Art and Design Commons^™

Plate, Unknown

Morehead State University Art Collection

A small plate used for dinner parties at Morehead State University.

Plate, Unknown

Morehead State University Art Collection

A plate used for dinner parties at Morehead State University.

Large Plate, Unknown

Morehead State University Art Collection

A large plate used for dinner parties at Morehead State University.

Gravy Pourer, Unknown

Morehead State University Art Collection

A gravy pourer used for dinner parties at Morehead State University.

Teapot, Unknown

Morehead State University Art Collection

A teapot used for dinner parties at Morehead State University.

Teakettle, Unknown

Morehead State University Art Collection

A teakettle used for dinner parties at Morehead State University.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated stone sculpture that stands outside of ADUC by an unknown artist.

A Situation: A Tree In Palestine, Liat Berdugo

Art + Architecture

No abstract provided.

Paulina Neuschwander's Portfolio, Paulina Neuschwander

Honors College Portfolios

This portfolio is a compilation of work I have completed throughout my journey to get my bachelor’s degree in Marketing with a minor in Digital Media Arts at Duquesne University. I love the way my minor complemented my major, in that I could combine my love of consumer behavior and research with my love of visual design and creativity. Now, I can not only complete market research, but I can also present my findings in a visually attractive way. That being said, through my time at Duquesne, I have learned to be more than just a “businesswoman.” I have been …

Red, John Famiglietti, Samantha Grennon, Jacob Goodman, Rylee Wirtanen, Griffin Gosule, Kyriana Chambo, Carolyn Reimer, Hunter Poitras

Bryant Zines

No abstract provided.

Pattern Project - Emblems Of Colonialism - Thomas Day S-Curve, L.T Moon

Pattern Research Project

The Emblems of Colonialism project is a part of the broader Pattern Research Projects created by design history and design studio faculty members, Emily Smith and Dr. Sara Reed. Students in VCU Interior Design were asked to examine a pattern or motif used on a decorative object or surface during the colonial era in the Americas. During the 15th through 18th centuries, a period of colonialism forced new relationships between European countries and places in what is now known as North America, Central America, and the Caribbean. This project explores how colonial era patterns reveal power structures, othering, and the …

In Between, Frida Baranek, Special Collections, Fleet Library

Printmaking

42 pages ; 28 cm + 16 portfolios (samples ; 28 cm). 1 box, 16 portfolios. Title from title page of text booklet. Housed in a cloth-covered drop-spine portfolio box (30 x 24 x 5 cm) with paper label on spine Portfolio contains a text booklet (42 pages) plus 16 specimens of handmade paper in individual white paper folders with letterpress identifying each artist. Text booklet contains artists' statements and biographical information. Contents: Amalia Avilés-Lugo -- Anna Hendrick Karpatkin Benjamin -- Hannah O'Hare Bennett -- Jenna Bonistalli -- Elena Bordacconi -- Lesa Hepburn -- Julie L. Johnson -- Danae Lagoy …

Grayscale Portfolio, Brandon D. Chambers

2020 Symposium Creative Works

This collection is intended to evoke the sensory details that are intensified by grayscale photography. Although photography is a visual arts medium, it possesses the potential to engage the viewers’ auditory, tactical, and olfactory senses. The color symbolism theory argues that through natural association and psychological symbolism, colors have specific connotations and therefore, elicit certain emotions. If this is, in fact, the case, what then can be gained from an image that is void of color? I feel that color often distracts the viewer from the intimate details of the images and prevents them from fully immersing themselves in the …

Francesca, Madison B. Jones

2020 Symposium Creative Works

Created using instant film, this piece was taken apart and destroyed before a new image was formed. Looking at the image from the back and scraping and sanding at the layers of chemicals was an attempt at finding some remnant of the original image. It is delving into the idea of the importance of content within an image and explores the resurrection of an image in a new way.

A Look At An Indigenous Fantasy - The World Of Na'a Honung'a, Tamika S. Williams

2020 Symposium Creative Works

This piece combines narrative story and design required for worldbuilding and storytelling in a glimpse into a world inspired by Non-Western influences.

Feminist Curating: What It Means And Why It Matters, Sally Brown

Faculty & Staff Scholarship

This article outlines a proactive feminist curatorial methodology to encourage feminist curated exhibitions leading to greater recognition for under and misrepresented artists and impacting statistics of representation.

Parnassus 2020

Parnassus

The 2020 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Textiles From A Late Roman/Byzantine Ecclesiastical Centre At Abu Sha’Ar, Egypt, Lise Bender Jørgensen

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Around AD 400 a group of Christians were looking for a new home. An abandoned Roman military fort at what is now called Abu Sha’ar, c. 20 km north of Hurghada on the Egyptian Red Sea coast, became the answer to their prayers. Steven Sidebotham of the University of Delaware excavated the site in 1987-1993. The fort had been established in AD 309-311 to house a mounted unit, the Ala Nova Maximiana, guarding the Via Nova Hadriana. The military phase was however short-lived: the soldiers abandoned the fort before AD 400. The new settlers turned the former military headquarters into …

A Tale Of Triumph Amidst Tragedy: C-Section In Furini's The Birth Of Benjamin And The Death Of Rachel, Alexandra Carlile

AWE (A Woman’s Experience)

No abstract provided.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …