Art and Design Commons^™

Fuck Yeah, Thesis!, Marianne R. Laury

Graduate School of Art Theses

Fandom is a feature of American popular culture that takes elements from specific genres, and reworks them into an individual to formulate an identity. Clothing, music style, meeting places, and even drink choices can be the defining factors for determining which particular group one might associate with. Focusing on groups within fandom culture, I work to disprove the phrase “you can’t judge a book by its cover” by discussing embedded stereotypes common to dedicated fans. As I am not elevating or undermining these groups, I describe their attributes in a non-discriminatory way, and relate them to my own work.

I …

Exodus Hd, Christopher J. Thompson

Graduate School of Art Theses

To express the dramaticism of the themes in my work, I have written the following document in a pseudo-satirical voice, expressing both my interest in science fiction and my own eagerness to accept the profoundness of the Internet’s connectivity in my life. The sensational nature of the writing is both prophetic and personal, conflating manticism with art making. Due to the interlacing of the web’s influence with our individual lives, we must pay tribute to its power and guidance through endorsements of search engines and online marketplaces that have built a new world of convenience. This world of convenience is …

Remixing Remix Remixed, Joshua Cornelis

Graduate School of Art Theses

Remix culture plays an important role in the expression and communication of visual art. It is a discourse by which I strive to directly engage culture by cutting and pasting together already existing visual information. By doing so, I strive to promote an exchange of ideas and feelings between juxtaposed pieces. In this age of post-digital era collage, I am interested in the meaning and propaganda associated with collage and assemblage and the modes of disseminating messages via cut-and-paste.

By juxtaposing images that differ in style, content, and meaning, I am able to build panoramas of fractured identities that manifest …

Violence Against Women: An Artistic Intervention, Kathryn Douglas

Graduate School of Art Theses

We have many tools available to impede violence against women. Legislative circles, educational systems, and advocacy groups all work tirelessly to eradicate these heinous crimes and serve the victims of abuse. However violence against women is still described as “‘the most pervasive human rights challenge’ in the world today”.¹

For some it can be difficult to view socially engaged art making as an essential component of women’s advocacy compared to immediate housing, legal counsel, help hotlines, and the education of women. Blurring the lines between activism and art history, this relatively new art form is often embraced by marginalized …

Finding Cathartic Beauty In Trauma And Abjection, Christy R. Kirk

Graduate School of Art Theses

Inspired by the dichotomy of beauty and the grotesque in relation to the female body, I set out to both find a balance and interrupt the balance between the two with my artistic practice. Defining beauty as something more significant and meaningful than a pretty image and the abject as something that inspires repulsion, I sought to find connection between the two. Through creating abject textures surrounding nude female forms, I discovered an underlying trauma latent in the artistic expressions of my work. The process of creating abject works of art has lead to catharsis and posttraumatic growth in my …

In Pursuit Of Distant Horizons, Whitney Polich

Graduate School of Art Theses

Our lasting human desire to rationalize the phenomena of nature manifests as ceaseless attempts to fix fluid landscapes within the rigid boundaries of an image. Each landscape with its own physical language, rooted in the temporal and subjective particularities of sense—taste, touch, smell, sound, and sight—requires a lived immersion to be read and as such, eludes static interpretation or expression. The physical horizon provides both a physical and metaphorical reminder of the limits we constantly find ourselves confronted with—those limits of perception, language, and knowledge—as we seek to expresses the immediate experience and profound vastness of a world far exceeding …

Video Science: Cinema As Sense Organ, Rosalynn Stovall

Graduate School of Art Theses

The moving image exists at the interstice of art and science not only because it acts as a representation of human sight but also because it exemplifies the observational processes related to the scientific gaze. As such, film and video have extended human sense-perception properties by mimicking and manipulating the natural processes of the optic nerve. The capture – and in many cases, the simulation – of movement generated from the progression of images reveals a new sphere of human consciousness as it relates to the dimensions of motion, space, and time.

The conceptualization of the time-element present in film …

Art That Demonstrates: Action And Contemplation, David J. Baker

Graduate School of Art Theses

Abstract

Our culture is permeated with "noise" that detracts from what really matters: a life of helping others. By making an effort to save time for reflection and contemplation, artists, who actively define our contemporary culture, can greatly benefit society and offer an alternative to this "noise." By focusing on ethical considerations and transforming one's core values, artists can begin to demonstrate the self-sacrificing qualities that assist and enlighten a society. This thesis examines some crucial spiritual and artistic works that counter the distractions that keep people from living the lives they were meant to live. Further, it describes how …

Expedition, Evan M. Crankshaw

Graduate School of Art Theses

Exoticism presents fantasy constructs of Otherness which make up a discourse of problematic “truths.” This discourse is reflected and perpetuated in culture-items (art, literature, music, etc.) which can be identified as “exotica.” On one level, exotica simply reinforces these “truths,” but it also offers potential revelations relating to the exotic construct itself, a collection of fictions so elaborate and vast that it may be said to have its own history. Exotica can be described as the reflexive form of that alternate history; it is also a fantasy zone which reveals a desire on the part of the exoticizer to escape …

A Composed Space, Adam S. Hogan

Graduate School of Art Theses

My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).

Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.

The Thing You Are Looking For, Jessie Shinn

Graduate School of Art Theses

This thesis document explores the influences and content of visual artist Jessie Shinn’s work, in particular the photography she has done as part of her Master of Fine Arts degree program at Washington University in St. Louis. Ideas discussed include phenomenology, phenomenophilia, affect, defamiliarization, the everyday, space, emptiness and boredom. Important artists and movements mentioned are Caspar David Friedrich, J.M.W. Turner and Romanticism; Alfred Stieglitz and Modernism; and contemporary artists Hiroshi Sugimoto, Uta Barth and Wolfgang Tillmans. Writers and philosophers Samuel Coleridge, Rainer Maria Rilke, Rei Terada, Kathleen Stewart, David Markson, David Foster Wallace, Jacques Derrida and Gilles Deleuze are …

Desire And Fantasy: The Conditions Of Reality Between The Self And The Other, Raleigh M. Gardiner

Graduate School of Art Theses

The human condition is constituted by the fluctuating operations of desire and fantasy, which emerge in response to one's fundamental differentiation between 'Self' and 'Other.' As infants, we exist in an expansive realm of sensational “sameness” with the world around us; but as we develop, we quickly learn to differentiate between our internal and external worlds, and are forced to divide and organize our once primordial experience of unity on the basis of isolated exclusion of difference. As we slip into the structures of our social and cultural reality, we absorb language, and are taught to construct our own identities …

Seth Czaplewski Thesis, Seth P. Czaplewski

Graduate School of Art Theses

My work investigates the history of production and how human interactions have been affected by shifts in production over the course of the past two hundred years in the United States: the pre-industrial, Industrial Revolution, and the post-industrial age. The changes that occurred in society as a result of how production shifted from era to era informs my artistic practice and productions, which address areas neglected in the wake of progress. At the onset of each era, the technological advances initially appeared to be beneficial to society and people shifted from being locally oriented to being globally oriented.

My historical …

Picture Books As Art : The Presence Of Children's Book Illustrations In Museums And An Analysis Of Children-Visitor Interactions At The Eric Carle Museum Of Picture Book Art, Jennifer Cusworth

Graduate Student Independent Studies

This paper analyzes the presence of children's picture book illustrations in cultural settings, particularly the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts and the New York Public Library in New York City, and determines how children interact with these spaces.

Beatrice, Michele Helene Marglis

Graduate Student Independent Studies

An original picture book biography about the life, ideas, and work of the American artist Beatrice Wood.

The Specific Object, Jared Lindsay Clark, Brian Christensen

Journal of Undergraduate Research

“The history of painting may be characterized in terms of the gradual withdrawal of painting from the task of representing reality – or of reality from the power of painting to represent it – in favor of an increasing preoccupation with problems intrinsic to painting itself…painting and sculpture became free to pursue concerns intrinsic to themselves.”

Ergonomically Designing Art Objects, Ambika Subramaniam

Undergraduate Theses—Unrestricted

The following thesis examines the work of Ambika Subramaniam, in particular her thesis installation Ergonomically Designing Art Objects, for the Bachelor of Fine Arts in Sculpture at Washington University in St. Louis. Based within a discussion of semiotics, the thesis researches furniture signification and tracks its evolution through traditional form, ergonomic function, and consumed product. Major points include the ways in which objects are capable of collapsing and retaining the semiotic divide between a sign and referent, and how that signification relates to contemporary design-oriented products. Using the chair as the exemplifying object, the thesis installation questions how objects have …

Painting And Stuff, Lol, Sopearb Touch

Graduate School of Art Theses

Our own human experience is a distinct realm which can never be precisely duplicated in another lifetime. It frames our whole view of existence and, as artists, affects our art making process. The theory of the Tabula Rasa functions as the inspiration of my work and this writing examines my personal view of growing up in the internet age and America, and how my view of life, as well as artistic practice, is shaped by a consumerist culture that has gone global. Additionally, as a figurative painter, I create a context with other artists who create work about their own …

Suppressing My Inner Caravaggio, Nathan A. Childs

Graduate School of Art Theses

FULK ART is a body of work that stems out of the divisions and segments of the constructed narrative germane to the notions of "art world" and "art worlds". In his theses Nathan Childs argues that his contemporary studio practice is not rooted in the post production criticism of his objects. Rather his art is a "techne" that hybridizes his daily habits as rituals of making. These rituals are self reverent inspections of multi sided issues, set into a dynamic state. The "third side" of the coin device is a habit of life style that allows Childs to reach deeper …

Graphic Designers And Brain Surgeons, Both Highly Trained, Yet Not Interchangeable: The Creation Of Promotion Materials For Springfest 2014, Alanna Mehrtens

Honors Program Theses and Projects

Graphic design and brain surgery. What do they have in common? Each person is trained in their profession. Each person is called upon for services that are needed for a specific reason. Common sense tells you to not perform brain surgery without the proper training. Why would that be any different for Graphic Design? Whereas most people would never attempt brain surgery, the average person seems more than willing to attempt creating Graphic Design, usually with poor results. Event branding is an example of where training in this profession is most beneficial. I was the Graphic Designer in charge of …