Art and Design Commons^™

Home On The Run, Risd Museum, Brian Chippendale

Channel

2006

Landscape Of Consciousness, Julia R. Baugh

Theses and Dissertations

In my ceramic work, characteristics of magnified microbes, undulations of texture, and gouged shapes recur and appear to blend with inner human anatomy, woodland forms, underwater landscapes and decomposed life. Some of these influences are linked to my childhood. Other experiences come from my career in the respiratory care field and in my international travels. Like any artist, my life experiences, as much as the clay itself, are the materials of my art. My work holds some familiar concept, feeling, or recollection in a figurative piece or vessel. The decorative choices I make form a tight mesh that weaves together …

Utopia, Risd Museum, Neal Overstrom

Channel

A provocative artist associated with the YBAs (Young British Artists), Damien Hirst often employs unexpected materials that conflate art, science, and popular culture. The hundreds of butterflies mounted in paint in Utopia—with their intense colors and symmetrical, geometric composition—recall a mandala or kaleidoscope image. Butterflies are among Hirst’s most frequent motifs. With their delicacy and short life cycles, they are a metaphor for the fragility of existence that reflects the artist’s interest in fundamental questions about mortality. 2008

Mies Van Der Rohe Chair, Risd Museum, Dietrich Neumann

Channel

Ludwig Mies van der Rohe succeeded Walter Gropius as director of the Bauhaus school in 1930, after Mies had become a pioneer of Modernist metal furniture. The Bauhaus became the seat of the Modernist movement through its efforts to reconcile principles of design with the latest materials in order to mass-produce objects that were handsome, inexpensive, and easy to care for. This MR model chair, designed in 1927, is one of the 20th century’s most influential creations. The bent-steel frame was made to look like one continuous loop of metal tubing, elegantly referring to its manufacture. While Mies van der …

Untitled Film Still, Risd Museum, A. Will Brown

Channel

When making his prints, animations, and light boxes, Ezawa looks for source images on the Internet, manipulates them, and distills them to their essentials. Untitled Film Still belongs to a series of works for which Ezawa appropriated several famous photographs in order to deal with the questions of why some images become icons and how one looks at and interprets imagery. It is a playful appropriation of Cindy Sherman’s photograph with the same title from 1978. Sherman’s seminal Untitled Film Still series was in fact single photographs in which a female character (always played by Sherman herself) is trapped in …

For The Voice, Risd Museum, Doug Scott

Channel

No abstract provided.

Child In A Red Apron (L’Enfant Au Tablier Rouge), Risd Museum, Maureen O'Brien

Channel

This painting depicts Julie Manet, the seven-year-old daughter of the artist Berthe Morisot and her husband, Eugène Manet. She peers at a wintry landscape outside the family’s home in Paris, perhaps holding a prism to her eyes. The setting was Morisot’s bedroom, distinguished by a window whose small panes function as a compositional device that connects interior to exterior space. Across the canvas, a fluid net of slashing and spiraling marks rush through the room and animate Julie’s costume and pose. The vertical glint of a brass knob suggests that the window is ajar, introducing a breeze that lifts the …

Crucifixion, Risd Museum, Susan Ashbrook Harvey

Channel

In this depiction of the Crucifixion, the Roman centurion Longinus is shown lancing Christ’s side as Mary faints in the arms of John the Evangelist. Beside Christ hang two thieves, one repentant, the other offering his soul to a demon. The gilded and punched surface and lavishly costumed figures reflect a late International Gothic style, here dominated by Flemish realism. Although this altar panel once hung in the parish church of El Cubo de Don Sancho in Salamanca, it likely was commissioned by a wealthy donor for a more important setting. Unpainted upper corners indicate that its original frame had …

Saint George, Risd Museum, Sheila Bonde

Channel

Saint George was a soldier of the Roman Emperor Diocletian who accepted martyrdom rather than denounce his Christian faith. This carved and painted sculpture was likely to have been pulled or carried outdoors in religious processions commemorating his feast day, now celebrated on April 23. He was frequently depicted astride a horse, holding a shield and an upraised sword, symbols of both protection and sacrifice. During the Middle Ages, Saint George was the subject of widespread devotion, from Russia and Greece in the east to as far west as the British Isles. Perceived as defender of the Crusades and the …

Biblia Papuperum: The Flight Into Egypt With Jacob Fleeing Esau And David Fleeing Saul, Risd Museum, Emily Peters

Channel

ca. 1460s

Textile And Apparel Studies Student Wins National Scholarship, College Of Education And Human Development

Family and Consumer Sciences News

Textile and apparel studies student, Emily Olson, has won the Wil Conard Regent’s University Fashion Marketing scholarship for 2014.

What Is Art?, David Versluis, Matt Drissell, Sara Alsum-Wassenaar

Faculty Work Comprehensive List

"Three views by three artists on the definition of what art is. Do you agree with their views?"

Posting about art and what is good art from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.

http://inallthings.org/what-is-art/

Accumulate: Along The Way, Alyssa Colon, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Spill, Jen Berry, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Perceptions And Realities: Contemporary Impressions Of Formative And Temporal Experiences, Holly Lee Brewer

Theses

This thesis describes contemporary, non-traditional printmaking processes aimed at creating a metaphor for our perceptions of time and how the passage of time affects us both internally and externally in our attempt at constructing our self-identity. The language of this metaphor adopts the internal patterns of tree burls and altered pieces of manufactured wood in communicating the transience of time and mutability of memory. Texture is highlighted in many of the pieces for the exhibition, not only with that of irregular wood grain, but also in the series with skin-like handmade flax paper. In order to demonstrate how memory is …

Modern Day Sisyphus, Scarlett Xin Meng, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

2nd PRIZE WINNER

The Cycle Of Life - Circle, Zehua Wu, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Coccinellidae, Nahyeon Juliette Kim, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Material | Adventure, Diana Wagner

Masters Theses

With the generous support of the RISD Grad Studies|Grant I traveled to London, England to deepen my thesis research of material libraries. This opportunity allowed me to visit the resources that inspired my enthusiasm for materials and to challenge the questions I posed in my thesis research, How we, artists and designers, learn from materials in the context of the library? The sources explored within this book highlight a growing community of academic and research based material collections in London, along with some exceptional exhibitions of materials and process in the context of the museum and archive.

Materialize: Sculpture Using Digital Fabrication, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

This guide was created for the Materialize exhibition, curated by John Dickinson and Tess Cortes, with juror Tom Lauerman. Materialize highlighted 58 works by 27 artists that used digital processes in their design or production. This exhibition also traveled to Purdue University Galleries.