsory are obligatory; they require that we follow a rule or law, but they also may be coercive or compelling. Compulsory, therefore, is defined alternately as something that is required and something that is irresistible. These definitions imply both desire and regulation, and these forces are often internalized and self-imposed. Following these definitions and their connotations, this thesis, titled Compulsory, combines photography and mixed media installation to explore …
นวัตกรรมการสร้างสรรค์ตราสินค้าเครื่องแต่งกายบุรุษด้วยการเพิ่มความเงาของสีเพ้นท์ผ้าจากธรรมชาติ สำหรับกลุ่มเจนเดอร์ฟลูอิด (Gender-Fluid) โดยใช้แนวคิดความหลากหลายทางวัฒนธรรมในกรุงเทพมหานคร,
2020
คณะศิลปกรรมศาสตร์
นวัตกรรมการสร้างสรรค์ตราสินค้าเครื่องแต่งกายบุรุษด้วยการเพิ่มความเงาของสีเพ้นท์ผ้าจากธรรมชาติ สำหรับกลุ่มเจนเดอร์ฟลูอิด (Gender-Fluid) โดยใช้แนวคิดความหลากหลายทางวัฒนธรรมในกรุงเทพมหานคร, อรกานต์ ผดุงวัฒนโรจน์
Chulalongkorn University Theses and Dissertations (Chula ETD)
นวัตกรรมการสร้างสรรค์ตราสินค้าเครื่องแต่งกายบุรุษด้วยนวัตกรรมการเพิ่มความเงาของสีเพ้นท์ผ้าจากธรรมชาติ สำหรับกลุ่มเจนเดอร์ฟลูอิด (Gender-Fluid) โดยใช้แนวคิดความหลากหลายทางวัฒนธรรมในเขตจังหวัดกรุงเทพมหานคร เป็นการวิจัยเพื่อหาแนวทางการออกแบบสินค้าสำหรับกลุ่มเป้าหมายใหม่ที่กำลังเป็นกระแสในปัจจุบันจนถึงอนาคต โดยมีวัตถุประสงค์เพื่ออธิบายถึงแนวทางการออกแบบตามแนวคิดความหลากหลายทางวัฒนธรรมในเขตจังหวัดกรุงเทพมหานครและนวัตกรรมการเพิ่มความเงาจากสีเพ้นท์ผ้ารับเบอร์เบส คัลเลอร์ (Rubber-Based Color) โดยใช้กระบวนการวิจัยเชิงคุณภาพและเชิงปริมาณควบคู่กับกระบวนการออกแบบสร้างสรรค์ เริ่มตั้งแต่การศึกษากลุ่มเป้าหมาย กลุ่มเจนเดอร์ฟลูอิด (Gender-Fluid) ถึงพฤติกรรมการบริโภคสินค้า ช่วงอายุ ความสนใจการตลาดและรายได้ เพื่อสร้างความเข้าใจในกลุ่มเป้าหมายและช่องว่างทางการตลาดทั้งต่างประเทศและในประเทศ ผู้วิจัยมีเครื่องมือที่ใช้ในการวิจัยได้แก่ แบบสอบถามกลุ่มผู้บริโภค ที่ผู้วิจัยสร้างและพัฒนาขึ้น และกลุ่มเป้าหมายเจเนอเรชั่นวายจำนวน 50 คน ผลจากการวิจัยพบว่า การสร้างสรรค์เสื้อผ้าเป็นอัตลักษณ์ตราสินค้าเพื่อตอบสนองความต้องการทางแฟชั่นของกลุ่มผู้บริโภคเจเนอเรชั่นวาย โอกาสการใช้สอยในรูปแบบสังสรรค์กึ่งทำงาน (Party Business) และพฤติกรรมการบริโภคสินค้าของกลุ่มเจนเดอร์ฟลูอิด (Gender-Fluid) สามารถประยุกต์ใช้เพื่อตอบสนองกับความต้องการของกลุ่มผู้บริโภค ช่องว่างทางการตลาด สู่การสร้างสรรค์ตราสินค้าแฟชั่นได้ในอนาคต
