We Killed Some, We Loved Some,
2015
Butler University
We Killed Some, We Loved Some, M. R. Huntzinger
Manuscripts
She certainly didn't look like the German women whom we had read about before the war. She was tiny and slim, gray and wrinkled, about five feet two inches tall and weighed about a hundred pounds. Her sparkling eyes were sharp and expressive, and she was quick, scarcely stooped and very spry for a woman of such age. Her name was Betsy Holtzendoner. She was seventy-five years old, a widow and the mother of five children.
Easter,
2015
Butler University
Easter, Ruth O'Mahoney
Manuscripts
Sing with joy
He comes
He comes He comes
Dance and be gay
Reprisal,
2015
Butler University
Reprisal, George Fullen
Manuscripts
Sam was just too tired to pay much attention to the soldier who paused at the entrance and slid his eyes over the long, low building which was a combined Post Exchange and Red Cross Club. On the side toward the ocean, numerous posts had been imbedded in the ground and round tops nailed to them to serve as tables. A sign announced that It was a beer garden. Here were gathered the worshipers of sun, sea air and beer, and not a few who found watching specks on the horizon become ships and the surf leaping high against the …
Front Matter,
2015
Butler University
Ecotones,
2015
Claremont Graduate University
Ecotones, Chas Schroeder
CGU MFA Theses
My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.
X To Expression,
2015
Pepperdine University
X To Expression, Louis Philip Delaura
Seaver College Research And Scholarly Achievement Symposium
Art allows for the exploration of human life in a visual form. Over the summer I explored, through art, ideas regarding opposites and how they are more alike than we assume them to be. The purpose of this project was to reveal to the viewer that what we may think of as complete opposites actually achieve the same thing. The secondary purpose of this project was to explore these ideas in a non-representational form. I wanted to take this idea and present it through abstract art. I would observe two things that people seemed to think were opposites. I would …
Considering Triple Self-Portraiture In The Work Of María Izquierdo,
2015
University of Connecticut
Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley
The Quiet Corner Interdisciplinary Journal
This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …
A View To Women’S Networks In The Arts In Portland: Building And Engaging An Audience For The Artist Rosemarie Beck,
2015
Portland State University
A View To Women’S Networks In The Arts In Portland: Building And Engaging An Audience For The Artist Rosemarie Beck, Jenna Barganski
Lyric Truth: Rosemarie Beck
Essay on building an audience for the Rosemarie Beck art exhibit and multidisciplinary symposium.
A Painter And Her Poet: Rosemarie Beck And Marcia Nardi,
2015
Portland State University
A Painter And Her Poet: Rosemarie Beck And Marcia Nardi, Patricia A. Schechter
Lyric Truth: Rosemarie Beck
Presentation focuses on the relationship between Rosemarie Beck (1923-2003) and the poet Marcia Nardi (1901-1990).
Historicizing Subjectivities: Antigone, Rosemarie Beck And A Lesbian New Yorker,
2015
Portland State University
Historicizing Subjectivities: Antigone, Rosemarie Beck And A Lesbian New Yorker, Jamie P. Ross
Lyric Truth: Rosemarie Beck
Presentation examines Rosemarie Beck's development, as a woman and artist as part of the larger social/body politic of the time. Her sense of self as an individual, her individual acts, whether or not she participated in consciousness raising sessions and equal rights marches, perhaps are not as important as her historicized experiences; the creation of her subjectivity.
"Lyric Truth" Exhibit Catalogue,
2015
Portland State University
"Lyric Truth" Exhibit Catalogue, Sue Taylor, Nora Beck, Prudence F. Roberts, Patricia A. Schechter, Namita Gupta Wiggers
Lyric Truth: Rosemarie Beck
Catalogue published in connection with the exhibition "Lyric Truth: Paintings, Drawings, and Embroideries by Rosemarie Beck".
Volume 15, Issue 2: Full Text,
2015
Butler University
Articulate Flier,
2015
Butler University
Articulate Flier, Evelyn Hammond
Manuscripts
Bernie Lay's flier may be inarticulate, but mine isn't. He is my cousin Gib, Gilbert Robert Hendren Browning (my family is addicted to long names), and when he isn't flying, he loves to talk about everything.
Last Laugh,
2015
Butler University
Last Laugh, Jack Fultz
Manuscripts
Co-pilot Arnold Thurber's sly, cunning eyes became mirrors of wide-eyed terror and disbelief as he watched the bomb-bay doors of the huge bomber close the last inch. With haste born of desperation, he whirled and fought madly to return to the pilot's seat. Already the huge aircraft had started to spin. Reaching the pilot's seat, he saw, with glimmering hope, that pilot John "Speed" Lawson had the salvo switch shoved back in place.
I Have Before Me A Photograph,
2015
Butler University
I Have Before Me A Photograph, Lester Isaacs
Manuscripts
I have before me a photograph.
Not just another picture to be looked at and casually turned aside but-
One of monumental significance.
To me--
"Sonnet 29",
2015
Butler University
"Sonnet 29", Grace L. Whipple
Manuscripts
Allyn Wood uses symbolism to a rather large extent, and quite effectively, I believe. We are introduced to one of the cats, with its characteristic reserve and mystery, in the first paragraph, whereby an ominous atmosphere is created. Miss Wood continues to bring in cats and more cats until we feel just as Argus did about their penetrating presence. The cat, that creature of abstract mystery, quiet ubiquity and impenetrable character, certainly symbolizes the very existence of father and son in a house made mysterious by the father's continual probing for knowledge of what is beyond mortal senses to know.
A Diagnosis Of My Compositon Illness,
2015
Butler University
A Diagnosis Of My Compositon Illness, George Triplett
Manuscripts
"My dear fellow, complete recovery from your disease rests entirely in your hands. There isn't much we can do for you."
Religion --Rationalization Or Reason,
2015
Butler University
Religion --Rationalization Or Reason, Marion Lou Spears
Manuscripts
I believe that God exists as the creator and ruler of the' universe. r accept and uphold this belief with what r hope is near to pure rational thinking. I realize that I still hold to a few of the old concepts that I first had in childhood, but I feel that I have made great progress.
On Reading Shakespeare,
2015
Butler University
Something Special,
2015
Butler University
Something Special, John Q.A. Elliot
Manuscripts
Today was to be special. It had to be. The sun through the windows of the bright reading room was a harbinger. The sun gold-edged the emerald leaves of the lilac bush. It danced across the back yard, painting small platinum flecks between the lacelike ebony shadows of the giant maples. The breeze wafted through the open windows pushing the curtains lazily inward and carrying the sweet dew damp scent of the garden into the room.
